Previously published as Peacemakers Between January and July 1919, after the war to end all wars, men and women from all over the world converged on Paris for the Peace Conference. At its heart were the leaders of the three great powers - Woodrow Wilson, Lloyd George and Clemenceau. Kings, prime ministers and foreign ministers with their crowds of advisers rubbed shoulders with journalists and lobbyists for a hundred causes - from Armenian independence to women's rights. Everyone had business in Paris that year - T.E. Lawrence, Queen Marie of Romania, Maynard Keynes, Ho Chi Minh. There had never been anything like it before, and there never has been since. For six extraordinary months the city was effectively the centre of world government as the peacemakers wound up bankrupt empires and created new countries. They pushed Russia to the sidelines, alienated China and dismissed the Arabs, struggled with the problems of Kosovo, of the Kurds, and of a homeland for the Jews. The peacemakers, so it has been said, failed dismally; failed above all to prevent another war. Margaret MacMillan argues that they have unfairly been made scapegoats for the mistakes of those who came later. They tried to be evenhanded, but their goals - to make defeated countries pay without destroying them, to satisfy impossible nationalist dreams, to prevent the spread of Bolshevism and to establish a world order based on democracy and reason - could not be achieved by diplomacy. Paris 1919 (originally published as Peacemakers) offers a prismatic view of the moment when much of the modern world was first sketched out.

New York Times 10 Best Books of 2020 Sunday Times best books for Autumn 2020 Guardian critics' pick for Autumn 2020 Wall Street Journal notable book of 2020 The time since the Second World War has been seen by some as the longest uninterrupted period of harmony in human history: the 'long peace', as Stephen Pinker called it. But despite this, there has been a military conflict ongoing every year since 1945. The same can be said for every century of recorded history. Is war, therefore, an essential part of being human? In War, Professor Margaret MacMillan explores the deep links between society and war and the questions they raise. We learn when war began - whether among early homo sapiens or later, as we began to organise ourselves into tribes and settle in communities. We see the ways in which war reflects changing societies and how war has brought change - for better and worse. Economies, science, technology, medicine, culture: all are instrumental in war and have been shaped by it - without conflict it we might not have had penicillin, female emancipation, radar or rockets. Throughout history, writers, artists, film-makers, playwrights, and composers have been inspired by war - whether to condemn, exalt or simply puzzle about it. If we are never to be rid of war, how should we think about it and what does that mean for peace?

The past is capricious enough to support every stance - no matter how questionable. In 2002, the Bush administration decided that dealing with Saddam Hussein was like appeasing Hitler or Mussolini, and promptly invaded Iraq. Were they wrong to look to history for guidance? No; their mistake was to exaggerate one of its lessons while suppressing others of equal importance. History is often hijacked through suppression, manipulation, and, sometimes, even outright deception. MacMillan's book is packed full of examples of the abuses of history. In response, she urges us to treat the past with care and respect.

What difference do individuals make to history? Are we all swept up in the great forces like industrialisation or globalisation, or is the world we inhabit shaped just as much by real people - leaders for example - and the decisions that they make? For better or for worse, the personalities of the powerful can affect millions of people and the future of countries: it matters who is in the driving seat, and who is making plans. Equally important: how is history itself made by those who keep the records? In History's People Margaret Macmillan explores the lives of the great and lesser-known figures of the past: men, women, explorers, rulers, dreamers, politicians, observers, campaigners. She looks at the concept of leadership, from Bismarck to Franklin Delano Roosevelt, but also at the role of observers such as Babur, first Mughal emperor of India, and asks how explorers and visionaries such as Fanny Parkes and Elizabeth Simcoe managed to defy or ignore the constraints of their own societies. And, in doing so, she uncovers the important and complex relationship between biography and history, and between individuals and their times. Like all the best history, this book will change the way you see the past, as well as your own times - and perhaps introduce you to some people you didn't know.

Celebrated for her pioneering work to improve the education, health and welfare of slum children, Margaret McMillan (1860 1931) was an active socialist campaigner and member of the Independent Labour Party. Her involvement with Bradford school boards drew her attention to the poor state of health of the pupils - rickets, scurvy, anaemia and malnutrition were commonplace. Working with her sister Rachel (1859 1917), as well as lobbying for improved standards, Margaret opened the country's first school clinic in Bow in 1908. The sisters' most famous enterprise, the Deptford Camp School, soon followed, and the Rachel McMillan College for training nurses and teachers was founded in 1930. One of her many influential books on pre-school and primary education, this work of 1907 considers the vital role of the school doctor and argues that the practice of poor schoolchildren engaging in part-time labour is detrimental to their well-being.

National Bestseller

New York Times Editors’ Choice

Winner of the PEN Hessell Tiltman Prize

Winner of the Duff Cooper Prize

Silver Medalist for the Arthur Ross Book Award
of the Council on Foreign Relations

Finalist for the Robert F. Kennedy Book Award

For six months in 1919, after the end of “the war to end all wars,” the Big Three—President Woodrow Wilson, British prime minister David Lloyd George, and French premier Georges Clemenceau—met in Paris to shape a lasting peace. In this landmark work of narrative history, Margaret MacMillan gives a dramatic and intimate view of those fateful days, which saw new political entities—Iraq, Yugoslavia, and Palestine, among them—born out of the ruins of bankrupt empires, and the borders of the modern world redrawn.

WINNER of the International Affairs Book of the Year at the Political Book Awards 2014Longlisted for the Samuel Johnson Prize 2013 The First World War followed a period of sustained peace in Europe during which people talked with confidence of prosperity, progress and hope. But in 1914, Europe walked into a catastrophic conflict which killed millions of its men, bled its economies dry, shook empires and societies to pieces, and fatally undermined Europe's dominance of the world. It was a war which could have been avoided up to the last moment-so why did it happen? Beginning in the early nineteenth century, and ending with the assassination of Arch Duke Franz Ferdinand, award-winning historian Margaret MacMillan uncovers the huge political and technological changes, national decisions and -- just as important-the small moments of human muddle and weakness that led Europe from peace to disaster. This masterful exploration of how Europe chose its path towards war will change and enrich how we see this defining moment in our history.

14-18 NOW: Contemporary arts commissions for the First World War centenary presents a detailed look at the extensive 14-18 NOW programme, which was set up to bring a creative response to the centenary of the First World War. The richly illustrated hardback includes an introduction by Margaret MacMillan and essays by David Olusoga, Danny Boyle, Akram Khan, Helen Marriage, Charlotte Higgins, Mark Kermode, William Kentridge and Rachel Whiteread.

Spread over five years, 14-18 NOW created a new way of marking major national moments through the arts, commissioning artists to create works that respond to different aspects of the war through film, visual arts, literature, dance, theatre and music. With a vast number of images from the entire season, this fully-illustrated book is a reminder of the transformative power of the arts to bring the stories of the First World War to life, through projects such as Jeremy Deller's Somme tribute We're here because we're here, Peter Jackson's colourised film They Shall Not Grow Old, and Danny Boyle's Armistice beach memorial Pages of the Sea.

The 14-18 NOW programme is one of the largest public art commissions of all time, creating over 100 artworks which have been seen by more than 35 million people. Artists include Rachel Whiteread, John Akomfrah, Gillian Wearing, Peter Jackson, Danny Boyle, Vivienne Westwood, Jeremy Deller, Shobana Jeyasingh, Sir Peter Blake, Anna Meredith, William Kentridge, Akram Khan, Susan Philipsz and Yinka Shonibare CBE.

Perceptions of the war have been shaped by the artists of the time, including poets, painters, photographers and film-makers - many of whom served and who reflected on the war and its effects. One hundred years later, today's artists are opening up new perspectives on the present as well as the past.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!