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The Play's the Thing - Exploring Text in Drama and Therapy (Paperback): Marina Jenkyns The Play's the Thing - Exploring Text in Drama and Therapy (Paperback)
Marina Jenkyns
R1,273 Discovery Miles 12 730 Ships in 12 - 17 working days

Marina Jenkyns conveys the excitement of working therapeutically with dramatic text though a personal and highly readable analysis of plays from a variety of periods and cultures. Influenced by the theories of Winnicott and Klein she lays bare the dynamics of relationships and plots to show how they can be used to help us understand our own relationships to each other and the world around us. This highly innovative text integrates therapeutic practice and literature in an engaging and challenging book which will hold the attention of a wide audience.
This book contains new ideas for dramatherapy practice, theatre directors and teachers.

Supervision and Dramatherapy (Paperback): Katerina Couroucli-Robertson, Robert J. Landy, Anna Chesner, Ann Cattanach, Sue... Supervision and Dramatherapy (Paperback)
Katerina Couroucli-Robertson, Robert J. Landy, Anna Chesner, Ann Cattanach, Sue Jennings, …
R1,203 Discovery Miles 12 030 Ships in 10 - 15 working days

Supervisors who wish to employ a more imaginative approach to their work will find concepts such as 'aesthetic distancing' and techniques derived from dramatherapy - the use of myths and stories, dramatic play and roles - particularly useful. Supervision and Dramatherapy explores the ways in which dramatherapy techniques and concepts can be applied to supervision, and looks at how supervisions are conducted within the field of dramatherapy. The contributors, leading dramatherapists from Britain, Continental Europe, the United States and Israel, have written on the historical background of supervion in dramatherapy, the process of dramatherapy supervision, the training of supervisor-dramatherapists, taking a dramatherapy approach to business supervisions, the supervision of crisis intervention teams and dramatherapy research. They offer insights into the relationships between supervisor, supervisee and client, and the dramatic roles that unfold during the supervision process. Drawing on their own experiences in clinical and non-clinical settings, and richly illustrating their accounts with examples from practice, they offer exciting and creative ways of effectively supervising dramatherapists and non-dramatherapists alike.

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