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"Ghost of the Hardy Boys is an elegant book, full of charm and
pathos and whimsy. The writing is restrained, the characterizations
deep and rich, the humor nuanced." -Washington Post As millions of
boys and girls devoured the early adventures of the Hardy Boys,
little did the young readers and aspiring sleuths know: the series'
author was not Franklin W. Dixon, as the cover trumpeted. It was
Leslie McFarlane, a nearly penniless scribbler, who hammered out
the first adventures while living in a remote cabin without
electricity or running water in Northern Ontario. McFarlane was
among the first bestselling ghostwriters and this, at last, is his
story-as much fun as the stories he wrote. In 1926, 23-year-old cub
newspaper reporter Leslie McFarlane responded to an ad:
"Experienced Fiction Writer Wanted to Work from Publisher's
Outlines." The ad was signed by Edward Stratemeyer, whose syndicate
effectively invented mass-market children's book publishing in
America. McFarlane, who had a few published adventure stories to
his name, was hired and his first job was to write Dave Fearless
Under the Ocean as Roy Rockwood-for a flat fee of $100, no
royalties. His pay increased to $125 when Stratemeyer proposed a
new series of detective stories for kids involving two high school
aged brothers who would solve mysteries. The title of the series
was The Hardy Boys. McFarlane's pseudonym would be Franklin W.
Dixon. McFarlane went on to write twenty-one Hardy Boys adventures.
From The Tower Treasure in 1927 to The Phantom Freighter in 1947,
into full-fledged classics filled with perilous scrapes, loyal
chums, and breakneck races to solve the mystery. McFarlane kept his
ghostwriting gig secret until late in life when his son urged him
to share the story of being the real Franklin W. Dixon. By the time
McFarlane died in 1977, unofficial sales estimates of The Hardy
Boys series already topped 50 million copies. Ghost of the Hardy
Boys is a fascinating, funny, and always charming look back at a
vanished era of journalism, writing, and book publishing. It is for
anyone who loves a great story and who's curious about solving the
mystery of the fascinating man behind one of the most widely read
and enduring children's book series in history.
For twenty-five years, Charlotte Curtis was a society/women's
reporter and editor and an op-ed editor at the New York Times. As
the first woman section editor at the Times, Curtis was a
pioneering journalist and one of the first nationwide to change the
nature and content of the women's pages from fluffy wedding
announcements and recipes to the more newsy, issue-oriented stories
that characterize them today. In this riveting biography, Marilyn
Greenwald describes how a woman reporter from Columbus, Ohio, broke
into the ranks of the male-dominated upper echelon at the New York
Times. It documents what she did to succeed and what she had to
sacrifice. Charlotte Curtis paved the way for the journalists who
followed her. A Woman of the Times offers a chronicle of her
hard-won journey as she invents her own brand of feminism during
the 1960s and 1970s. In the telling of this remarkable woman's life
is the story, as well, of a critical era in the nation's social
history.
The author of the Hardy Boys Mysteries was, as millions of readers
know, Franklin W. Dixon. Except there never was a Franklin W.
Dixon. He was the creation of Edward Stratemeyer, the savvy founder
of a children's book empire that also published the Tom Swift,
Bobbsey Twins, and Nancy Drew series. The Secret of the Hardy Boys:
Leslie McFarlane and the Stratemeyer Syndicate recounts how a
newspaper reporter with dreams of becoming a serious novelist first
brought to life Joe and Frank Hardy, who became two of the most
famous characters in children's literature. Embarrassed by his
secret identity as the author of the Hardy Boys books, Leslie
McFarlane admitted it to no one-his son pried the truth out of him
years later. Having signed away all rights to the books, McFarlane
never shared in the wild financial success of the series. Far from
being bitter, however, late in life McFarlane took satisfaction in
having helped introduce millions of children to the joys of
reading. Commenting on the longevity of the Hardy Boys series, the
New York Times noted, "Mr. McFarlane breathed originality into the
Stratemeyer plots, loading on playful detail." Author Marilyn
Greenwald gives us the story of McFarlane's life and career,
including for the first time a compelling account of his writing
life after the Hardy Boys. A talented and versatile writer,
McFarlane adapted to sweeping changes in North American markets for
writers, as pulp and glossy magazines made way for films, radio,
and television. It is a fascinating and inspiring story of the
force of talent and personality transcending narrow limits.
Pauline Frederick Reporting is the biography of the life and career
of the first woman to become a network news correspondent. After no
less an authority than Edward R. Murrow told her there was no place
for her in broadcasting, Pauline Frederick (1908-90) cracked the
good old boys' club through determination and years of hard work,
eventually becoming a trusted voice to millions of television
viewers. In Frederick's nearly fifty years as a journalist, she
interviewed a young Fidel Castro, covered the Nuremberg trials,
interpreted diplomatic actions at the United Nations, and was the
first woman to moderate a presidential debate. The life of this
pivotal figure in American journalism provides an inside
perspective on the growth and political maneuverings of television
networks as well as Frederick's relationships with iconic NBC
broadcast figures David Brinkley, Chet Huntley, and others.
Although Frederick repeatedly insisted that she would trade her
career, glamorous as it was, to have a family, a series of romances
ended in heartache when she did indeed choose her work over love.
At the age of sixty-one, however, she married and attained the
family life she had always wanted. Her story is one for all modern
women striving to balance career and family.
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