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Projecting the Past analyses the ways in which the Hollywood and Italian film industries have resurrected ancient Rome to address present concerns. Through case studies of Spartacus, Cleopatra, Nero and Pompeii, the book explores cinema's use of the past to excavate present issues of nationhood, colonialism, gender and cinema itself.
Twelve Voices from Greece and Rome is a book for all readers who
want to know more about the literature that underpins Western
civilization. Chistopher Pelling and Maria Wyke provide a vibrant
and distinctive introduction to twelve of the greatest authors from
ancient Greece and Rome, writers whose voices still resonate
strongly across the centuries: Homer, Sappho, Herodotus, Euripides,
Thucydides, Plato, Caesar, Cicero, Virgil, Horace, Juvenal and
Tacitus. To what vital ideas do these authors give voice? And why
are we so often drawn to what they say even in modern times? Twelve
Voices investigates these tantalizing questions, showing how these
great figures from classical antiquity still address some of our
most fundamental concerns in the world today (of war and courage,
dictatorship and democracy, empire, immigration, city life, art,
madness, irrationality, and religious commitment), and express some
of our most personal sentiments (about family and friendship,
desire and separation, grief and happiness). These twelve classical
voices can sound both compellingly familiar and startlingly alien
to the twenty-first century reader. Yet they remain suggestive and
inspiring, despite being rooted in their own times and places, and
have profoundly affected the lives of those prepared to listen to
them right up to the present day.
From Latin love poetry's dominating and enslaving beloveds, to
modern popular culture's infamous Cleopatras and Messalinas,
representations of the Roman mistress (or the mistress of Romans)
have brought into question both ancient and modern genders and
political systems. The Roman Mistress explores representations of
transgressive women in Latin love poetry and British television
drama, in Roman historiography and nineteenth-century Italian
anthropology, on classical coinage and college websites, as poetic
metaphor and in the Hollywood star system. In a highly accessible
style, the book makes an important and original contribution
simultaneously to feminist scholarship on antiquity, the classical
tradition, and cultural studies.
Projecting the Past analyses the ways in which the Hollywood and Italian film industries have resurrected ancient Rome to address present concerns. Through the case studies of Spartacus, Cleopatra, Nero and Pompeii, the book explores cinema's use of the past to excavate present issues of nationhood, colonialism, gender and cinema itself.
The Polish writer Henryk Sienkiewicz was awarded the Nobel Prize
for literature in 1905 largely on the basis of his historical novel
Quo vadis: A Narrative of the Time of Nero. The novel's vivid and
moving reconstruction of religious persecution and struggle against
tyranny catapulted its author into literary stardom. But, before
long, Quo vadis began to 'detach' itself from the person of its
author and to become a multimedial, mass culture phenomenon. In the
West and in the East, it was adapted for stage and screen, provided
the inspiration for works of music and other genres of literature,
was transformed into comic strips and illustrated children's books,
was cited in advertising, and referenced in everyday objects of
material culture. This volume explores the strategies Sienkiewicz
used to recreate Neronian Rome and the reasons his novel was so
avidly consumed and reproduced in new editions, translations,
visual illustrations, and adaptations to the stage and screen
across Europe and in the United States. The contributions render
visible for English-speaking readers the impact of a Polish work of
high literature on the presence of Nero, Christian persecution, and
ancient Rome in Western popular culture.
Throughout his work, the Roman poet Horace displays many, sometimes
conflicting, faces: these include dutiful son, expert lover,
gentleman farmer, man about town, outsider, poet laureate, sharp
satirist and measured moraliser. This book features a wide array of
essays by an international team of scholars from a number of
different academic disciplines, each one shedding new light on
aspects of Horace's poetry and its later reception in literature,
art and scholarship from antiquity to the present day. In
particular, the collection seeks to investigate the fortunes of
'Horace' both as a literary personality and as a uniquely varied
textual corpus of enormous importance to western culture. The poems
shape an author to suit his poetic aims; readers reshape that
author to suit their own aesthetic, social and political needs.
Studying these various versions of Horace and their interaction
illuminates the author, his poetry and his readers.
Parchments of Gender builds up an important source of inter-disciplinary information for the study of gender and the body in history. Some of the most prominent scholars in the field take a look at the relation of the body to gender in Greece, Rome and the Near East.
In the first four decades of cinema, hundreds of films were made
that drew their inspiration from ancient Greece, Rome, Egypt and
the Bible. Few of these films have been studied, and even fewer
have received the critical attention they deserve. The films in
question, ranging from historical and mythological epics to
adaptations of ancient drama, burlesques, cartoons and
documentaries, suggest a fascination with the ancient world that
competes in intensity and breadth with that of Hollywood's
classical era. What contribution did antiquity make to the
development of early cinema? How did early cinema's representations
affect modern understanding of antiquity? Existing prints as well
as ephemera scattered in film archives and libraries around the
world constitute an enormous field of research. This extensively
illustrated edited collection is a first systematic attempt to
focus on the instrumental role of silent cinema in
twentieth-century conceptions of the ancient Mediterranean and
Middle East.
Twelve Voices from Greece and Rome is a book for all readers who
want to know more about the literature that underpins Western
civilization. Chistopher Pelling and Maria Wyke provide a vibrant
and distinctive introduction to twelve of the greatest authors from
ancient Greece and Rome, writers whose voices still resonate
strongly across the centuries: Homer, Sappho, Herodotus, Euripides,
Thucydides, Plato, Caesar, Cicero, Virgil, Horace, Juvenal and
Tacitus.
To what vital ideas do these authors give voice? And why are we so
often drawn to what they say even in modern times? Twelve Voices
investigates these tantalizing questions, showing how these great
figures from classical antiquity still address some of our most
fundamental concerns in the world today (of war and courage,
dictatorship and democracy, empire, immigration, city life, art,
madness, irrationality, and religious commitment), and express some
of our most personal sentiments (about family and friendship,
desire and separation, grief and happiness).
These twelve classical voices can sound both compellingly familiar
and startlingly alien to the twenty-first century reader. Yet they
remain suggestive and inspiring, despite being rooted in their own
times and places, and have profoundly affected the lives of those
prepared to listen to them right up to the present day.
The figure of Julius Caesar has loomed large in the United States
since its very beginning, admired and evoked as a gateway to
knowledge of politics, war, and even national life. In this lively
and perceptive book, the first to examine Caesar's place in modern
American culture, Maria Wyke investigates how his use has
intensified in periods of political crisis, when the occurrence of
assassination, war, dictatorship, totalitarianism or empire appears
to give him fresh relevance. Her fascinating discussion shows how -
from the Latin classroom to the Shakespearean stage, from cinema,
television and the comic book to the internet - Caesar is mobilized
in the U.S. as a resource for acculturation into the American
present, as a prediction of America's future, or as a mode of
commercial profit and great entertainment.
Presents a collection of seventeen essays that explores the
dramatic changes in Western conceptions of the body, encompassing
the cultural shifts that occurred across Empire, religion and
science, from antiquity to the eighteenth century.
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