Curiosities and Texts The Culture of Collecting in Early Modern England Marjorie Swann "Highly recommended."--"Library Journal" A craze for collecting swept England during the sixteenth and seventeenth centuries. Aristocrats and middling-sort men alike crammed their homes full of a bewildering variety of physical objects: antique coins, scientific instruments, minerals, mummified corpses, zoological specimens, plants, ethnographic objects from Asia and the Americas, statues, portraits. Why were these bizarre jumbles of artifacts so popular? In "Curiosities and Texts," Marjorie Swann demonstrates that collections of physical objects were central to early modern English literature and culture. Swann examines the famous collection of rarities assembled by the Tradescant family; the development of English natural history; narrative catalogs of English landscape features that began to appear in the Tudor and Stuart periods; the writings of Ben Jonson and Robert Herrick; and the foundation of the British Museum. Through this wide-ranging series of case studies, Swann addresses two important questions: How was the collection, which was understood as a form of cultural capital, appropriated in early modern England to construct new social selves and modes of subjectivity? And how did literary texts--both as material objects and as vehicles of representation--participate in the process of negotiating the cultural significance of collectors and collecting? Crafting her unique argument with a balance of detail and insight, Swann sheds new light on material culture's relationship to literature, social authority, and personal identity. Marjorie Swann teaches English at the University of Kansas. Material Texts 2001 288 pages 6 x 9 10 illus. ISBN 978-0-8122-3610-1 Cloth $59.95s 39.00 World Rights History, Literature

'I envy no body but him, and him only, that catches more fish than I do.' A unique celebration of the English countryside and the most famous book on angling ever published, Walton's Compleat Angler first appeared in 1653. In 1676, at Walton's invitation, his friend Charles Cotton contributed his pioneering exploration of fly-fishing. The book is both a manual of instruction and a vision of society in harmony with nature. It guides the novice fisherman on how to catch and cook a variety of fish, on how to select and prepare the best bait and make artificial flies, and on the habits of freshwater fish. It also promotes angling as a communal activity in which the bonds of friendship are forged through shared experience of the natural world. Anecdotes, poetry, music, and song intersperse the rural descriptions, which promote conservation as well as sport. This new edition highlights the book's continuing relevance to our relationship with the environment, and explores the turbulent history from which it came. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

First published in 1653, The Compleat Angler is one of the most influential environmental texts ever written. Addressing a politically and religiously polarized nation devastated by warfare, disease, ecological degradation, and climate change, Izaak Walton’s famous fishing treatise stages a radical thought experiment: how might humanity’s enhanced relationship with the natural world generate a new kind of sustaining—and sustainable—social order beyond the traditional boundaries of the church, the state, and the biological family? Challenging the current scholarly consensus that reads Walton’s how-to manual as a conservative polemic camouflaged by fishlore, Marjorie Swann examines this richly complicated portrayal of the natural world through an ecocritical lens and explores other neglected aspects of Walton’s writings, including his depictions of social hierarchy, gender, and sexuality. In the process, Swann analyzes a host of noncanonical environmental texts and provides a groundbreaking reappraisal of Charles Cotton’s “Part II” of The Compleat Angler. This study extends the hydrological turn in early modern ecocriticism and demonstrates how, as a genre, angling manuals provide new insights into the environmental, cultural, social, and literary history of early modern England. Taking its place alongside landmark works of ecocriticism such as Green Shakespeare and Milton and Ecology, this fresh and timely reassessment of The Compleat Angler rightly ranks Izaak Walton among the most important environmental writers of the early modern era.