As a writer and forward-thinking social critic, Lillian Smith (1897-1966) was an astute chronicler of the twentieth-century American South and an early proponent of the civil rights movement. From her home on Old Screamer Mountain overlooking Clayton, Georgia, Smith wrote and spoke openly against racism, segregation, and Jim Crow laws long before the civil rights era. Bringing together short stories, lectures, essays, op-ed pieces, interviews, and excerpts from her longer fiction and non fiction, A Lillian Smith Reader offers the first comprehensive collection of her work and a compelling introduction to one of the South's most important writers. A conservatory-trained music teacher who left the profession to assume charge of her family's girls' camp in Rabun County, Georgia, Smith began her literary career writing for a journal that she coedited with her lifelong companion, Paula Snelling, successively titled Pseudopodia (1936), the North Georgia Review (1937-41), and South Today (1942-45). Known today for her controversial, best-selling novel, Strange Fruit (1944); her collection of autobiographical essays, Killers of the Dream (1949); and her lyrical documentary, Now Is the Time (1955), Smith was acclaimed and derided in equal measures as a southern white liberal who critiqued her culture's economic, political, and religious institutions as dehumanising for all: white and black, male and female, rich and poor. She was also a frequent and eloquent contributor to periodicals such as the Saturday Review, LIFE, the New Republic, the Nation, and the New York Times. The influence of Smith's oeuvre extends far beyond these publications. Her legacy rests on her sense of social justice, her articulation of racial and social inequities, and her challenges to the status quo. In their totality, her works propose a vision of justice and human understanding that we have yet to achieve.

Follow two friends on a class field trip as they visit a butterfly sanctuary and discover the Painted Lady. Learn all about the habitat and life cycle of the Painted Lady from egg to chrysalis to butterfly. There really does seem to be some magic involved! Parents, teachers and gift givers will find: scientifically accurate details on the Painted Lady butterfly a topic that aligns with classroom curriculum beautiful art and a sweet story a book for kids who loved their butterfly garden or growing kit! Chances are you have heard of the Painted Lady or maybe even raised one at home or in school. This topic is covered in schools in Kindergarten and First grade, and this book will offer a beautiful study on this lovely and popular butterfly.

The best new research on medieval clothing and textiles, drawing from a range of disciplines and with a special focus on reconstruction and re-enactment. Historical dress and textiles, always a topic of popular interest, has in recent years become an academic subject in its own right, transcending traditional genre boundaries. This annual journal includes in-depth studies from a variety of disciplines as well as cross-genre scholarship, representing such fields as social history, economics, history of techniques and technology, art history, archaeology, literature, and language. The contents cover a broad geographical scope and a range of periods from the early Middle Ages to the Renaissance. Papers in this latest volume discuss clothing descriptions in an early Irish poem in relation to archaeological finds; the Latin inscription embroidered on the Bayeux Tapestry; clothmaking in twelfth-century French romances; medieval Paris as an international textile market; the cost of sartorial excess in England as attested by sumptuary laws and satire; textile cleaning techniques at a German convent in the fifteenth century; the use of jewelled animal pelts as fashion accessories in the Renaissance; and the social significance of the embroidered jacket in early modern England. Also included are reviews of recent books on dress and textile topics. ROBIN NETHERTON's research focuses on medieval Western European clothing and its interpretation by artists and historians; GALE R. OWEN-CROCKER is Professor ofAnglo-Saxon Culture, The University of Manchester. Her most recent books are Dress in Anglo-Saxon England (2004), and King Harold II and the Bayeux Tapestry (2005). Contributors: Niamh Whitfield, Gale R. Owen-Crocker, Monica L. Wright, Sharon Farmer, Margaret Rose Jaster, Drea Leed, Tawny Sherrill, Danielle Nunn-Weinberg

This stunning collection of prayers from women throughout the Anglican Communion is organized according to themes of the U.N. Millennium Development Goals. The prayers make direct connections between women's lives and global concerns of women everywhere, showing the interrelatedness, for example, between a woman's prayer for her infant in America and the plight of child laborers in developing countries. The prayer selections are representative of women from of all parts of the Anglican world. Members of the editorial board include Jane Williams, Phoebe Griswold, and women from Asia, South America, and the Middle East.

This enchanting tale relates the story of Daisy, a young cow, raised by a little girl named Hannah who, after a misadventure with a honeybee and a kiss on the nose, begins to produce ICE CREAM instead of milk So productive is Daisy, producing tubs full of creamy flavor combinations, that the family soon becomes overwhelmed and must come up with a solution for her luscious output. The book ends with a challenge for it's young readers to create a unique ice cream flavor from their own imagination email it to Hannah and receive a thank you note from Daisy herself.

Anyone can learn to plait a kete whakairo from the long blades of harakeke, commonly known as New Zealand flax. This book Kete Whakairo plaiting flax for beginners gives detailed, step by step instructions and illustrations for plaiting a beginner's version of this type of kete.

Margaret Rose Ngawaka first became interested in her native craft of plaiting when a group of tutors were invited to teach women in a small northern community on Great Barrier Island, New Zealand in 1998. Margaret Rose has maintained this traditional art and skill. She continues this folk art of Raranga by teaching others who are interested.