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Rana Begum RA (b.1977) is an artist known for her wide ranging
works, from the intimate to the monumental. Using a variety of
materials and exploring the use of light, she blurs the boundaries
between sculpture, architecture, design and painting to create
works that are both playful and ambiguous. This comprehensive
monograph expands on previous writings to investigate the ideas
behind the artist's varied use of materials, including wood, metal,
ready-made industrial components and MDF. With a focus on her
processes, the ways in which Begum's work intersects with
architecture and design are drawn out, while key sources of
inspiration - from the environments in which the artist works, to
Islamic art and minimalism - are discussed. Combining contextual
essays and an extensive interview with the artist, the development
of Begum's work - from painting and furniture design to
installations and light sculptures - is traced to present an
in-depth overview of the multifaceted, complex work of this
fascinating artist.
In recent years, the art world has shown a renewed interest in
collective work and activity. Collaborations between artists and
artists, artists and curators, and artists and outside
professionals have begun to rival the traditional focus on the
individual artist. This type of collaboration has called into
question how we view works of art that are not the voice of a
single individual, and how that impacts on the concept of art as a
means of self-expression. "Taking the Matter into Common Hands"
maps out the issues surrounding collaborative art from a
practitioner's perspective. With contributions from Marion von
Osten, Nav Haq, 16 Beaver, Copenhagen Free University, Maria Lind
and Lars Nilsson, it examines the working relations between artists
and other producers of culture, and explores the future of
collective action in the art world. "Taking the Matter Into Common
Hands" is essential for both academics, practitioners and lay
audiences alike.
In her work, Nazgol Ansarinia examines the systems and networks
that underpin her daily life, such as everyday objects, routines,
events, and experiences, and the relationship they form to a larger
social context. This new monograph surveys the artist's work of the
last fifteen years in sculptures, installation, drawing, and video.
The individual projects represent ways of understanding the role of
architecture in delineating interior end exterior spaces and
private and public spheres. Ansarinia's works are largely
observational and technical in their scope, offering insight into
the issues that are most pressing and urgent for today's cities and
the populations that inhabit them. This fully illustrated
publication features in-depth essays by Media Farzin, Hamed
Khosravi, and Maria Lind.
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