This collection of essays examines how the sense of crisis that occasionally seems to overwhelm us directs and transforms Canadian and Quebec writings in English and French, and conversely, how literature and criticism set out to counterbalance the social, economic, and ideological insecurities we live in. Ce recueil de textes etudie les manieres dont le sentiment de crise qui peut parfois sembler nous submerger, oriente et transforme les ecrits canadiens et quebecois d'expressions anglaise et francaise, et inversement, comment la litterature et la critique s'efforcent de contrebalancer les insecurites sociales, economiques et ideologiques dans lesquelles nous vivons. Contributors: David Boucher, Marie Carriere, Nicole Cote, Piet Defraeye, Nicoletta Dolce, Danielle Dumontet, Ana Maria Fraile-Marcos, Marion Kuhn, Hans-Jurgen Lusebrink, Carmen Mata Barreiro, Ursula Mathis-Moser, Dunja M. Mohr, Emilie Notard, Daniel Poitras, Veronique Porra, Srilata Ravi, Marion Christina Rohrleitner

"L'interrogation n'a pas change a 56 ans: pourquoi ne profite-t-on pas de tout ce qui nous arrive pour changer notre vie?" -Dany Laferriere Le 5 mars 2009, le Centre de litterature canadienne de l'Universite de l'Alberta recevait l'auteur acclame, Dany Laferriere dans le cadre de la conference commemorative Henry Kreisel. La University of Alberta Press et le Centre de litterature canadienne sont fiers de faire paraitre une version ecrite de la conference de Laferriere.

Spirits for the Mind and Body contains 2101 Cocktail and Alcoholic Beverages in such categories as Beer Mug, Brandy Snifter, Champagne, Cocktail, Collins, Coupette, Highball, Irish Mug, Old-Fashioned, Pousse-Cafe, Punch Bowl, Red Wine, Shot Glass, Whiskey Sour, and White Wine.

A collection of 72 great tasting recipes for the chili lover in all of us.

Text in English & French. Buttressed by a wealth of new, collaborative research methods and technologies, the contributors of this collection examine women's writing in Canada, past and present, with 11 essays in English and 5 in French. Regenerations was born out of the inaugural conference of the Canadian Writing Research Collaboratory held at the Canadian Literature Centre, University of Alberta, and exemplifies the progress of radically interdisciplinary research, collaboration, and publishing efforts surrounding Canadian women's writing. Researchers and students interested in Canadian literature, Quebec literature, womens writing, literary history, feminist theory, and digital humanities scholarship should definitely acquaint themselves with this work. Contributors: Nicole Brossard, Susan Brown, Marie Carriere, Patricia Demers, Louise Dennys, Cinda Gault, Lucie Hotte, Dean Irvine, Gary Kelly, Shauna Lancit, Mary McDonald-Rissanen, Lindsey McMaster, Mary-Jo Romaniuk, Julie Roy, Susan Rudy, Chantal Savoie, Maite Snauwaert, Rosemary Sullivan, and Sheena Wilson.

Ten years, ten authors, ten critics. The Canadian Literature Centre/Centre de litterature canadienne reaches into its ten-year archive of Brown Bag Lunch readings to sample some of the most diverse and powerful voices in contemporary Canadian literature. This anthology offers readers samples from some of Canada's most exciting writers of fiction, nonfiction, and poetry. Each selection is introduced by a brief essay, serving as a point of entry into the writer's work. From the east coast of Newfoundland to Kitamaat territory on British Columbia's central coast, there is a story for everyone, from everywhere. True to Canada's multilingual and multicultural heritage, these ten writers come from diverse ethnicities and backgrounds, and work in multiple languages, including English, French, and Cree. Ying Chen | essay by Julie Rodgers Lynn Coady | essay by Maite Snauwaert Michael Crummey | essay by Jennifer Bowering Delisle Caterina Edwards | essay by Joseph Pivato Marina Endicott | essay by Daniel Laforest Lawrence Hill | essay by Winfried Siemerling Alice Major | essay by Don Perkins Eden Robinson | essay by Kit Dobson Gregory Scofield | essay by Angela Van Essen Kim Thuy | essay by Pamela V. Sing

"The outburst of cultural energy that took place in the 1960s was in part a product of the two decades that came before. It's always difficult for young people to see their own time in perspective: when you're in your teens, a decade earlier feels like ancient history and the present moment seems normal: what exists now is surely what has always existed." Margaret Atwood compares the Canadian literary landscape of the 1960s to the Burgess Shale, a geological formation that contains the fossils of many strange prehistoric life forms. The Burgess Shale is not entirely about writing itself, however: Atwood also provides some insight into the meagre writing infrastructure of that time, taking a lighthearted look at the early days of the institutions we take for granted today-from writers' organizations, prizes, and grant programs to book tours and festivals.