As middle classes in developing countries grow in size and political power, do they foster stable democracies and prosperous, innovative economies? Or do they encourage crass materialism, bureaucratic corruption, unrealistic social demands, and ideological polarization? These questions have taken on a new urgency in recent years but they are not new, having first appeared in the mid twentieth century in debates about Latin America. At a moment when exploding middle classes in the global South increasingly capture the world's attention, these Latin American classics are ripe for revisiting. Part One of the book introduces key debates from the 1950s and 1960s, when Cold War era scholars questioned whether or not the middle class would be a force for democracy and development, to safeguard Latin America against the perceived challenge of Revolutionary Cuba. While historian John J. Johnson placed tentative faith in the positive transformative power of the "middle sectors," others were skeptical. The striking disagreements that emerge from these texts lend themselves to discussion about the definition, character, and complexity of the middle classes, and about the assumptions that underpinned twentieth-century modernization theory. Part Two brings together more recent case studies from Mexico, Peru, Brazil, Colombia, Chile, and Argentina, written by scholars influenced by contemporary trends in social and cultural history. These authors highlight issues of language, identity, gender, and the multiple faces and forms of power. Their studies bring flesh-and-blood Latin Americans to the forefront, reconstructing the daily lives of underpaid office workers, harried housewives and striving professionals, in order to revisit questions that the authors in Part One tended to approach abstractly. They also pay attention to changing cultural understandings and political constructions of who "the middle class" is and what it means to be middle class. Designed with the classroom and non-specialist reader in mind, the book has a comprehensive critical introduction, and each selection is preceded by a short description setting the context and introducing key themes.

"It gives me great pleasure to see the work of Benedetti, one of the great poets of our language, made available to US readers in Popkin's wonderful translations. Her carefully crafted adaptations of Mario's poems convey all the wisdom, nostalgia, and irony that inform his verses in language that retains their musicality. Anyone who has translated poetry will appreciate what an accomplishment that represents."--Claribel Alegria Mario Benedetti (1920--2009) is regarded as one of Latin America's most important twentieth-century writers and one of Uruguay's most revered writers of novels, short stories, poetry, plays, and essays.

'Perhaps that moment had been exceptional, but still, I felt alive. That pressure on my chest means being alive.' Forty-nine, with a kind face, no serious ailments (apart from varicose veins on his ankles), a good salary and three moody children, widowed accountant Martin Santome is about to retire. He assumes he'll take up gardening, or the guitar, or whatever retired people do. What he least expects is to fall passionately in love with his shy young employee Laura Avellaneda. As they embark upon an affair, happy and irresponsible, Martin begins to feel the weight of his quiet existence lift - until, out of nowhere, their joy is cut short. The intimate, heartbreaking diary of an ordinary man who is reborn when he falls in love one final time, this beloved Latin American novel has been translated into twenty languages and sold millions of copies worldwide, and is now published in Penguin Classics for the first time.

"A wise, lonely novel . . . [and an] honest reflection of exile." --The New Yorker In the tradition of Roberto Bolano's Savage Detectives, a celebrated classic and heart-wrenching story of a family torn apart by the forces of history, by one of Latin America's most celebrated writers The late Mario Benedetti's work was often ranked with "such esteemed Latin American writers as Gabriel Garcia Marquez, Carlos Fuentes and Julio Cortazar" (The Washington Post) and his novel The Truce has sold millions of copies around the world. His extraordinary novel Springtime in a Broken Mirror revolves around Santiago, a political prisoner in Uruguay, who was jailed after a brutal military coup that saw many of his comrades flee elsewhere. Santiago, feeling trapped, can do nothing but write letters to his family and try to stay sane. Far away, his nine-year-old daughter Beatrice wonders at the marvels of Buenos Aires, but her grandpa and mother--Santiago's beautiful, careworn wife, Graciela--struggle to adjust to a life in exile. Published now for the first time in English, Springtime in a Broken Mirror tells with tenderness and fury of the indelible imprint politics leaves on individual lives. Generous and unflinching, it asks whether the broken bonds of family and history can ever truly be mended. Written by one of the masters of the Latin American novel, this is the story of a fractured continent, chronicled through the lives of a single family.

An extraordinary story of love and exile, from one of the great masters of the Latin American novel 'Having news from you is like opening a window' Santiago is trapped. Taken political prisoner in Montevideo after a brutal military coup, he can do nothing but write letters to his family, and try to stay sane. Far away in a different country, his father tries to adjust to life in exile, his nine-year-old daughter marvels at the big city, and his beautiful, careworn wife finds herself irresistibly drawn to another man, as day by day Santiago edges closer to freedom. Told with tenderness and fury through the voices of a family torn apart by history, Springtime in a Broken Mirror asks whether shattered lives can ever truly be mended. 'A masterful novel ... a remarkable collage of unique perspectives - or shards from that eponymous broken mirror' The National

Contenido: Trece hombres que miran Los personajes De otros diluvios Canciones de amor y desamor Eplogos mos

As middle classes in developing countries grow in size and political power, do they foster stable democracies and prosperous, innovative economies? Or do they encourage crass materialism, bureaucratic corruption, unrealistic social demands, and ideological polarization? These questions have taken on a new urgency in recent years but they are not new, having first appeared in the mid twentieth century in debates about Latin America. At a moment when exploding middle classes in the global South increasingly capture the world's attention, these Latin American classics are ripe for revisiting. Part One of the book introduces key debates from the 1950s and 1960s, when Cold War era scholars questioned whether or not the middle class would be a force for democracy and development, to safeguard Latin America against the perceived challenge of Revolutionary Cuba. While historian John J. Johnson placed tentative faith in the positive transformative power of the "middle sectors," others were skeptical. The striking disagreements that emerge from these texts lend themselves to discussion about the definition, character, and complexity of the middle classes, and about the assumptions that underpinned twentieth-century modernization theory. Part Two brings together more recent case studies from Mexico, Peru, Brazil, Colombia, Chile, and Argentina, written by scholars influenced by contemporary trends in social and cultural history. These authors highlight issues of language, identity, gender, and the multiple faces and forms of power. Their studies bring flesh-and-blood Latin Americans to the forefront, reconstructing the daily lives of underpaid office workers, harried housewives and striving professionals, in order to revisit questions that the authors in Part One tended to approach abstractly. They also pay attention to changing cultural understandings and political constructions of who "the middle class" is and what it means to be middle class. Designed with the classroom and non-specialist reader in mind, the book has a comprehensive critical introduction, and each selection is preceded by a short description setting the context and introducing key themes.