This seven-volume collection brings together the known works of Mary Wollstonecraft, the eighteenth-century philosopher, writer and women's rights advocate. Condemned by her contemporaries for her unconventional lifestyle, Wollstonecraft was later recognised as a founding figure of the feminist movement. She was also an acute observer of the political upheavals of the French revolution and advocated educational reform. Wollstonecraft's writings, which include A Vindication of the Rights of Woman and Thoughts on the Education of Daughters, are recognised as cornerstone texts in the development of feminist thought. This book is therefore a vital reference to the student of feminist history, and will also be of value to any reader interested in the origins of feminism.

Presents scholars, students and general readers with the major fiction for adults, much of the best of juvenile fiction, and a selection of the educational and occasional writings of Maria Edgeworth.

Presents scholars, students and general readers with the major fiction for adults, much of the best of juvenile fiction, and a selection of the educational and occasional writings of Maria Edgeworth.

Presents scholars, students and general readers with the major fiction for adults, much of the best of juvenile fiction, and a selection of the educational and occasional writings of Maria Edgeworth.

Presents scholars, students and general readers with the major fiction for adults, much of the best of juvenile fiction, and a selection of the educational and occasional writings of Maria Edgeworth.

Presents scholars, students and general readers with the major fiction for adults, much of the best of juvenile fiction, and a selection of the educational and occasional writings of Maria Edgeworth.

A seven volume set of books containing all the known published writings and translations of Mary Wollstonecraft, who is generally recognised as the mother of the feminist movement. She was also an acute observer of the political upheavals of the French revolution and advocated educational reform.

A seven volume set of books containing all the known published writings and translations of Mary Wollstonecraft, who is generally recognised as the mother of the feminist movement. She was also an acute observer of the political upheavals of the French revolution and advocated educational reform.

A seven volume set of books containing all the known published writings and translations of Mary Wollstonecraft, who is generally recognised as the mother of the feminist movement. She was also an acute observer of the political upheavals of the French revolution and advocated educational reform.

A seven volume set of books containing all the known published writings and translations of Mary Wollstonecraft, who is generally recognised as the mother of the feminist movement. She was also an acute observer of the political upheavals of the French revolution and advocated educational reform.

A seven volume set of books containing all the known published writings and translations of Mary Wollstonecraft, who is generally recognised as the mother of the feminist movement. She was also an acute observer of the political upheavals of the French revolution and advocated educational reform.

A seven volume set of books containing all the known published writings and translations of Mary Wollstonecraft, who is generally recognised as the mother of the feminist movement. She was also an acute observer of the political upheavals of the French revolution and advocated educational reform.

A seven volume set of books containing all the known published writings and translations of Mary Wollstonecraft, who is generally recognised as the mother of the feminist movement. She was also an acute observer of the political upheavals of the French revolution and advocated educational reform.

In this groundbreaking work of revisionary literary history, Marilyn Butler traces the imagining of alternative versions of the nation in eighteenth-century Britain, both in the works of a series of well-known poets (Akenside, Thomson, Gray, Collins, Chatterton, Macpherson, Blake) and in the differing accounts of the national culture offered by eighteenth-century antiquarians and literary historians. She charts the beginnings in eighteenth-century Britain of what is now called cultural history, exploring how and why it developed, and the issues at stake. Her interest is not simply in a succession of great writers, but in the politics of a wider culture, in which writers, scholars, publishers, editors, booksellers, readers all play their parts. For more than thirty years, Marilyn Butler was a towering presence in eighteenth-century and romantic studies, and this major work is published for the first time.

‘What have you been judging from? … Dearest Miss Morland, what ideas have you been admitting?’

During an eventful season at Bath, young, naive Catherine Morland experiences fashionable society for the first time. She is delighted with her new acquaintances: flirtatious Isabella, who introduces Catherine to the joys of Gothic romances, and sophisticated Henry and Eleanor Tilney, who invite her to their father’s house, Northanger Abbey. There, influenced by novels of horror and intrigue, Catherine comes to imagine terrible crimes committed by General Tilney, risking the loss of Henry’s affection, and must learn the difference between fiction and reality, false friends and true. With its broad comedy and irrepressible heroine, Northanger Abbey is the most youthful and optimistic of Jane Austen’s works.

This edition is based on the first edition of 1818, and includes a new chronology and additional suggestions for further reading.

Cambridge English Prose Texts consists of volumes devoted to selections of non-fictional English prose of the late sixteenth to the mid nineteenth centuries. The series provides students, primarily though not exclusively those of English literature, with the opportunity of reading significant prose writers who, for a variety of reasons (not least their generally being unavailable in suitable editions), are rarely studied, but whose influence on their times was very considerable. Marilyn Butler's volume centres on the great Revolution debate in England in the 1790s, inspired by the French Revolution. The debate consists of a single series of works which depend for their meaning upon one another, and upon the historical situation which gave them birth. Major tracts by Burke (Reflections on the Revolution in France), Paine (The Rights of Man), and Godwin (Enquiry Concerning Political Justice) are given at length, while important shorter pieces by such writers as Hannah More, Thomas Spence, and William Cobbett appear virtually complete. The volume is especially interesting for its portrait of a community of oppositional writers. Many of them knew one another personally, and stimulated and sustained one another against the pro-government majority. Their collaborative literary enterprise, and its break up, offer a fascinating perspective on Romanticism and the growth of an extra-parliamentary opposition functioning through the press. The volume also reveals the impact of the great debate on writers such as Mary Wollstonecraft, Coleridge, and Wordsworth. As with other titles in the series, the volume is comprehensively annotated: obscure allusions to people, places, and events are glossed in footnotes and endnotes, while prefactory headnotes comment on the circumstances surrounding the composition of each extract. In a substantial introduction Dr Butler offers a broad examination of this pamphlet war and its main participants. There is a helpful critical guide to further reading for those wishing to pursue their study of the subject. The volume will be a vital sourcebook for students of English Romantic literature, history, and political history.

Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design. During an eventful season at Bath, young, naive Catherine Morland experiences the joys of fashionable society for the first time. She is delighted with her new acquaintances: flirtatious Isabella, who shares Catherine's love of Gothic romance and horror, and sophisticated Henry and Eleanor Tilney, who invite her to their father's mysterious house, Northanger Abbey. There, her imagination influenced by novels of sensation and intrigue, Catherine imagines terrible crimes committed by General Tilney. With its broad comedy and irrepressible heroine, this is the most youthful and and optimistic of Jane Austen's works.

Interest in Jane Austen has never been greater, but it is revitalized by the advent of feminist literary history. In a substantial new introduction Marilyn Butler places this book, which was first published in 1975, within the larger tradition of post-war criticism, from the generation of Edmund Wilson, Lionel Trilling, and F.R. Leavis to that of the now-dominant feminist critics. Professor Butler argues that Austen herself lived in contentious times. Like Wordsworth and Coleridge, she served her literary apprenticeship in the 1790s, the decade of the Terror and the Napoleonic Wars, an era in England of polemic and hysteria. Political partisanship shaped the novel of her youth, in content, form, and style. In this book, she now examines the very different schools of writing about Austen, and finds in them some unexpected continuities, such as a willingness to recruit her to modern aims, but a reluctance to engage with her own history. When the book first came out it attracted attention for its fresh, controversial approach to ideas on Austen. The new edition shows how the arrival of feminism has made the task of the literary historian more vital and challenging than ever. 'Marilyn Butler has written a deeply provoking, exciting book.' New Statesman 'There can be no doubt of the immense value for the critical reader of this impressive exposition of conflicting views concerning the individual and society at the end of the eighteenth century.' Review of English Studies 'interesting, knowledgeable, and controversial.' Times Higher Education Supplement

Definitive, concise, and very interesting... From William Shakespeare to Winston Churchill, the Very Interesting People series provides authoritative bite-sized biographies of Britain's most fascinating historical figures - people whose influence and importance have stood the test of time. Each book in the series is based upon the biographical entry from the world-famous Oxford Dictionary of National Biography. The Very Interesting People series includes the following titles: 1.William Shakespeare by Peter Holland 2. George Eliot by Rosemary Ashton 3. Charles Dickens by Michael Slater 4. Charles Darwin by Adrian Desmond, James Moore, and Janet Browne 5. Isaac Newton by Richard S.Westfall 6. Elizabeth I by Patrick Collinson 7. George III by John Cannon 8. Benjamin Disraeli by Jonathan Parry 9. Christopher Wren by Kerry Downes 10. John Ruskin by Robert Hewison 11. James Joyce by Bruce Stewart 12. John Milton by Gordon Campbell 13. Jane Austen by Marilyn Butler 14. Henry VIII by Eric Ives 15. Queen Victoria by K. D. Reynolds and H. C. G. Matthew 16. Winston Churchill by Paul Addison 17. Oliver Cromwell by John Morrill 18. Thomas Paine by Mark Philp 19. J. M. W. Turner by Luke Herrmann 20. William and Mary by Tony Claydon and W. A. Speck

First published in 1802, "An Essay on Irish Bulls" was intended to show the English public the talent and wit of the Irish lower classes. Originally devised by Maria's father, Richard Lovell Edgeworth, Irish Bulls is an informal philosophic dialogue on the nature of Bulls (logical absurdities) and jokes and jests in general. Published at the time of the Union, the overarching theme is the confusions of identity and the relationship of Irish people to the English. This highly entertaining work has not been published as a single book since the nineteenth century. The editorial material and text for this edition are reproduced from the "Pickering & Chatto Novels" and "Selected Works of Maria Edgeworth", vol. 1. New introduction for this edition is by Jane Desmarais.

Stylish, sceptical, cosmopolitan, heir to Swift's fantasy and wit, Maria Edgeworth's fiction explores the relations of England and Ireland at a time of historical crisis. Castle Rackrent is Irish family history vividly and unreliably narrated by the loyal servant Thady, steward on the decaying Rackrent estates. In this comic tour-de-force Maria Edgeworth anticipates great themes of the European novel - colonialism, class, master-servant relationships, money, power and sexual inequality - but Castle Rackrent's true sequel is Ennui (1809). Beginning as the 'confessions' of an old-regime aristocrat, Lord Glenthorn's story takes him to Ireland, and impels him in a fable of bizarre transformations to play a reluctant part in Ireland's year of Revolution, 1798.

The most perfect of Jane Austen's perfect novels begins with twenty-one-year-old Emma Woodhouse comfortably dominating the social order in the village of Highbury, convinced that she has both the understanding and the right to manage other people's lives--for their own good, of course. Her well-meant interfering centers on the aloof Jane Fairfax, the dangerously attractive Frank Churchill, the foolish if appealing Harriet Smith, and the ambitious young vicar Mr. Elton--and ends with her complacency shattered, her mind awakened to some of life's more intractable dilemmas, and her happiness assured.
Austen's comic imagination was so deft and beautifully fluent that she could use it to probe the deepest human ironies while setting before us a dazzling gallery of characters--some pretentious or ridiculous, some admirable and moving, all utterly true.

This highly influential study takes a fresh look at one of the most fertile periods in English literature, a period wich produced writers such as Blake, Keats, Coleridge, and Austen. Marilyn Butler shows that one of the most dynamic and stressful periods of modern history fostered a literature that was itself various and contradictory.