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BBC Radio 4 Book of the Week'Wonderfully idiosyncratic, coolly heartfelt and memorable' William Boyd'One of the great writers of early 20th Century Russia' Simon Sebag Montefiore'A remarkable memoir . . . both potent and endearing' Erica Wagner, New Statesman The writer and satirist Teffi was a literary sensation in Russia until war and revolution forced her to leave her country for ever. Memories is a blackly funny and heartbreaking account of her final, frantic journey into exile across Russia - travelling by cart, freight train and rickety steamer - and the 'ordinary and unheroic' people she encounters. Fusing exuberant wit and bitter horror, this is an extraordinary portrayal of what it means to say goodbye, and confirms Teffi as one of the most humane, perceptive observers of her times, and an essential writer for ours.

This book explores how online therapy communities offer an accessible space that is not confined by economic abilities, geographical barriers, or familial restraints. William Henderson and Mary Jackson-Pitts use mixed methodologies of self-administered surveys and in-depth interviews to explore how online therapy communities can be used as a tool in the overall care of individuals who are in crisis and dealing with self-harming thoughts and behaviors. Faced with monetary constraints, lack of insurance coverage, and close connections who have no experience in addressing self-harming behaviors, this book highlights online therapy community members' experiences and insight into how online therapy communities have been helpful and may be helpful for others who choose to be a part of these communities. Scholars of communication, sociology, and psychology will find this book of particular interest.

Teffi's genius with the short form made her a literary star in pre-revolutionary Russia, beloved by Tsar Nicholas II and Vladimir Lenin alike. These stories, taken from the whole of her career, show the full range of her gifts. Extremely funny - a wry, scathing observer of society - she is also capable, as capable even as Chekhov, of miraculous subtlety and depth of character. There are stories here from her own life (as a child, going to meet Tolstoy to plead for the life of War and Peace's Prince Bolkonsky, or, much later, her strange, charged meetings with the already-legendary Rasputin). There are stories of emigre society, its members held together by mutual repulsion. There are stories of people misunderstanding each other or misrepresenting themselves. And throughout there is a sly, sardonic wit and a deep, compelling intelligence.

In the midst of a marital crisis, Jane hatches an unusual plan to avoid a custody battle, the thing she most fears: she convinces husband Kevin to walk away from the pressures of New York—in particular, her demanding job and an affair she almost had—in the hope that moving to their favorite city abroad will fix their family. In San Miguel de Allende, Jane and her young sons delight in new adventures, but Kevin still seethes. Jane befriends a circle of intriguing women and helps two girls who remind her of the brother she abandoned when her own parents divorced. After witnessing violence involving the girls’ father, Jane’s vivid dreams, possibly guided by a hummingbird messenger from the hereafter, grow ever darker. When tragedy strikes San Miguel, the community fractures and then rises, and Jane must make a dangerous choice. The Broken Hummingbird balances the raw undoing of a marriage with the joys of discovery that lie in building a new life.

How do great moments in literary traditions arise from times of intense social and political upheaval? South African Literature's Russian Soul charts the interplay of narrative innovation and political isolation in two of the world's most renowned non-European literatures. In this book, Jeanne-Marie Jackson demonstrates how Russian writing's "Golden Age" in the troubled nineteenth-century has served as a model for South African writers both during and after apartheid. Exploring these two isolated literary cultures alongside each other, the book challenges the limits of "global" methodologies in contemporary literary studies and outdated models of center-periphery relations to argue for a more locally involved scale of literary enquiry with more truly global horizons.

An ambitious look at the African novel and its connections to African philosophy in the twentieth and twenty-first centuries The African Novel of Ideas focuses on the role of the philosophical novel and the place of philosophy more broadly in the intellectual life of the African continent, from the early twentieth century to today. Examining works from the Gold Coast, South Africa, Uganda, and Zimbabwe, and tracing how such writers as J. E. Casely Hayford, Imraan Coovadia, Tendai Huchu, Jennifer Nansubuga Makumbi, and Stanlake Samkange reconcile deep contemplation with their social situations, Jeanne-Marie Jackson offers a new way of reading and understanding African literature. Jackson begins with Fante anticolonial worldliness in prenationalist Ghana, moves through efforts to systematize Shona philosophy in 1970s Zimbabwe, looks at the Ugandan novel Kintu as a treatise on pluralistic rationality, and arrives at the treatment of "philosophical suicide" by current southern African writers. As Jackson charts philosophy's evolution from a dominant to marginal presence in African literary discourse across the past hundred years, she assesses the push and pull of subjective experience and abstract thought. The first major transnational exploration of African literature in conversation with philosophy, The African Novel of Ideas redefines the place of the African experience within literary history.

An ambitious look at the African novel and its connections to African philosophy in the twentieth and twenty-first centuries The African Novel of Ideas focuses on the role of the philosophical novel and the place of philosophy more broadly in the intellectual life of the African continent, from the early twentieth century to today. Examining works from the Gold Coast, South Africa, Uganda, and Zimbabwe, and tracing how such writers as J. E. Casely Hayford, Imraan Coovadia, Tendai Huchu, Jennifer Nansubuga Makumbi, and Stanlake Samkange reconcile deep contemplation with their social situations, Jeanne-Marie Jackson offers a new way of reading and understanding African literature. Jackson begins with Fante anticolonial worldliness in prenationalist Ghana, moves through efforts to systematize Shona philosophy in 1970s Zimbabwe, looks at the Ugandan novel Kintu as a treatise on pluralistic rationality, and arrives at the treatment of "philosophical suicide" by current southern African writers. As Jackson charts philosophy's evolution from a dominant to marginal presence in African literary discourse across the past hundred years, she assesses the push and pull of subjective experience and abstract thought. The first major transnational exploration of African literature in conversation with philosophy, The African Novel of Ideas redefines the place of the African experience within literary history.