The Story of the Mexican Screenplay: A Study of the Invisible Art Form and Interviews with Women Screenwriters contributes to the international development of screenplay studies. While the debate on the ontology of the screenplay continues, a fact remains clear for screenwriters: the screenplay is the film's skeleton and the main base that sustains a story told through images. Certainly, lack of visibility, including publication, distribution, and promotion, are some of the problems that the screenplay confronts, but these are not the only challenges. Traditionally, the form has been unappreciated and regarded by many as only an initial step in the complexity of film production. In this study, the author elaborates on the cultural baggage that the screenplay carries since it is text imbued with multiple signs that - for various reasons - often get lost in the process and never make it to the screen. In this context, the author touches on the concept of adaptation since it is often a key element in screenplay research. The Story of the Mexican Screenplay focuses on a general historical investigation of the Mexican screenplay, specifically on women's screenwriting. In addition to screenplay analysis, the interviews with women screenwriters are revealing of various cultural issues such as gender discrimination in the work place, political censorship, collective screenwriting, and collaboration among writers, and with the director. These topics explain, in part, the double marginalization of female screenwriting in Mexico.

The Story of the Mexican Screenplay: A Study of the Invisible Art Form and Interviews with Women Screenwriters contributes to the international development of screenplay studies. While the debate on the ontology of the screenplay continues, a fact remains clear for screenwriters: the screenplay is the film's skeleton and the main base that sustains a story told through images. Certainly, lack of visibility, including publication, distribution, and promotion, are some of the problems that the screenplay confronts, but these are not the only challenges. Traditionally, the form has been unappreciated and regarded by many as only an initial step in the complexity of film production. In this study, the author elaborates on the cultural baggage that the screenplay carries since it is text imbued with multiple signs that - for various reasons - often get lost in the process and never make it to the screen. In this context, the author touches on the concept of adaptation since it is often a key element in screenplay research. The Story of the Mexican Screenplay focuses on a general historical investigation of the Mexican screenplay, specifically on women's screenwriting. In addition to screenplay analysis, the interviews with women screenwriters are revealing of various cultural issues such as gender discrimination in the work place, political censorship, collective screenwriting, and collaboration among writers, and with the director. These topics explain, in part, the double marginalization of female screenwriting in Mexico.

Las culturas y civilizaciones latinoamericanas has been updated. This textbook not only describes the history of Latin America, but it sets a mood that allows the reader to get a genuine sense of the languages, cultures, and civilizations of this complex and colorful land. It provides an account of how Columbus's voyages gave rise to utopian dreams, the ramifications of which led to a brilliant display of hybrid cultures, changed the ethnic composition of two continents, accelerated lines of commerce, and refashioned the Western World's diet. The textbook takes the reader through the "discovery," conquest, and colonization of the New World and on to independence and the national period. In addition, each chapter offers general concepts, important terms, questions, and topics for classroom debates. Comprehensive and compelling, this book chronicles the history of an important region in a way that will interest students and teachers alike.