The Gender of Things is a highly interdisciplinary book that explores the power relationship between gender and the material culture of technoscience, addressing a seemingly straightforward question: How does a thing—such as a spacesuit, a humanoid robot, or a surgical instrument—become a gendered object? These 14 short essays cover an original selection of "things": from cosmeceuticals to early motor scooters, from scrum boards to border walls, from robots to the human body and its parts. By historically examining how significance has been attached to specific things and how things were designed and produced, the essays reveal how the concept of gender has been embedded and finds expression in the material world of science and technology. With insights from science and technology studies, anthropology, the history of ergonomics, museum studies, the history of science, technology, and medicine but also the philosophy and sociology of technology and feminist new materialism, this collection reminds us that our material creations not only bear knowledge about our world. The Gender of Things will be of key interest to undergraduate and graduate students and research scholars of STS as well as Gender Studies.

The Gender of Things is a highly interdisciplinary book that explores the power relationship between gender and the material culture of technoscience, addressing a seemingly straightforward question: How does a thing—such as a spacesuit, a humanoid robot, or a surgical instrument—become a gendered object? These 14 short essays cover an original selection of "things": from cosmeceuticals to early motor scooters, from scrum boards to border walls, from robots to the human body and its parts. By historically examining how significance has been attached to specific things and how things were designed and produced, the essays reveal how the concept of gender has been embedded and finds expression in the material world of science and technology. With insights from science and technology studies, anthropology, the history of ergonomics, museum studies, the history of science, technology, and medicine but also the philosophy and sociology of technology and feminist new materialism, this collection reminds us that our material creations not only bear knowledge about our world. The Gender of Things will be of key interest to undergraduate and graduate students and research scholars of STS as well as Gender Studies.

Maria Rentetzi surveys the experimental practices of radioactivity research in early-twentieth-century Vienna, focusing on radioactive materials, instruments, women's work in physics, and gendered skills. She shows how experimental cultures in radioactivity-scientific practices employed by gendered subjects who shared a certain material and epistemic style of research--were constructed and reshaped by socialist politics in Vienna at that time. She also explores the different ways experimental practices affected men and women in laboratory sciences. Rentetzi expands the notion of material culture to include not only instruments and objects but also materials that operated as both commodities and objects of scientific inquiry. She tells a multifaceted story of how purified radium ended up on laboratory benches and who extracted and isolated it from tons of residues; the individuals who designed experiments and instruments for probing radium's properties; and those who carried radium outside of the physics laboratory and into the clinic and medical amphitheatres. Rentetzi examines how the architecture of the laboratory affected men's and women's scientific work and the way in which its urban setting reflected assumptions about scientific cross-disciplinary collaborations. Following the circulation of radium and the pursuit of power through strategies of partnership and collaboration, Rentetzi redraws paths of scientific exchange and transfers the reader from scientific laboratories to hospitals and from academic to industrial sites.

The discovery of radium by Marie and Pierre Curie in 1898 eventually led to a craze for radium products in the 1920s until their widespread use proved lethal for consumers, patients, and medical practitioners alike. Radium infiltrated American culture, Maria Rentetzi reveals, not only because of its potential to treat cancer but because it was transformed from a scientific object into a familiar, desirable commodity. She explores how Standard Chemical Company in Canonsburg, Pennsylvania - the first successful commercial producer of radium in the United States - aggressively promoted the benefits of radium therapy and its curative properties as part of a lucrative business strategy. Over-the-counter products, from fertilizers to paints and cosmetics to tonics and suppositories, inspired the same level of trust in consumers as a revolutionary pharmaceutical. The radium industry in the United States marketed commodities like Liquid Sunshine and Elixir of Youth at a time when using this new chemical element in the laboratory, in the hospital, in private clinics, and in commercial settings remained largely free of regulation. Rentetzi shows us how marketing campaigns targeted individually to men and women affected not only how they consumed these products of science but also how that science was understood and how it contributed to the formation of ideas about gender. Seduced by Radium ultimately reveals how innovative advertising techniques and seductive, state-of-the-art packaging made radium a routine part of American life, shaping scientific knowledge about it and the identities of those who consumed it.