Collects recent scholarship on modernism which outlines a new decentred history of global modernism in architecture Over 100 black and white illustrations Contributions from the US, UK, Europe and Australia

Collects recent scholarship on modernism which outlines a new decentred history of global modernism in architecture Over 100 black and white illustrations Contributions from the US, UK, Europe and Australia

Catalogue of the TECHNOSCAPE exhibition, which will be held at MAXXI in Autumn 2022, focusing on the relationship between artistic and scientific disciplines, nowadays closer than ever, and the consequent contacts between technique, creativity and social awareness. Architecture, engineering and science have overlapped on numerous occasions during the 20th century. First in the heroic phase and then in the mature phase of the reinforced concrete, then with the affirmation of hi-tech construction methods in the 1970s and 1980s and finally with the eruption of digitally controlled technologies. TECHNOSCAPE explores this alliance, responding to MAXXI's mission to look towards the future of our planet and the disciplines that modify its spaces. The volume follows the dual register of the exhibition, first dealing with how technology is making architecture, urban planning and other related disciplines more aware of their technical and scientific responsibility and capable of opening up new lines of research. The focus shifts then to structural engineering, comparing current masterpieces with previous historical modernist examples.

In the century between 1830 and 1930, following independence from Spain and Portugal, major cities in Latin America experienced large-scale growth, with the development of a new urban bourgeois elite interested in projects of modernization and rapid industrialization. At the same time, the lower classes were eradicated from old city districts and deported to the outskirts. The Metropolis in Latin America, 1830-1930 surveys this expansion, focusing on six capital cities-Havana, Mexico City, Rio de Janeiro, Buenos Aires, Santiago de Chile, and Lima-as it examines sociopolitical histories, town planning, art and architecture, photography, and film in relation to the metropolis. Drawing from the Getty Research Institute's vast collection of books, prints, and photographs from this period, largely unpublished until now, this volume reveals the cities' changes through urban panoramas, plans depicting new neighborhoods, and photographs of novel transportation systems, public amenities, civic spaces, and more. It illustrates the transformation of colonial cities into the monumental modern metropolises that, by the end of the 1920s, provided fertile ground for the emergence of today's Latin American megalapolis.

This reprint of the notebook Album Punjab Simla. Chandigarh, Mars 1951 kept by Le Corbusier from his two-week visit in the area that would become Chandigarh, the new capital city of the Indian state of Punjab, presents his written or sketched memos and personal reflections as well as notes and schematic solutions elaborated during meetings. The Album Punjab constitutes a primary source for reconstructing the topics addressed by the small team of architects and governmental officials who in only a few days developed the outlines of the Chandigarh plan. The spiralbound notebook facsimile is accompanied by a paperback volume featuring previously unpublished photographs taken by Le Corbusier’s cousin Pierre Jeanneret during this early expedition. Jeanneret documented the landscape and people that the architects encountered upon their arrival – a scenario destined to totally change with the birth of the great city. A detailed commentary by architectural historian Maristella Casciato is also included. It reflects on the variety of topics assem- bled in the notebook and traces the story of these days in which the new capital city was planned.

Gio Ponti - architect, designer, art director, writer, poet, professor, and critic - was one of the most renowned protagonists of Italian architecture and design in the 20th century. Forty years after his death, the Museo nazionale delle arti del XXI secolo (MAXXI) in Rome is dedicating a major retrospective to this exceptional figure. Beginning with his architecture, which can be charaterised as a unique and original synthesis of tradition and modernity, history and design, elite culture and everyday life, the show explores his many-faceted talent, selecting projects that concretely illustrate the key concepts found throughout his architecture and design work. Included here are archival materials, models, photographs, books, magazines and objects which illustrate the many achievements of his six decade career. Contents: 1 - Introductions by: Paolo Rosselli, Giovanna Melandri, Margherita Guccione; 2 - Essays by: Anna Chiara Cimoli, Salvatore Licitra, Massimiliano Savorra, Maria Teresa Feraboli, Luigi Spinelli, Francesca Zanella, Stefania Mornati, Paolo Campiglio, Silvia Bignami, Alessandra Muntoni, Elena Tinacci, Fabio Mangone, Alberto Gavazzi, Filippo De Pieri, Jorge Rivas, Anat Falbel, Angelica Ponzio, Hannia Gòmez, Fulvio Irace, Manolo De Giorgi, Valentina Marchetti, Bernard Colenbrander, Farhan Karim, Sergio Pace, Manfredo Nicolis di Robilant, Rèjean Legault, Domitilla Dardi, Fabio Colonnese, Elena Dellapiana, Barry Bergdoll, Lucia Miodini, Giorgio Ciucci, Daria Ricchi, Giovanni Marzari, Manuela Leoni, Cecilia Rostagni, Roberto Dulio; 3 - Biography; 4 - Bibliography. Published to accompany an exhibition at the Museo nazionale delle arti del XXI secolo (MAXXI) in Rome from 7 November 2019 - 26 April 2020.