The third volume of the Collected Letters of Katherine Mansfield covers the eight months she spent in Italy and the South of France between the English summers of 1919 and 1920. It was a time of intense personal reassessment and distress. Mansfield's relationship with her husband John Middleton Murry was bitterly tested, and most of the letters in this present volume chart that rich and enduring partner'ship through its severest trial. This was a time, too, when Mansfield came to terms with the closing off of possibilities that her illness entailed. Without flamboyance or fuss, she felt it necessary to discard earlier loyalties and even friendships, as she sought for a spiritual standpoint that might turn her illness to less negative ends. As she put it, 'One must be ... continually giving & receiving, and shedding & renewing, & examining & trying to place'. For all the grimness of this period of her life, Mansfield's letters still offer the joie de vivre and wit, self-perception and lively frankness that make her correspondence such rewarding reading - an invaluable record of a `modern' woman and her time.

The fifth and final volume of the Collected Letters of Katherine Mansfield covers the almost thirteen months during which her attention at first was firmly set on a last chance medical cure, then finally on something very different--if death came to seem inevitable, how should one behave in the time that remained, so one could truly say one lived?
Mansfield's biographers, like her friends, have wondered at the seemingly extraordinary decision to ditch conventional medicine, for the bizarre choice of Gurdjieff's Institute for the Harmonious Development of Man at Fontainebleau. These letters show the clarity of mind and will that led to that decision, the courage and distress in making it, and the gaiety even once it was made. She went against what her education, her husband, and most of her friends would regard as reasonable, as she opted to spend her last months with Russian emigres and a strange assortment of Gurdjieff disciples (which she was not). But Fontainebleau give her the space and the incentive to shake free from the intellectualism that she thought the malaise of her time, as she worked at kitchen chores, took in the details of farm life, tried to learn Russian, and attempted to reach total honesty with herself. "If I were allowed one simple cry to God," she wrote in one of her last letters, "that cry would be I want to be REAL."

Anyone who is fascinated by the Second World War in France will be drawn to this novel. The heroes are officers in the French and British Armies: Edmond de Valliet, a talented amateur pianist and artist: Robert Cummings a businessman, and a Territorial Gordon Highlander. He marries the pianist Anne Favoret, who voices France's denial of Nazi ambitions in Europe in the 1930s. Edmond and Robert retreat with the Fifty-First Highland Division to St Valry where they are surrounded by Rommel's tanks in June 1940. The author draws a stark contrast between personal loyalty and political expediency which contributes to the tragic surrender of some of Britain's finest troops. The novel unfolds against a backdrop of a hundred and fifty years of social unrest in France, and the division of church and state. The occupier and the collaborator, priest and aristocrat, receive little sympathy, but the manipulative tactics of the Resistance and the British Secret Services also come under scrutiny. In a war setting it confronts more 'modern' issues: homophobia, both societal and as a tool for blackmail, and the tussle between a woman's professional and private life. Anne finds fulfilment playing the piano as part of a classical music team for ENSA. The prologue alludes to a mystery which holds the reader until the last page. What happened to Anne's adopted sister, Marie, for whom Anne felt jealousy, guilt and protectiveness? When war breaks out, Marie is left alone in Normandy, torn between the persuasive voice of a former admirer, and her autocratic brother-in-law, Charles de Valliet. Now an old woman, Anne has discovered the truth, She tells her She tells her story.

The letters in this volume cover the eighteen months Katherine Mansfield spent in England, France and Switzerland from May 1920 to the end of 1921. It is the period of her finest stories, and when her life took its most decisive turn. There is a subtle but unmistakable change in her expectations, a new 'spiritual' insistence that is both elusive and resolute. From her Chekovian acceptance that 'they are cutting down the cherry trees' she derives a tough existential directness: 'the little boat enters the dark, fearful gulf ... Nobody listens. The shadowy figure rows on. One ought to sit still and uncover one's eyes.' There is a determined push - not always successful - towards a necessary honesty, as much as to artistic achievement; while those qualities of her earlier correspondence remain undiminished - the precision and directness, the intelligence and wit, the dark incisiveness as much as sheer fun. Above all, perhaps, these letters comprise a record of very considerable courage, against increasingly adverse odds, as they approach the final years of her life.

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Volume II of the five-volume Collected Letters begins with Mansfield's stay at Bandol in the early months of 1918 and follows her until she leaves for the Continent in September 1919. This volume, like the first, demonstrates her brilliance as a correspondent--her wit as well as her warmth, her deftness in conveying places and personalities, the vitality of her tastes and enthusiasms--and it also reveals the wide swings and dark alternations of her moods. The letters here are dominated by her love for Middleton Murry, her response to the First World War, and the ways in which she accepted the inevitable advance of her tuberculosis. They are as courageous as they are frank, and shot through with the intelligence and flair that would prompt Virginia Woolf, a few years later, to write that with Mansfield's death she had lost her greatest rival, and the person whose literary opinion she most valued.

For CXC students who want to prepare fully for their exams, CXC Study Guides are a series of titles that provide students with additional support to pass the exam. CXC Study Guides are a unique product that have been written by experienced examiners at CXC and carry the board's exclusive branding.

For CXC students who want to prepare fully for their exams, CXC Study Guides are a series of titles that provide students with additional support to pass the exam. CXC Study Guides are a unique product that have been written by experienced examiners at CXC and carry the board's exclusive branding.

From the costly velvets and furs worn by kings to the undyed wools and rough linens of the peasantry, the clothing worn by the various classes in the Middle Ages played an integral role in medieval society. In addition to providing clues to status, profession, and/or geographic origin, textiles were a crucial element in the economies of many countries and cities. Much of what is known about medieval fashion is gleaned from the pages of manuscripts, which serve as a rich source of imagery. This volume provides a detailed look at both the actual fabrics and composition of medieval clothing as well as the period's attitude toward fashion through an exploration of illuminated manuscripts in the collection of the J. Paul Getty Museum. The last portion of the book is dedicated to the depiction of clothing in biblical times and the ancient world as seen through a medieval lens. Throughout, excerpts from literary sources of the period help shed light on the perceived role and function of fashion in daily life.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Songs Of Peace Margaret Scott Haycraft

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Christie's Gift (and Other Stories). Margaret Scott Haycraft

This book is about a little girl admiring her grandmother and coming into adulthood. It also share with you her way of dealing with life and becoming a beautiful young lady in spite of the circumstances around her. This book will also give you an insight into what God wants for all of us, and that is to live life His way. What an awesome God we serve when we just let go and let Him be God in our lives.

Patient safety is a predominant feature of quality healthcare and something that every patient has the right to expect. As a nurse, you must consider the safety of the patient as paramount in every aspect of your role; and it is now an increasingly important topic in pre-registration nursing programmes. This book aims to provide you with a greater understanding of how to manage patient safety and risk in your practice. The book focuses on the essentials that you need to know, and therefore provides a clear pathway through what can sometimes seem an overwhelmingly complex mass of rules, procedures and possible options. Key features:

- A practical introduction to patient safety and risk management written specifically for nurses and nursing students

- Case studies and scenarios help you to apply patient safety and risk management principles to actual practice

- Each chapter is mapped to the relevant NMC standards and Essential Skills Clusters so that you can see how you are meeting the professional requirements - Activities throughout help you to think critically and reflect on practice.

Title: The Clever Miss Janey. A tale.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Macritchie, Margaret Scott.; 1892.]. 282 p.; 8 . 012641.f.23.

Title: Sam Saddleworth's Will ... Second edition.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GENERAL HISTORICAL collection includes books from the British Library digitised by Microsoft. This varied collection includes material that gives readers a 19th century view of the world. Topics include health, education, economics, agriculture, environment, technology, culture, politics, labour and industry, mining, penal policy, and social order. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Taylor, Margaret Scott; 1889.]. 125 p.; 8 . 012632.e.24.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Chick; Or, Yet There Is Room Margaret Scott Haycraft John F. Shaw, 1883 Literary Collections; General; Literary Collections / General

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

Anyone who is fascinated by the Second World War in France will be drawn to this novel. The heroes are officers in the French and British Armies: Edmond de Valliet, a talented amateur pianist and artist: Robert Cummings a businessman, and a Territorial Gordon Highlander. He marries the pianist Anne Favoret, who voices France's denial of Nazi ambitions in Europe in the 1930s. Edmond and Robert retreat with the Fifty-First Highland Division to St Valry where they are surrounded by Rommel's tanks in June 1940. The author draws a stark contrast between personal loyalty and political expediency which contributes to the tragic surrender of some of Britain's finest troops. The novel unfolds against a backdrop of a hundred and fifty years of social unrest in France, and the division of church and state. The occupier and the collaborator, priest and aristocrat, receive little sympathy, but the manipulative tactics of the Resistance and the British Secret Services also come under scrutiny. In a war setting it confronts more 'modern' issues: homophobia, both societal and as a tool for blackmail, and the tussle between a woman's professional and private life. Anne finds fulfilment playing the piano as part of a classical music team for ENSA. The prologue alludes to a mystery which holds the reader until the last page. What happened to Anne's adopted sister, Marie, for whom Anne felt jealousy, guilt and protectiveness? When war breaks out, Marie is left alone in Normandy, torn between the persuasive voice of a former admirer, and her autocratic brother-in-law, Charles de Valliet. Now an old woman, Anne has discovered the truth, She tells her She tells her story.