Carol Morley writes and directs this downbeat British mystery drama about six psychologically dispossessed guests at an out-of-season south coast cliff-top hotel. As time passes, tentative connections form between the six very different characters: the wistfully ageing Wendy (Marjorie Yates), a Polish chambermaid (Anna Wendzikowska), feisty teenager Sophie (Nichola Burley) and her internet date, Phillip (Jospeh Dempsie), withdrawn Elly (Maxine Peake) and washed-up pop singer Glen (Paul Hilton). Over the course of two days, as the hotel guests gradually begin to thaw, they stumble upon a purpose that unites them all.

Gritty crime thriller based on real events in 1980s England. Donald Sumpter stars as Donald Nielson, an obsessive ex-army man who uses his military skills to rob a string of local post offices after his business flounders. An accidental killing during one of these raids leads Nielson to progress to murder, and he kills several postmasters before plotting his most infamous crime: the kidnapping of Lesley Whittle (Debbie Farrington), the 17-year-old daughter of a local wealthy businessman.

A collection of films by Liverpudlian filmmaker Terence Davies. 'The Terence Davies Trilogy' comprises three short films: 'Children' (1976), 'Madonna and the Child' (1980) and 'Death and Transfiguration' (1983). Taken together, the three films trace the life of Robert Tucker, the director's alter ego, from childhood to the grave. 'Distant Voices, Still Lives' (1988) looks back on Davies's working class upbringing in post-war Liverpool. Told in flashback, the films begins and ends with family weddings, held several years apart, and is scored with songs from the period. 'The Long Day Closes' (1992) traces moments in the childhood of Bud (Leigh McCormack), a Liverpudlian schoolboy in 1955. Plucked from his cosy home when he is sent to his new Catholic school, the film looks at his loneliness as teachers and pupils pick on him and his increasing isolation at home as he hovers between childhood and adolescence. His beloved film idols and screen stories keep him company in his imagination but in the real world he feels increasingly like a misfit. 'Of Time and the City' (2008) is a highly personal portrait of Davies's native city, Liverpool, and shares his musings on his relationship with the place where he was born and lived until his late twenties. Composed largely of atmospheric archive footage accompanied by Davies's lyrical narration and a melancholy, nostalgic soundtrack, the film seamlessly intersperses Davies's personal memories and experiences with observations about the history and culture of this iconic city.