Milner's final text, Bothered by Alligators, came about when, in her nineties, she unexpectedly came across a diary she had kept during the early years of her son's life, recording his conversations and play between the ages of two and nine. With it was a storybook written and illustrated by him when he was about seven years old. Whilst working on the material, Milner gradually realised that both diary and storybook were provoking questions she realised had scarcely been asked, let alone answered in her own analysis. Through her memories, her notebooks and by interpreting her own previously discarded drawings and paintings, she reaches a point of awareness that they were depicting things she did not know in herself, addressing her relationships not only with her son but also with her husband, her father, and in particular, her mother. Like many of Milner's earlier books there is a deeply personal quality to Bothered by Alligators, but it is a quality that transcends the personal and reveals insights and conclusions that will be both interesting and useful to clinicians; and fascinating to readers from a psychological, a literary, an artistic or an educational background, and, in particular, those with an interest in psychoanalysis and autobiography and in Milner's work.

How much have women's lives really changed? In the West women still come up against the 'glass ceiling' at work, most earning considerably less than their male counterparts. What are we to make of the now commonplace insistence that feminism deprives men of their rights and dignities? And how does one tackle the issue of female emancipation in different cultural and economic environments - in, for example, the Middle East, the Indian sub-continent, and Africa? This book provides an historical account of feminism, exploring its earliest roots as well as key issues including voting rights, the liberation of the sixties, and its relevance today. Margaret Walters touches on the difficulties and inequities that women still face more than forty years after the 'new wave' of 1960s feminism, such as how successful women are at combining domesticity, motherhood, and work outside the house. She brings the subject completely up to date by providing an analysis of the current situation of women across the globe, from Europe and the United States to Third World countries. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Eva Margarete Walter beschreibt das Zahlungsverhalten am stationaren Point of Sale (POS) anhand einer Studie im Handels- und Dienstleistungssektor. Sie untersucht die Anteile der einzelnen Zahlungsmittel in Bezug auf Akzeptanz und Umsatz und leitet ein Erklarungsmodell ab."

Elaine West is a young girl growing up in Fresno, California in the wake of the Great Depression. While her family, like all families of the time, has struggled to make ends meet over the past few years, her life is generally happy and free from worry. Free, that is, until the attack on Hawaii's Pearl Harbor plunges the United States suddenly and unexpectedly into a global war. Now, the only thing standing between the enemy and Elaine's home city of Fresno, California is less than two hundred miles and a vast, unprotected, open sea. Written in the tradition of Johnny Tremain and Across Five Aprils, When the Lights Go On Again takes you back to California in the 1940s, depicting everyday life and the war that shaped it. Be there with Elaine as she grows up during the most destructive conflict the world has ever seen. See the lives of the people of Fresno during those dark years-- blackout drills, shortages, food and gasoline rationing. Meet the young men from throughout the nation who came through Fresno, headed for the battlefields of the Pacific. Witness a nation of immigrants harass and imprison their Japanese neighbors, casting their humanity aside amid the terrifying realities of war. Learn, as Elaine did, of such horrors as the Bataan Death March and the Holocaust. Watch the dawn of the atomic age. See all of this and more, through the eyes of a young girl who is quickly becoming a young woman as she tries desperately to make sense of it all.

Elaine West is a young girl growing up in Fresno, California in the wake of the Great Depression. While her family, like all families of the time, has struggled to make ends meet over the past few years, her life is generally happy and free from worry. Free, that is, until the attack on Hawaii's Pearl Harbor plunges the United States suddenly and unexpectedly into a global war. Now, the only thing standing between the enemy and Elaine's home city of Fresno, California is less than two hundred miles and a vast, unprotected, open sea. Written in the tradition of Johnny Tremain and Across Five Aprils, When the Lights Go On Again takes you back to California in the 1940s, depicting everyday life and the war that shaped it. Be there with Elaine as she grows up during the most destructive conflict the world has ever seen. See the lives of the people of Fresno during those dark years-- blackout drills, shortages, food and gasoline rationing. Meet the young men from throughout the nation who came through Fresno, headed for the battlefields of the Pacific. Witness a nation of immigrants harass and imprison their Japanese neighbors, casting their humanity aside amid the terrifying realities of war. Learn, as Elaine did, of such horrors as the Bataan Death March and the Holocaust. Watch the dawn of the atomic age. See all of this and more, through the eyes of a young girl who is quickly becoming a young woman as she tries desperately to make sense of it all.

Milner's final text, Bothered by Alligators, came about when, in her nineties, she unexpectedly came across a diary she had kept during the early years of her son's life, recording his conversations and play between the ages of two and nine. With it was a storybook written and illustrated by him when he was about seven years old. Whilst working on the material, Milner gradually realised that both diary and storybook were provoking questions she realised had scarcely been asked, let alone answered in her own analysis. Through her memories, her notebooks and by interpreting her own previously discarded drawings and paintings, she reaches a point of awareness that they were depicting things she did not know in herself, addressing her relationships not only with her son but also with her husband, her father, and in particular, her mother. Like many of Milner's earlier books there is a deeply personal quality to Bothered by Alligators, but it is a quality that transcends the personal and reveals insights and conclusions that will be both interesting and useful to clinicians; and fascinating to readers from a psychological, a literary, an artistic or an educational background, and, in particular, those with an interest in psychoanalysis and autobiography and in Milner's work.