" 'Fear is the liquid state of / pain as a wound is the solid state of / fear.' Mariano Peyrou's pulsating and mesmerizing meditation on love, time, and memory, here elegantly translated by Terence Dooley, is at once minimalist and expansive: its subtle repetition of key nouns and verbs creates a dreamscape in which 'two parallel lines meet / in your eyes.' If parallel, how can these lines meet? The path to understanding repeatedly confronts a mountain, because 'Similarity / and difference only become apparent / with time.' Peyrou's Possibilities in Shade is a beautiful love poem, an inspired ode to self-recognition." —Marjorie Perloff

The Year of the Crab tells the story of an endless seaside summer, or perhaps a series of summers spent in the same place. It is a musical interplay of emotions and ideas, with recurring motifs and characters, often very funny, often profound, with a sense of childhood discovery remembered in maturity, an idyll with the background voices of fear, illness and death never far away, but also with strong intimations of love, nostalgia and happiness. It is a magical poem. “The Year of the Crab is transparent, of a transparency that is almost frightening: it speaks with the visionary ability of a child, but with the composure of an elderly man (…). It is a beautiful, marvellous tale of love and terror.” —Ada Salas, Nayagua “Mariano Peyrou’s writing is among the most personal and surprising on the current scene.” —Luis Bagué Quílez, Babelia