Over the course of the twentieth and twenty-first centuries, Mexican American and African American cultural productions have seen a proliferation of upward mobility narratives: plotlines that describe desires for financial solvency, middle-class status, and social incorporation. Yet the terms "middle class" and "upward mobility"-often associated with assimilation, selling out, or political conservatism-can hold negative connotations in literary and cultural studies. Surveying literature, film, and television from the 1940s to the 2000s, Elda Maria Roman brings forth these narratives, untangling how they present the intertwined effects of capitalism and white supremacy. Race and Upward Mobility examines how class and ethnicity serve as forms of currency in American literature, affording people of color material and symbolic wages as they traverse class divisions. Identifying four recurring character types-status seekers, conflicted artists, mediators, and gatekeepers-that appear across genres, Roman traces how each models a distinct strategy for negotiating race and class. Her comparative analysis sheds light on the overlaps and misalignments, the shared narrative strategies, and the historical trajectories of Mexican American and African American texts, bringing both groups' works into sharper relief. Her study advances both a new approach to ethnic literary studies and a more nuanced understanding of the class-based complexities of racial identity.

French horror about a couple who have to fight for their lives when an assault on their home turns deadly. The story opens with the murder of two Romanians, a woman and her young daughter, who crash their car along a rural road and are promptly butchered by a shadowy figure. Meanwhile, in Bucharest, schoolteacher Clementine (Olivia Bonamy) climbs into her car and drives to the isolated mansion that she inhabits with partner Lucas (Michael Cohen), not far from the site of the murders. Soon the couple overhears someone stealing their car, but a call to the police accomplishes little. The lovers gradually realise that an outsider is attempting to break into the house with homicidal intent.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Nueva Gramatica Griega Jose Maria Roman Impr. Real, 1832 Foreign Language Study; Ancient Languages; Foreign Language Study / Ancient Languages; Grec

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Nueva Gramatica Griega Jose Maria Roman, Imprenta Real (Madrid) Imprenta Real, 1832 Foreign Language Study; Ancient Languages; Foreign Language Study / Ancient Languages