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Originally conceived by Kimberle Crenshaw in 1989 as a tool for the analysis of the ways in which different forms of social inequality, oppression and discrimination interact and overlap in multidimensional ways, the concept of 'intersectionality' has attracted much attention in international feminist debates over the last decade. Framing Intersectionality brings together proponents and critics of the concept, to discuss the 'state of the art' with those that have been influential in the debates that surround it. Engaging with the historical roots of intersectionality in the US-based 'race-class-gender' debate, this book also considers the European adoption of this concept in different national contexts, to explore issues such as migration, identity, media coverage of sexual violence against men and transnational livelihoods of high and low skilled migrants. Thematically arranged around the themes of the transatlantic migration of intersectionality, the development of intersectionality as a theory, men's studies and masculinities, and the body and embodiment, this book draws on empirical case studies as well as theoretical deliberations to investigate the capacity and the sustainability of the concept and shed light on the current state of intersectionality research. Presenting the latest work from a team of leading feminist scholars from the US and Europe, Framing Intersectionality will be of interest to all those with interests in gender, women's studies, masculinity, inequalities and feminist thought.
Originally conceived by Kimberle Crenshaw in 1989 as a tool for the analysis of the ways in which different forms of social inequality, oppression and discrimination interact and overlap in multidimensional ways, the concept of 'intersectionality' has attracted much attention in international feminist debates over the last decade. Framing Intersectionality brings together proponents and critics of the concept, to discuss the 'state of the art' with those that have been influential in the debates that surround it. Engaging with the historical roots of intersectionality in the US-based 'race-class-gender' debate, this book also considers the European adoption of this concept in different national contexts, to explore issues such as migration, identity, media coverage of sexual violence against men and transnational livelihoods of high and low skilled migrants. Thematically arranged around the themes of the transatlantic migration of intersectionality, the development of intersectionality as a theory, men's studies and masculinities, and the body and embodiment, this book draws on empirical case studies as well as theoretical deliberations to investigate the capacity and the sustainability of the concept and shed light on the current state of intersectionality research. Presenting the latest work from a team of leading feminist scholars from the US and Europe, Framing Intersectionality will be of interest to all those with interests in gender, women's studies, masculinity, inequalities and feminist thought.
Die hier versammelten Beitrage spiegeln den aktuellen Stand der Debatte um Intersektionalitat 20 Jahre nach Pragung des Begriffes im Schwarzen Feminismus in den USA. Bei seiner transatlantischen Reise durchlief der Ansatz Metamorphosen und fiel in Europa auf vorbereiteten Boden, insbesondere in anglophonen und deutschsprachigen feministischen Diskursen. Klasse, Geschlecht, Ethnizitat und Rasse, Sexualitat, Behinderung, Alter und andere Dimensionen von Ungleichheit und Identitat werden inzwischen in intersektioneller Perspektive untersucht. In diesem Band wird der Ansatz vorgestellt und in transdisziplinare und transnationale Analyseperspektiven wie Diskurstheorie, Biographieforschung, Wissenssoziologie, Rahmenanalyse und Sozialstrukturanalyse eingesetzt, erganzt um kritische Interventionen zu Problemen und Grenzen dieses Konzepts. Mit Beitragen von Mechtild Bereswill, Kimberle Crenshaw, Kathy Davis, Jeff Hearn, Gudrun-Axeli Knapp, Kira Kosnick, Gail Lewis, Helma Lutz, Nina Lykke, Myra Marx Ferree, Anke Neuber, Ann Phoenix, Paula Irene Villa, Nira Yuval Davis, und Dubravka Zarkov."
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