The text is accompanied by both explanatory annotations and textual notes. "Backgrounds and Contexts" includes thirty letters or letter excerpts by Elizabeth Barrett Browning and Robert Browning that trace Aurora Leigh s inception, evolution, and publication. Seven contemporary documents on the "woman question," prostitution, socialism, and poetic theory place the text historically. "Criticism" collects twenty-five assessments of Aurora Leigh from the period 1899 1993. A wide range of opinion is provided by George Eliot, Virginia Woolf, Ellen Moers, Sandra Gilbert and Susan Gubar, Angela Leighton, Deirdre David, Dorothy Mermin, and Margaret Reynolds, among others. A Chronology and Selected Bibliography are also included."

Carpenter Adam Bede is in love with the beautiful Hetty Sorrel, but unknown to him, he has a rival, in the local squire's son Arthur Donnithorne. Hetty is soon attracted by Arthur's seductive charm and they begin to meet in secret. The relationship is to have tragic consequences that reach far beyond the couple themselves, touching not just Adam Bede, but many others, not least, pious Methodist Preacher Dinah Morris. A tale of seduction, betrayal, love and deception, the plot of Adam Bede has the quality of an English folk song. Within the setting of Hayslope, a small, rural community, Eliot brilliantly creates a sense of earthy reality, making the landscape itself as vital a presence in the novel as that of her characters themselves.

'Exquisite... a deeply insightful memoir which charts our fundamental longings for place and identity, and ultimately our yearnings for love.' Helena Kennedy 'Extremely moving...an unusually thoughtful take on becoming a mother, enabled by removing babyhood and biology.' Guardian How to find an outlet for a love that demands expression? Single, in her mid-forties and having experienced a sudden early menopause, the realisation comes to Peggy quietly, and clearly, she decides to adopt a child. But the preparation is arduous and the scrutiny intense. There are questions about past lives, about capability and expectations. Asking big questions about identity and belonging, as well as about what makes a mother - and a home - this is a beautiful meditation on how the legacies of childhood might be overcome by a mother's determination to love. 'A remarkable book...wise and arresting' Sarah Winman

'A remarkable book...wise and arresting' Sarah Winman 'Exquisite... a deeply insightful memoir which charts our fundamental longings for place and identity, and ultimately our yearnings for love.' Helena Kennedy Single, in her mid-forties and having experienced a sudden early menopause, a realisation comes to Peggy quietly, and clearly: she decides to adopt a child. But the preparation is arduous and the scrutiny intense. There are questions about past lives, about capability and expectations. Asking big questions about identity and belonging, as well as about what makes a mother - and a home - this is a beautiful meditation on how the legacies of childhood might be overcome by a mother's determination to love. 'Extremely moving...an unusually thoughtful take on becoming a mother, enabled by removing babyhood and biology.' Guardian

"This collection shows that women have seen themselves as aggressive and receptive lovers, as well as philosophically sexual and loving partners, since the beginning of recorded history."
SAN FRANCISCO CHRONICLE
Here is the first collection of female erotic writing through the ages, and the first to reveal the form's amazing scope--as multifaceted as the sexuality of women themselves. EROTICA reveals the history of women's erotic writing and reexamines the literary expression of female sexuality. Included in this unique anthology are: Kathy Acker, Jane Austen, Anne Boleyn, Kate Copin, H.D., Radclyffe Hall, Edna O'Brien, Vita Sackville-West, Stevie Smith, Marina Tsvetayeva, Virginia Woolf, and many others.

As his tale begins, Orlando is a passionate young nobleman whose days are spent in rowdy revelry, filled with the colourful delights of Queen Elizabeth's court. By the close, he will have transformed into a modern, thirty-six-year-old woman and three centuries will have passed. Orlando will witness the making of history from its edge, dressing in the flamboyant fashions of each day, following passing customs, and socialising with celebrated artists and writers. Orlando's journey will also be an internal one - he is an impulsive poet who learns patience in matters of the heart, and a woman who knows what it is to be a man. Virginia Woolf's most unusual and fantastic creation, Orlando is a funny, exuberant tale that examines the very nature of sexuality.