Margaret Laurence's collection of travel essays, written between 1964 and 1975, the period when she composed her Manawaka cycle, not only chronicles her travels; it also constitutes a concealed autobiography and reveals how her travels inspired her fiction. Professor Nora Foster Stovel's new introduction, 'Heart of a Traveller: Margaret Laurence's Life Journey', explores how Laurence's experiences in Somalia and Nigeria, Greece and Egypt, England and Scotland influenced and informed her Canadian fiction.

Morag Gunn is a writer in her mid-forties who lives in a riverside farm in East Ontario. Her eighteen-year-old daughter is suffering from a profound loneliness that she is struggling to understand, causing Morag to contemplate her own past.

Through a series of flashbacks she reviews the painful and exhilarating moments from her earlier life: her childhood on the social margins of the small prairie town of Manawaka; her escape from a demeaning marriage into writing fiction; and her travels to England, Scotland and finally back to Canada, where she faces her most difficult challenge – the necessity to understand, and let go of, the daughter she loves.

First published in 1974, The Diviners is an evocative, moving exploration of one woman's search for identity.

Over a period of forty years, from 1947 to 1986, Margaret Laurence and Adele Wiseman wrote to each other constantly. The topics they wrote about were as wide-ranging as their interests and experiences, and their correspondence encompassed many of the varied events of their lives. Laurence's letters - of which far more are extant than Wisman's - reveal much about the impact of her years in Africa, motherhood, her anxieties and insecurities, and her developement as a writer. Wiseman, whose literary success came early in her career, provided a sympathetic ear and constant encouragement to Laurence.

The editors' selection has been directed by an interest in these women as friends and writers. Their experiences in the publishing world offer an engaging perspective on literary apprenticeship, rejection, and success. The letters reveal the important roles both women played in the buoyant cultural nationalism of the 1960s and 1970s.

This valuable collection of previously unpublished primary material will be essential to scholars working on Canadian literature and of great interest to the general reading. The introduction contextualizes the correspondence and the annotations to the letters help to clarify the text. The Laurence-Wiseman letters offer a fascinating glimpse into the lives and friendship of two remarkable women whose personal correspondence was written with verve, compassion, and wit.

Margaret Laurence, best known for her germinal novels set in the Canadian prairies, is one of the nation's most respected authors. She was also an accomplished essayist, yet today her nonfiction writing is largely unavailable and therefore little known. In Recognition and Revelation Nora Foster Stovel brings together Laurence's short nonfiction works, including many that have not previously been collected and some that have never before been published. These works, including over fifty essays and addresses that span Laurence's writing career from the 1960s to the 1980s, reveal her passionate concern for Canadian literature and for the land and peoples of Canada. Based on extensive archival research, Stovel's introduction contextualizes Laurence's nonfiction writings in her life as a creative artist and political activist and as a woman writing in the twentieth century. The texts range from essays on Laurence's own writings and on other works of Canadian literature to autobiographical essays, several focusing on environmental concerns, to sociopolitical essays and writing advocating for peace and nuclear disarmament. By revealing Laurence as a socially and politically committed artist, this collection of lively and provocative essays illuminates the undercurrents of her creative writing and places her fiction - often informed by her nonfiction writing - in a new light.