Representation of desiring subjects in the novel is one of the most illuminating issues in the area of ancient gender and sexuality, for such narratives subject societal norms to acute critique. This volume brings together fourteen essays originally given as oral presentations at the Fourth International Conference on the Ancient Novel (ICAN IV), held in Lisbon in July 2008. Employing feminist and psychoanalytic approaches, each offers a provocative investigation of sexual subjectivity as presented in the text or texts under discussion. The collection as a whole demonstrates the gradual convergence of formerly distinct norms of gendered behavior under pressure of emerging social realities.The editors of this volume are all well-known scholars in the fields of ancient narrative and/or ancient sexuality. Contributors include leading experts in these fields and emerging scholars whose research suggests directions for future exploration.

This collection of essays seeks to establish Roman constructions of sexuality and gender difference as a distinct area of research, complementing work already done on Greece to give a fuller picture of ancient sexuality. By applying feminist critical tools to forms of public discourse, including literature, history, law, medicine, and political oratory, the essays explore the hierarchy of power reflected so strongly in most Roman sexual relations, where noblemen acted as the penetrators and women, boys, and slaves the penetrated. In many cases, the authors show how these roles could be inverted--in ways that revealed citizens' anxieties during the days of the early Empire, when traditional power structures seemed threatened.

In the essays, Jonathan Walters defines the impenetrable male body as the ideational norm; Holt Parker and Catharine Edwards treat literary and legal models of male sexual deviance; Anthony Corbeill unpacks political charges of immoral behavior at banquets, while Marilyn B. Skinner, Ellen Oliensis, and David Fredrick trace linkages between social status and the gender role of the male speaker in Roman lyric and elegy; Amy Richlin interrogates popular medical belief about the female body; Sandra R. Joshel examines the semiotics of empire underlying the historiographic portrayal of the empress Messalina; Judith P. Hallett and Pamela Gordon critique Roman caricatures of the woman-desiring woman; and Alison Keith discovers subversive allusions to the tragedy of Dido in the elegist Sulpicia's self-depiction as a woman in love.

Clodia Metelli: The Tribune's Sister is the first full-length biography of a Roman aristocrat whose colorful life, as described by her contemporaries, has inspired numerous modern works of popular fiction, art, and poetry. Clodia, widow of the consul Metellus Celer, was one of several prominent females who made a mark on history during the last decades of the Roman Republic. As the eldest sister of the populist demagogue P. Clodius Pulcher, she used her wealth and position to advance her brother's political goals. For that she was brutally reviled by Clodius' enemy, the orator M. Tullius Cicero, in a speech painting her as a scheming, debauched whore. Clodia may also have been the alluring mistress celebrated in the love poetry of Catullus, whom he calls "Lesbia" in homage to Sappho and depicts as beautiful, witty, but also false and corrupt. From Cicero's letters, finally, we receive glimpses of a very different woman, a great lady at her leisure. This study examines Clodia in the contexts of her family background, the societal expectations for a woman of her rank, and the turbulent political climate in which she operated. It weighs the value of the several kinds of testimony about her and attempts to extract a picture as faithful to historical truth as possible. The manner in which Clodia was represented in writings of the period, and the motives of their authors in portraying her as they did, together shed considerable light on the role played by female figures in Roman fiction and historiography.

Clodia Metelli: The Tribune's Sister is the first full-length biography of a Roman aristocrat whose colorful life, as described by her contemporaries, has inspired numerous modern works of popular fiction, art, and poetry. Clodia, widow of the consul Metellus Celer, was one of several prominent females who made a mark on history during the last decades of the Roman Republic. As the eldest sister of the populist demagogue P. Clodius Pulcher, she used her wealth and position to advance her brother's political goals. For that she was brutally reviled by Clodius' enemy, the orator M. Tullius Cicero, in a speech painting her as a scheming, debauched whore. Clodia may also have been the alluring mistress celebrated in the love poetry of Catullus, whom he calls "Lesbia" in homage to Sappho and depicts as beautiful, witty, but also false and corrupt. From Cicero's letters, finally, we receive glimpses of a very different woman, a great lady at her leisure. This study examines Clodia in the contexts of her family background, the societal expectations for a woman of her rank, and the turbulent political climate in which she operated. It weighs the value of the several kinds of testimony about her and attempts to extract a picture as faithful to historical truth as possible. The manner in which Clodia was represented in writings of the period, and the motives of their authors in portraying her as they did, together shed considerable light on the role played by female figures in Roman fiction and historiography.

The Epicurean teacher and poet Philodemus of Gadara (c. 110-c. 40/35 BC) exercised significant literary and philosophical influence on Roman writers of the Augustan Age, most notably the poets Vergil and Horace. Yet a modern appreciation for Philodemus' place in Roman intellectual history has had to wait on the decipherment of the charred remains of Philodemus' library, which was buried in Herculaneum by the eruption of Vesuvius in 79 AD. As improved texts and translations of Philodemus' writings have become available since the 1970s, scholars have taken a keen interest in his relations with leading Latin poets.

The essays in this book, derived from papers presented at the First International Symposium on Philodemus, Vergil, and the Augustans held in 2000, offer a new baseline for understanding the effect of Philodemus and Epicureanism on both the thought and poetic practices of Vergil, Horace, and other Augustan writers. Sixteen leading scholars trace his influence on Vergil's early writings, the Eclogues and the Georgics, and on the Aeneid, as well as on the writings of Horace and others. The volume editors also provide a substantial introduction to Philodemus' philosophical ideas for all classicists seeking a fuller understanding of this pivotal figure.