'There was not a soul to be seen, up or down; and the trees stood like ghosts, and the silence was terrible, and everything clear as day. You don’t know what silence is until you find it in the light like that...' Margaret Oliphant’s superbly strange tales have been long overdue their rediscovery as classics of the Victorian ghost story genre. From suspenseful hauntings to weird experiences of the afterlife and encounters with sympathetic ghosts, Oliphant tells her tales with well-wrought imagery and a nuanced voice to deliver a thoroughly unnerving and unforgettable reading experience. This newly edited volume collects six of her greatest ‘Seen and Unseen’ stories – Oliphant’s most popular series in her day – and includes a new introduction exploring the life of this pioneering novelist.

World-renowned illustrator Seth returns with three new Christmas ghost stories for 2020. Retired officer Colonel Mortimer takes a lease on the mansion of Brentwood, the grounds of which share the ruins of an older house, including a strange, vacant doorway, but eerie events begin to unfold and Mortimer's son falls ill. As the supernatural takes hold, Mortimer resolves to do what he must to save his son even as he ventures further into an increasingly horrifying place.

A classic ghost story illustrated by acclaimed cartoonist, Seth. Retired officer Colonel Mortimer takes a lease on the mansion of Brentwood, the grounds of which share the ruins of an older house, including a strange, vacant doorway, but eerie events begin to unfold and Mortimer's son falls ill. As the supernatural takes hold, Mortimer resolves to do what he must to save his son even as he ventures further into an increasingly horrifying place.

Kirsteen is the tale of a young woman from an old but impoverished Argyllshire family who escapes her domineering father and seeks her independence. Kirsteen's options appear to be unpaid drudgery at home, or a loveless marriage. Rejecting both, she escapes to London where she makes a living through her own innate craft and skill. Though scorned by her family for choosing to work as a mantua-maker, Kirsteen becomes highly successful in the life she carves out for herself. Kirsteen is a startlingly modern novel whose powerful voice, narrative drive and ironic exposure of injustice and hypocrisy provide a fascinating perspective on women in Victorian society. First published in 1890, and written by Queen Victoria's favourite novelist Margaret Oliphant, Kirsteen is a deep, rich novel by an author at the height of her powers.

Scottish Stories is a treasury of great writing from a richly literary land, where the short story has flourished for over two centuries. Here are chilling supernatural stories from Robert Louis Stevenson, Eric Linklater and Dorothy K. Haynes; side-splittingly funny stories from Alasdair Gray and Irvine Welsh; a stylish offering from urban realist William McIlvanney. Iain Crichton Smith evokes the Gaelic-speaking highlands, George Mackay-Brown the Orkney islands, Andrew O'Hagan working-class Glasgow; while Leila Aboulela, originally from Sudan, ponders the relations between colonizers and colonized from her home in Aberdeen. Though there is no one 'Scottishness' that binds the authors together, writes editor Gerard Carruthers, each has a Scottish footprint or accent. And perhaps more importantly, all are masters of their form.

Q. D. Leavis declared Margaret Oliphant's heroine Lucilla to be the 'missing link' in Victorian literature between Jane Austen's Emma and George Eliot's Dorothea Brooke, and 'more entertaining, more impressive and more likeable than either'.

Returning home to tend her widowed father Dr Marjoribanks, Lucilla soon launches herself into Carlingford society, aiming to raise the tone with her select Thursday evening parties. Optimistic, resourceful and blithely unimpeded by self-doubt, Lucilla is a superior being in every way, not least in relation to men. This Penguin Classics edition of Miss Marjoribanks (1865) is introduced and edited by Margaret Oliphant's acclaimed biographer Margaret Jay.