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This choreographed book is dedicated to the phenomenon of the bare
body in contemporary performance. This work of artistic research
draws on philosophical, biopolitical, and ethical discourses
relevant to the appearance of bare bodies in choreography, setting
a framework for a reflexive movement between affect and ethics,
sensuous address and response. Acts of exposure and concealment are
culturally situated and anchored, and are examined for their
methodological and nanopolitical significance. The concepts of
anarchic responsibility and choreo-ethics lead to a reevaluation of
contact, relationship, and solidarity. Choreography is thus
understood as a complex field of revelatory experiences based on
ecologies of aesthetic perception and ethico-political agency.
Choreo-graphic Figures: Deviations from the Line stages a
beyond-disciplinary, inter-subjective encounter between the lines
of choreography, drawing and writing, for exploring those forms of
thinking-feeling-knowing produced through collaborative exchange,
in the slippage and deviation, as different modes of practice enter
into dialogue, overlap, collide. The publication is conceived as a
studio-laboratory in itself, drawing together critical reflections
and experimental practices that focus on the how-ness - the
qualitative-procedural, aesthetic-epistemological and
ethical-empathetic dynamics - within shared artistic exploration,
directing attention to an affective realm of forces and intensities
existing before, between and beneath the more readable gestures of
artistic practice.
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