Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - Mariano Azuela, the first of the "novelists of the Revolution," was born in Lagos de Moreno, Jalisco, Mexico, in 1873. He studied medicine in Guadalajara and returned to Lagos in 1909, where he began the practice of his profession. He began his writing career early; in 1896 he published Impressions of a Student in a weekly of Mexico City. This was followed by numerous sketches and short stories, and in 1911 by his first novel, Andres Perez, maderista. Like most of the young Liberals, he supported Francisco I. Madero's uprising, which overthrew the dictatorship of Porfirio Diaz, and in 1911 was made Director of Education of the State of Jalisco. After Madero's assassination, he joined the army of Pancho Villa as doctor, and his knowledge of the Revolution was acquired at firsthand. When the counterrevolutio-nary forces of Victoriano Huerta were temporarily triumphant, he emigrated to El Paso, Texas, where in 1915 he wrote The Underdogs (Los de abajo), which did not receive general recognition until 1924, when it was hailed as the novel of the Revolution.

Mariano Azuela, the first of the novelists of the Revolution, was born in Lagos de Moreno, Jalisco, Mexico, in 1873. He studied medicine in Guadalajara and returned to Lagos in 1909, where he began the practice of his profession. He began his writing career early; in 1896 he published Impressions of a Student in a weekly of Mexico City. This was followed by numerous sketches and short stories, and in 1911 by his first novel, Andres Perez, maderista. Like most of the young Liberals, he supported Francisco I. Madero's uprising, which overthrew the dictatorship of Porfirio Diaz, and in 1911 was made Director of Education of the State of Jalisco. After Madero's assassination, he joined the army of Pancho Villa as doctor, and his knowledge of the Revolution was acquired at firsthand. When the counterrevolutio-nary forces of Victoriano Huerta were temporarily triumphant, he emigrated to El Paso, Texas, where in 1915 he wrote The Underdogs (Los de abajo), which did not receive general recognition until 1924, when it was hailed as the novel of the Revolution.

In addition to a fresh translation of Los de Abajo , Azuela's classic novel of the Mexican Revolution, this volume offers both a general Introduction to the work and an extensive appendix setting the novel in its historical, literary, and political context. Related texts include contemporary reviews of Azuela's book, an excerpt from Anita Brenner's Idols Behind Altars (1929), and selections from John Reed's Insurgent Mexico (1914).

In addition to a fresh translation of Los de Abajo , Azuela's classic novel of the Mexican Revolution, this volume offers both a general Introduction to the work and an extensive appendix setting the novel in its historical, literary, and political context. Related texts include contemporary reviews of Azuela's book, an excerpt from Anita Brenner's Idols Behind Altars (1929), and selections from John Reed's Insurgent Mexico (1914).

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - Mariano Azuela, the first of the "novelists of the Revolution," was born in Lagos de Moreno, Jalisco, Mexico, in 1873. He studied medicine in Guadalajara and returned to Lagos in 1909, where he began the practice of his profession. He began his writing career early; in 1896 he published Impressions of a Student in a weekly of Mexico City. This was followed by numerous sketches and short stories, and in 1911 by his first novel, Andres Perez, maderista. Like most of the young Liberals, he supported Francisco I. Madero's uprising, which overthrew the dictatorship of Porfirio Diaz, and in 1911 was made Director of Education of the State of Jalisco. After Madero's assassination, he joined the army of Pancho Villa as doctor, and his knowledge of the Revolution was acquired at firsthand. When the counterrevolutio-nary forces of Victoriano Huerta were temporarily triumphant, he emigrated to El Paso, Texas, where in 1915 he wrote The Underdogs (Los de abajo), which did not receive general recognition until 1924, when it was hailed as the novel of the Revolution.

Demetrio Macias, a poor, illiterate Indian, must join the rebels to save his family. Courageous and charismatic, he earns a generalship in Pancho Villaas army, only to become discouraged with the cause after it becomes hopelessly factionalized.

The news spread like lightning. Villa--the magic word! The Great Man, the salient profile, the unconquerable warrior who, even at a distance, exerts the fascination of a reptile, a boa constrictor.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The Underdogs was originally published in serial form in El Paso del Norte in 1915. The story takes place during the Mexican Revolution. Demetrio Macias is the leader of a group fighting against the federal forces. Victoriano Huerta is an accomplished marksman who fights to change his country, but by the end of the novel he is not sure why he keeps on fighting. He sees his actions as having made little difference.

The news spread like lightning. Villa--the magic word! The Great Man, the salient profile, the unconquerable warrior who, even at a distance, exerts the fascination of a reptile, a boa constrictor.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1956.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1956.

First published as a serial in the newspaper El Paso del Norte, in October and November of 1915, then as a book published by the same newspaper, the novel Los de abajo has been translated into all the main languages of the world. Mariano Azuela's masterwork came out one hundred years after Jose Loaquin Fernandez de Lazardi's El Periquillo Sarniento created the genre of the Novel of the Revolution, as it left behind the norms of the European novel and forged new parameters for Hispanic American fiction. The impact of Los de abajo is owed in large part to the sustained dramatic tension of the novel, from the opening scene to the death of the protagonist - in the same geographic location, creating a sense of circularity - but its success is partly the result of the fulfillment of the title's promise to depict the underdogs. Who are the underdogs but those at the bottom of the social and economic ladder, that is, the poorest and most disinherited. And the underdogs in Azuela's story have decided to fight against the injustices perpetrated by those on top. The struggle is bloody, the suffering intolerable. And all for what? All just in order to remain in the same place - as underdogs - after two years of hardships. This attitude of defeat, of failure, is one of the elements that sustain lively interest in the novel and give it permanent value. The descriptions of nature serve to soften the violent revolutionary scenes, and it is this technique of interweaving human actions with descriptions of the landscape that confers an unusual equilibrium upon the novel and has caused it to be considered the best of the many novels about the Mexican Revolution. This edition, annotated and with a prologue by Luis Leal, is a fundamental text for any course in Hispanic literature, and is indispensable for courses focusing on early 20th century Latin America."

In this deeply moving picture of the turmoil of the first great revolution of the twentieth century—the Mexican Revolution of 1910—Azuela depicts the anarchy and the idealism, the base human passions and the valor and nobility of the simple folk, and, most striking of all, the fascination of revolt—that peculiar love of revolution for revolution's sake that has characterized most of the social upheavals of the twentieth century. Los de Abajo is considered "the only novel of the Revolution" and, since the spring of 1925, has been published in several languages and more than twenty-seven editions. Azuela's writing is sometimes racy and virile, sometimes poetic and subdued, but always in perfect accord with the mood and character of the story.

Hailed as the greatest novel of the Mexican Revolution, The Underdogs recounts the story of an illiterate but charismatic Indian peasant farmer’s part in the rebellion against Porfirio Díaz, and his subsequent loss of belief in the cause when the revolutionary alliance becomes factionalized. Azuela’s masterpiece is a timeless, authentic portrayal of peasant life, revolutionary zeal, and political disillusionment.