Technology in Irish Literature and Culture shows how such significant technologies-typewriters, gramophones, print, radio, television, computers-have influenced Irish literary practices and cultural production, while also examining how technology has been embraced as a theme in Irish writing. Once a largely rural and agrarian society, contemporary Ireland has embraced the communicative, performative and consumption habits of a culture utterly reliant on the digital. This text plumbs the origins of the present moment, examining the longer history of literature's interactions with the technological and exploring how the transformative capacity of modern technology has been mediated throughout a diverse national canon. Comprising essays from some of the major figures of Irish literary and cultural studies, this volume offers a wide-ranging, comprehensive account of how Irish literature and culture have interacted with technology.

How societies use the past is one of their most revealing traits. Using this insight "Ireland's Polemical Past" examines how the inhabitants of nineteenth and twentieth-century Ireland plundered their pasts for polemical reasons. The ten essays explore how revolutionaries, politicians, churchmen, artists, tourists and builders (among others) used the Irish past in creating and justifying their own position in contemporary society. The result is a varied portrait of the problems and tensions in nineteenth and early twentieth-century society that these people tried to solve by resorting to the Irish past for inspiration and justification to make their world work. This is a book that will appeal to those who have an interest in the making of modern Ireland as well as those concerned with writing about the Irish past at any level.

This collection of essays examines core authors and texts. Written by scholars from a range of Irish third-level institutions, these essays provide introductions to less familiar authors and open up critical readings of established texts.

Interest in nineteenth-century studies has never been greater, and contrasts sharply with previous neglect of many aspects of that century's history and culture. These essays by leading scholars assess and interpret developments from 1990 onwards in the field of nineteenth-century Irish studies, and from a wide range of disciplinary perspectives. The book covers political, social, religious and women's history and historical geography as well as anthropological and sociological studies of nineteenth-century Ireland. Further chapters cover nineteenth-century music, art history, literature in English, Gaelic culture and language and the Irish diaspora. This will be an invaluable research tool and reference book for many years to come.

The Maamtrasna Murders provides a cultural history of the events and subsequent impact of the renowned Maamtrasna murders from the perspective of language change in late nineteenth-century Ireland. Professor Kelleher takes the Maamtrasna case - one that is notorious for its failure to provide interpretation and translation services for monoglot Irish speakers - and examines broader sociolinguistic issues. Uncovering archival materials not previously consulted, this work illuminates a story that has proven to be much richer, `messier', and a more intricate social narrative than previous commentators have recognized. The Maamtrasna Murders moves Maamtrasna's violation of human rights from a local to a global stage. While the wrongful execution of monolingual Myles Joyce would prove to be the best-known feature of the case, the complex significance of language-use in an isolated region mirrors the dynamics that continue to influence the fates of monolingual and bilingual people today.

Contemporary media depictions of famine disaster display a striking prevalence female images. The Feminization of Famine is a unique study of the tradition of female representations in famine literature, from nineteenth-century accounts of the Irish famine to the present day. It examines the many novels and short stories written about the Irish famine over the last 150 years, from the novels of William Carleton, Anthony Trollope and Maria Edgeworth through to the writings of Liam O'Flaherty and John Banville. These literary works are read in the context of a rich variety of other sources, including contemporary eyewitness accounts of the 'Great Irish Famine', women's memoirs and journalistic writings, and famine historiography.The recurring motifs used to depict famine are highlighted - the prevalence of images of mother and child, the scrutiny of women's starved bodies, efforts to express the 'inexpressible'. The author investigates the effect of famine representations and their crucial role in shaping viewers' and readers' interpretations of the famine.The Feminization of Famine provides a significant critique of how famine has been represented and suggests important parallels with the current presentation of emergency and disaster.

Contemporary depictions of famine and disaster are dominated by female images. "The Feminization of Famine" examines these representations, exploring, in particular, the literature arising from the Irish "Great Famine" of the 1840s and the Bengali famine of the 1940s. Kelleher illuminates recurring motifs: the prevalence of mother and child images, the scrutiny of women's starved bodies, and the reliance on the female figure to express the largely "inexpressible" reality of famine. Questioning what gives these particularly feminine images their affective power and analyzing the responses they generate, this historical critique reveals striking parallels between these two "great" famines and current representations of similar natural disasters and catastrophes.
Kelleher begins with a critical reading of the novels and short stories written about the Irish famine over the last 150 years, from the novels of William Carleton and Anthony Trollope to the writings of Liam O'Flaherty and John Banville. She then moves on to unveil a lesser-known body of literature--works written by women. This literature is read in the context of a rich variety of other sources, including eye-witness accounts, memoirs, journalistic accounts, and famine historiography. Concluding with a reading of the twentieth-century accounts of the famine in Bengal, this book reveals how gendered representations have played a crucial role in defining notions of famine.