Presented in two volumes, The Ashgate Research Companion to The Sidneys, 1500-1700 assesses the current state of scholarship on members of the Sidney family and their impact, as historical and/or literary figures, in the period 1500-1700. Volume 2: Literature, begins with an exploration of the Sidneys' books and manuscripts and how they circulated, followed by an overview of the contributions of family members -Sir Philip Sidney; Mary Sidney Herbert, Countess of Pembroke; Lady Mary Wroth; Robert Sidney, Earl of Leicester; and William Herbert, Earl of Pembroke - in the genres of prose romance, drama, poetry, psalms and prose. These essays outline major controversies and areas for further research, as well as conducting literary analysis.

Though all but three of Robert Sidney's 332 extant letters to his wife Barbara Gamage Sidney have been in the Sidney family archive, they have never previously been fully transcribed or edited. This edition of the surviving letters, which Sidney wrote to his wife when they were separated for long periods by his official duties at various continental locations, provides a wealth of information about the Sidneys' family life. They touch on matters such as family illnesses, the children's education, court gossip, finances, and the construction of additions to Penshurst Place, the seat of the Sidney family. The letters also offer an extraordinary record of an early-modern English household in which the wife was entrusted with the overall responsibility for the well-being of her family, and for managing a large estate in the absence of her husband. Sidney's letters show that, although his union with the wealthy Welsh heiress Barbara Gamage may have been engineered primarily for political and financial ends, clearly the couple enjoyed a happy and loving marriage. Their correspondence is full of endearments, and Robert frequently tells his wife how much he misses her and their beloved children, including his 'Malkin,' later Lady Mary Wroth. The volume includes an introduction and notes by the editors. It also includes contextual materials such as relevant sections on family matters from letters to Robert from his trusted agent, Rowland Whyte; and from Robert Sidney's own business correspondence. The introduction specifically addresses the issue of Barbara's literacy, within the broader context of late-Elizabethan women's literacy.

Despite her fascinating life and her importance as a writer, until now Lady Mary Wroth has never been the subject of a full-length biography. Margaret Hannay's reliance on primary sources results in some corrections, as well as additions, to our knowledge of Wroth's life, including Hannay's discovery of the career of her son William, the marriages of her daughter Katherine, her grandchildren, her last years, the date of her death, and the subsequent history of her manuscripts. This biography situates Lady Mary Wroth in her family and court context, emphasizing the growth of the writer's mind in the sections on her childhood and youth, with particular attention to her learned aunt, Mary Sidney Herbert, Countess of Pembroke, as literary mentor, and to her Continental connections, notably Louise de Coligny, Princess of Orange, and her stepson Prince Maurice. Subsequent chapters of the biography treat her experience at the court of Queen Anne, her relationships with parents and siblings, her love for her cousin William Herbert, her marriage to Robert Wroth, the birth and early death of her only legitimate child, her finances and properties, her natural children, her grandchildren, and her last years in the midst of England's civil wars. Throughout the biography attention is paid to the complex connections between Wroth's life and work. The narrative is enhanced with a chronology; family trees for the Sidneys and Wroths; a map of Essex, showing where Wroth lived; a chart of family alliances; portraits; and illustrations from her manuscripts.

The letters of Dorothy Percy Sidney, Countess of Leicester, dating predominantly from about 1636 until 1643, cover a wide range of issues and vividly illustrate her centrality to her illustrious family's personal and public affairs. These c.100 letters are here for the first time fully transcribed and edited. The edition includes a biographical and historical introduction, setting the context of the Sidneys' family and political activities at the time of Dorothy's marriage to Robert in 1615 and then tracing the major events and involvements of her life until her death in 1659. A key to the cipher used in the letters to disguise identities of individuals is also supplied. Following the introduction is the complete text of each of Dorothy Percy Sidney's letters to her husband, Robert, second Earl of Leicester, and to and from William Hawkins, the Sidney family solicitor, along with several others, including letters from Dorothy to Archbishop Laud and the Earl of Holland. Her husband's account of her last moments in 1659, and testamentary directions relating to her will, are also included. The letters are arranged in chronological order and supported by a series of footnotes that elucidate their historical context and briefly to identify key individuals, places, political issues and personal concerns. These notes are further supported by selective quotations from Dorothy's incoming correspondence and other related letters and documents. A glossary supplies more detailed information on 'Persons and Places.' Dorothy Percy Sidney's letters eloquently convey how, even with her undoubted personal potency and shrewd intelligence, the multifaceted roles expected of an able and determined aristocratic early modern Englishwoman-especially when her husband was occupied abroad on official business-were intensely demanding and testing.

Presented in two volumes, The Ashgate Research Companion to The Sidneys, 1500-1700 assesses the current state of scholarship on members of the Sidney family and their impact, as historical and/or literary figures, in the period 1500-1700. Volume 2: Literature, begins with an exploration of the Sidneys' books and manuscripts and how they circulated, followed by an overview of the contributions of family members -Sir Philip Sidney; Mary Sidney Herbert, Countess of Pembroke; Lady Mary Wroth; Robert Sidney, Earl of Leicester; and William Herbert, Earl of Pembroke - in the genres of prose romance, drama, poetry, psalms and prose. These essays outline major controversies and areas for further research, as well as conducting literary analysis.

Few families have contributed as much to English history and literature-indeed, to the arts generally-as the Sidney family. This two-volume Ashgate Research Companion assesses the current state of scholarship on family members and their impact, as historical and literary figures, in the period 1500-1700. Volume 1: Lives, begins with an overview of the Sidneys and politics, providing some links to court events, entertainments, literature, and patronage. The volume gives biographies to prominent high-profile Sidney women and men, as well as sections assessing the influence of the family in the areas of the English court, international politics, patronage, religion, public entertainment, the visual arts, and music. The focus of the second volume is the literary contributions of Sir Philip Sidney; Mary Sidney Herbert, Countess of Pembroke; Lady Mary Wroth; Robert Sidney, Earl of Leicester; and William Herbert, Earl of Pembroke.

Though all but three of Robert Sidney's 332 extant letters to his wife Barbara Gamage Sidney have been in the Sidney family archive, they have never previously been fully transcribed or edited. This edition of the surviving letters, which Sidney wrote to his wife when they were separated for long periods by his official duties at various continental locations, provides a wealth of information about the Sidneys' family life. They touch on matters such as family illnesses, the children's education, court gossip, finances, and the construction of additions to Penshurst Place, the seat of the Sidney family. The letters also offer an extraordinary record of an early-modern English household in which the wife was entrusted with the overall responsibility for the well-being of her family, and for managing a large estate in the absence of her husband. Sidney's letters show that, although his union with the wealthy Welsh heiress Barbara Gamage may have been engineered primarily for political and financial ends, clearly the couple enjoyed a happy and loving marriage. Their correspondence is full of endearments, and Robert frequently tells his wife how much he misses her and their beloved children, including his 'Malkin,' later Lady Mary Wroth. The volume includes an introduction and notes by the editors. It also includes contextual materials such as relevant sections on family matters from letters to Robert from his trusted agent, Rowland Whyte; and from Robert Sidney's own business correspondence. The introduction specifically addresses the issue of Barbara's literacy, within the broader context of late-Elizabethan women's literacy.

'the highest matter in the noblest form' John Donne's description of the Psalms celebrates not only the perfection of the biblical psalms but their translation into poetic form by the Sidneys, who turned them into some of the most accomplished lyric poems of the English Renaissance. Although it was not printed until the nineteenth century, the Sidney Psalter was widely read in manuscript and influenced poets from Donne and Herbert to Milton and beyond. It turned these well-known and well-loved Psalms into sophisticated verse, selecting or inventing a different stanza form for each one. This variety of forms matches the appeal of their content: there are Psalms of praise and blame, Psalms of cursing and lamentation, Psalms of joy and exaltation, Psalms that recount history, and Psalms that describe Creation or divine law. This is the first complete edition of the Psalter for over forty years. The Psalms are provided in an authoritative modernized text, with helpful glosses and notes illuminating points of interpretation, and an introduction setting the Psalms in their literary and cultural contexts. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Mary Sidney Herbert, Countess of Pembroke and sister to Sir Philip Sidney, is the most important woman writer of the Elizabethan era outside the royal family. This scholarly edition in two volumes is the first to include all her extant works: Volume I prints her three original poems, the disputed 'Dolefull Lay of Clorinda', her translations from Petrarch, Mornay, and Garnier, and all her known letters. Volume II contains her metrical paraphrases of Psalms 44-150. The edition also provides a biographical introduction, discussion of her sources and methods of composition, textual annotation, and a detailed commentary.

Mary Sidney Herbert, Countess of Pembroke, is the most important Elizabethan woman writer and patron outside the royal family. By astute use of the genres permitted to women, she supported the Protestant cause, introduced continental literary genres, expanded opportunities for later women writers, and influenced seventeenth-century lyric and drama by such writers as John Donne, George Herbert, Mary Wroth, and William Shakespeare. This scholarly edition in two volumes is the first to include all her extant works: Volume I prints her three original poems, the disputed `Dolefull Lay of Clorinda', her translations from Petrarch, Mornay, and Garnier, and all her known letters. Volume II contains her metrical paraphrases of Psalms 44-150. The edition also provides a biographical introduction, discussion of her sources and methods of composition, textual annotation, and a detailed commentary.

Although previous studies have portrayed Mary Sidney as a demure, retiring woman, Hannay, basing her work on primary sources (account books, legal documents, diaries, family letters), has discovered that she was brilliant, learned, witty, articulate, and adept at self-presentation. Married to the wealthy Earl of Pembroke, she ruled over her little court at Wilton just as Elizabeth ruled in London. Her wisdom, poetry, and scholarship were extravagantly praised by those who sought to gain her favour. When Philip, her older brother, died fighting for the Protestant cause, she moved to London to take up his literary activities, publishing his writings, writing and translating works of which he would have approved, assuming his role as literary patron and supporting the Protestant cause for which he died. All the literary work for which she is celebrated took place between her return to London in 1588 and her husband's death in 1601. While previous biographers contended that her widowhood was quiet and uneventful, Hannay shows, via court cases, that her final years were colourful indeed, as, administering the properties she retained, she contended with jewel thieves, pirates, and murderers, finally bringing them to trial after complex legal and political manoeuvres.

Mary Sidney Herbert, Countess of Pembroke, was renowned in her own time for her metrical translation of biblical Psalms, several original poems, translations from French and Italian, and her literary patronage. William Shakespeare used her Antonius as a source, Edmund Spenser celebrated her original poems, John Donne praised her Psalmes, and Lady Mary Wroth and Aemilia Lanyer depicted her as an exemplary poet. Arguably the first Englishwoman to be celebrated as a literary figure, she has also attracted considerable modern attention, including more than two hundred critical studies. This volume offers a brief introduction to her life and an extensive overview of the critical reception of her works, reprints some of the most essential and least accessible essays about her life and writings, and includes a full bibliography.