Bestselling author Isabel Allende's first adult novel since 'Portrait in Sepia' - beautiful, disturbing and atmospheric. Beneath the mask, there is a man. And in his heart burns the fire of injustice ... Duels at dawn, fierce battles with pirates and impossible rescues - these are the deeds that forged the legend of Zorro. But where did the man begin? Southern California, late 18th century: Diego de la Vega is a child of two worlds, his father an aristocratic Spaniard, his mother a Shoshone warrior. Growing up he witnesses the brutual injustices dealt to Native Americans. Later, following the example of his fencing master, the young Diego joins a secret movement devoted to helping the powerless. His first steps on the road to heroism have been taken. But a great rival will emerge from the ranks of the cruel oppressors. How will Zorro defeat him? And will his childhood sweetheart Isabel claim the prize she so longs for - his true love?

Tales of horror, madness, and death, tales of fantasy and morality: these are the works of South American master storyteller Horacio Quiroga. Author of some 200 pieces of fiction that have been compared to the works of Poe, Kipling, and Jack London, Quiroga experienced a life that surpassed in morbidity and horror many of the inventions of his fevered mind. As a young man, he suffered his father's accidental death and the suicide of his beloved stepfather. As a teenager, he shot and accidentally killed one of his closest friends. Seemingly cursed in love, he lost his first wife to suicide by poison. In the end, Quiroga himself downed cyanide to end his own life when he learned he was suffering from an incurable cancer.

In life Quiroga was obsessed with death, a legacy of the violence he had experienced. His stories are infused with death, too, but they span a wide range of short fiction genres: jungle tale, Gothic horror story, morality tale, psychological study. Many of his stories are set in the steaming jungle of the Misiones district of northern Argentina, where he spent much of his life, but his tales possess a universality that elevates them far above the work of a regional writer.

The first representative collection of his work in English, The Decapitated Chicken and Other Stories provides a valuable overview of the scope of Quiroga's fiction and the versatility and skill that have made him a classic Latin American writer.

Conceived in an embrace designed to comfort a dying man, born to a servant and raised as a hired hand, Eva Luna learns quickly that she has a talent that belies her humble start: the gift of storytelling. As the years pass and her imprudent nature sends Eva from household to household--from the home of a doctor famed for mummifying the dead to a colorful whorehouse and the care of a beautiful transsexual--it is Eva's magical imagination that keeps her alive and fuels her ardent encounters with lovers of all kinds. And as her South American homeland teeters on the brink of political chaos, and Eva's fate is intertwined with guerrilla fighters and revolutionaries, she will find her life's calling--and the soul mate who will envelop her in a love entirely beyond her mystical inventions.
"Eva Luna" is a literary triumph, a novel brimming with battles and passions, rebellions and reunions--and some of the most exquisite characters Isabel Allende has ever created.

The atom, a tuna, laziness, love--the everyday elements and essences of human experience glow in the translucent language of Neruda's odes. Chilean poet Pablo Neruda (1904-1973) wrote three books of odes during his lifetime. "Odas elementales" was published in 1954, followed in subsequent years by "Nuevas odas elementales" and "Tercer libro de las odas." Margaret Sayers Peden's selection of odes from all three volumes, printed with the Spanish originals on facing pages, is by far the most extensive yet to appear in English. She vividly conveys the poet's vision of the realities of day-to-day life in her translations, while her brief introduction describes the genesis of the poems.
To write simply of simple things was a task the poet undertook consciously, following his experiences in the Spanish Civil War, the "social conversion" that resulted from a visit to Macchu Picchu, and the writing of his epic "Canto general" (California, forthcoming). The odes are arranged in brief, sinuous lines that flow down the page and connect the poet to the animal, mineral, and vegetable world, to people and objects, and to the landscape of history. "Chile," Neruda once said in reference to the work of sixteenth-century poet Alonso de Ercilla, "was invented by a poet." In accepting the Nobel Prize for Literature in 1971, he declared that "We writers from the vast expanse of America] are called upon to fill with words the confines of a mute continent, and we become drunk with the task of telling and naming." The odes reflect what Neruda saw as both an obligation and a privilege--the naming and defining of his world.

Andres Faulques, a world-renowned war photographer, has retreated to a tower overlooking the Spanish coast, where he paints a vast mural incorporating the indelible images of conflict he's witnessed in his lifetime.
One night, an unexpected visitor interrupts his solitude. As Faulques struggles to recall the face, the man explains that he was the subject of an iconic photo taken by Faulques in a war zone years ago-a photo that destroyed his life. "And why have you come looking for me?" asks Faulques. The stranger answers, "Because I'm going to kill you."
So begins a life-or-death exchange in which Faulques is forced to recall a time when he loved a beautiful woman and risked his life daily for art and testimony. Yet as the tense dialogue between Faulques and his would-be killer continues, the stakes grow even higher. What they are grappling with becomes not just Faulques' fate, but the very nature of love and cruelty itself.

"With his chess-like plots and mysterious characters, Arturo Perez-Reverte has established himself as the master of the intellectual thriller, a reputation again confirmed with "The Nautical Chart."--"Chicago Tribune
Coy is a suspended sailor without a ship. At an auction in Barcelona, he meets a beautiful woman obsessed with the "Dei Gloria, a Jesuit ship sunk by pirates in the seventeenth century. Tanger uses her considerable skills with men and her expertise with atlases and nautical maps to search for the ship's rumored lost treasure. Coy is quickly drawn into her search and finds himself falling in love as they seek their fortune together-or do they? This masterfully plotted novel combines richness of atmosphere with the addictive romance and mystery of the sea. It is an unforgettable adventure.
Internationally acclaimed author Arturo Perez-Reverte was born in 1951 in Spain, where he lives. His bestselling books have been translated into nineteen languages in thirty countries and have sold millions of copies.

These prose pieces display the same adventurousness, gift for observation and lyrical exactitude that mark Neruda's poetry.

Ramon Lopez Velarde (1888-1921) was one of the most Mexican of Mexican poets, whose sense of history found expression in many poems, including his best-known "La suave Patria" ("Sweet Land"). This bilingual collection, drawn primarily from Poesias completas y el minutero, offers English-language readers our first book-length introduction to his poetry.

Often called a "poet of the provinces," Lopez Velarde gives us a glimpse into a slower and more gentle way of life. His poems present the contrast between city and hometown and between urban and pastoral landscapes. Through these contrasts runs the thread of religious faith, while urgency of language informs the entire body of his poetic production.

Original, specially commissioned drawings by noted contemporary Mexican artist Juan Soriano complement the poems. This combination of poetry and art speaks to universal emotions; indeed the poetry of Lopez Velarde belongs to everyone who sings the Song of the Heart.

Mexico's leading poet, essayist, and cultural critic writes of a Mexican poet of another time and another world, the world of seventeenth-century New Spain. His subject is Sor Juana Ines de la Cruz, the most striking figure in all of Spanish-American colonial literature and one of the great poets of her age.

Her life reads like a novel. A spirited and precocious girl, one of six illegitimate children, is sent to live with relatives in the capital city. She becomes known for her beauty, wit, and amazing erudition, and is taken into the court as the Vicereine's protegee. For five years she enjoys the pleasures of life at court--then abruptly, at twenty, enters a convent for life. Yet, no recluse, she transforms the convent locutory into a literary and intellectual salon; she amasses an impressive library and collects scientific instruments, reads insatiably, composes poems, and corresponds with literati in Spain. To the consternation of the prelates of the Church, she persists in circulating her poems, redolent more of the court than the cloister. Her plays are performed, volumes of her poetry are published abroad, and her genius begins to be recognized throughout the Hispanic world. Suddenly she surrenders her books, forswears all literary pursuits, and signs in blood a renunciation of secular learning. The rest is silence. She dies two years later, at forty-six.

Octavio Paz has long been intrigued by the enigmas of Sor Juana's personality and career. Why did she become a nun? How could she renounce her lifelong passion for writing and learning? Such questions can be answered only in the context of the world in which she lived. Paz gives a masterly portrayal of the life and culture of New Spain and the political and ideological forces at work in that autocratic, theocratic, male-dominated society, in which the subjugation of women was absolute.

Just as Paz illuminates Sor Juana's life by placing it in its historical setting, so he situates her work in relation to the traditions that nurtured it. With critical authority he singles out the qualities that distinguish her work and mark her uniqueness as a poet. To Paz her writings, like her life, epitomize the struggle of the individual, and in particular the individual woman, for creative fulfillment and self-expression.

Emilio Carballido (1925-2008) was one of the most innovative and accomplished of Mexico's playwrights and one of the outstanding creators in the new Latin American theater. By his mid-forties he had already produced an impressive body of works in two very different veins. On the one hand, he mastered the techniques of the "well-made play." On the other, he developed a richly rewarding vein of fantasy, sometimes poetic, sometimes comic, sometimes macabre-and sometimes all three. The plays in this volume are in the latter vein, ranging from surrealist farce in "The Intermediate Zone" to the grotesqueries of "The Time and the Place," from tragicomedy in "Theseus" to the dreamlike permutations of "The Golden Thread." But even at his most fantastic, Carballido never loses his remarkable gift for characterization: his peevish Minotaur, his raffish Nahual (were-jaguar) are wholly believable monsters.

Recognized in Mexico as one of the country's most important contemporary dramatists, Emilio Carballido has only recently become known in other countries through his plays and short stories. This translation introduces Carballido as a novelist. In The Norther what makes and breaks human relationships is his central interest as he traces the course of a relationship between a widow and a young man. The characters are created as their emotional and psychological outlines are drawn, and it is in the characterization that the hand of the dramatist is revealed. But it is Carballido's novelistic talent that has made The Norther the object of widely divergent interpretations. The critical conflict aroused by this novel is discussed in an Introduction by the translator, Margaret Sayers Peden.

The first European novel, exquisitely translated by Margaret Sayers Peden A timeless story of love, morality, and tragedy, Fernando de Rojas's Celestina is a classic of Spanish literature. Second only to DonQuixote in its cultural importance, Rojas's dramatic dialogue presents the elaborate tale of a star-crossed courtship between the young nobleman Calisto and the beautiful maiden Melibea in fifteenth-century Spain. Their unforgettable saga plays out in vibrant exchanges, presented here in a brilliant new translation by award-winning translator Margaret Sayers Peden. After a chance encounter with Melibea entrances Calisto, he enlists the services of Celestina, an aged prostitute, madam, and procuress, to arrange another meeting. She promptly seizes control of the affair, guiding it through a series of mishaps before it meets its tragic end. At times a comic character and at others a self-assertive promoter of women's sexual license, Celestina is an inimitable personality with a surprisingly modern consciousness, certain to be relished by a new generation of readers.

"Irritating, insufferable, admirable, stimulating, disappointing Rodo: . . . you are part of our family quarrels, and must bear with your disrespectful, equally disappointed, intuitive, incomplete nephews, living in a world that you helped define for us, and offered unto our revolt." --from the Prologue by Carlos Fuentes

First published in 1900 Uruguay, Ariel is Latin America's most famous essay on esthetic and philosophical sensibility, as well as its most discussed treatise on hemispheric relations. Though Rodo protested the interpretation, his allegorical conflict between Ariel, the lover of beauty and truth, and Caliban, the evil spirit of materialism and positivism, has come to be regarded as a metaphor for the conflicts and cultural differences between Latin America and the United States. Generations of statesmen, intellectuals, and literary figures have been formed by this book, either in championing its teachings or in reacting against them. This edition of Ariel, prepared especially with teaehers and students in mind, contains a reader's guide to names, places, and important movements, as well as notes and a comprehensive annotated English/Spanish bibliography.

Josefa Ferrer, a famous Chilean singer and star, awakens one morning to read in the Santiago newspaper that her best friend, Violeta, has been involved in a brutal act of violence. Overwhelmed with regret and plagued with guilt for not having foreseen the tragedy, Josefa feels compelled to tell Violeta's life story--one marked by lost ideals, disillusionment, and grief--which is ultimately Josefa's story, too. Through the interwoven lives of these two women, Marcela Serrano explores how the demands of a woman's role as mother, wife, lover, and friend are frequently at odds with her own dreams and aspirations, and how easily the fragile bonds of friendship and family can be strained to the breaking point. For Josefa and Violeta, it is only in Antigua, under the watchful eyes of "the others"--a chorus of female ancestral spirits who testify to the women's defining moments of strength and courage--that Josefa and Violeta will discover that even in the aftermath of violence and betrayal they have control over their destinies and their redemption.

Exquisitely crafted and written in beautiful, lyrical prose, Marcela Serrano's unforgettable novel about friendship, forgiveness, and second chances speaks to every woman who has experienced the wrenching divide between professional ambition and family responsibility, who has been torn between the excitement of illicit passion and the security of marriage, who has craved the thrill of success while yearning for solitude in an often chaotic, invasive world.

Octavio Paz has long been known for his brilliant essays as well as for his poetry. Through the essays, he has sought to confront the tensions inherent in the conflict between art and society and to achieve a unity of their polarities. The Siren and the Seashell is a collection of Paz's essays, focusing on individual poets and on poetry in general. The first five poets he treats are Latin American: Sor Juana Ines de la Cruz, Ruben Dario, Jose Juan Tablada, Ramon Lopez Velarde, and Alfonso Reyes. Then there are essays on Robert Frost, e. e. cummings, Saint-John Perse, Antonio Machado, and Jorge Guillen. Finally, there are Paz's reflections on the poetry of solitude and communion and the literature of Latin America. Each essay is more than Paz's impressions of one person or issue; each is the occasion for a wider discussion of cultural, historical, psychological, and philosophical themes. The essays were selected from Paz's writing between 1942 and 1965 and provide an overview of the development of his thinking and an exploration of the ideas central in his works.