This volume focuses on the singing voice in contemporary cinema from 1945 to the present day, and rather than being restricted to one particular genre, considers how the singing voice has helped define and/or confuse genre classification. Typically heard in song, the singing voice is arguably the most expressive of all musical instruments. This volume celebrates the ways in which singing features in film. This includes the singing voice as protagonist, as narrator, as communicator, as entertainer, and as comedic interlude. Whether the singing voice in film is personally expressive, reflexive and distant, or synchronized for entertainment, there is typically interplay between the voice and visual elements. Extending beyond the body of literature on 'the musical', the volume is not about musicals per se. Rather, The Singing Voice in Contemporary Cinema discusses the singing voice as a distinct genre that focuses on the conceptualization and synchronization of the singing voice in the post-War era. It explores the relationship between screen, singing, singer and song; it celebrates the intersection of the singing voice and popular culture. In doing so, the volume will cross multiple disciplines including vocal studies, film studies, film sound studies, and music production (vocal processing).

Comedy has been a feature of cinema since its inception. From mickey-moused accompaniments to slapstick scenes, ironic musical statements, clever musical allusions and jokes, well-worn sound effects, and even laugh tracks, sound has been integral to the development of the comedy on screen. This volume covers all aspects of sound (including dialogue) and music as they have been utilised in comedy film. The volume looks at various subsets of the 'comedy film' from the post-War period, including black comedy, romantic comedy, slapstick, dialogue comedy, parody and spoofs. This volume aims to explore the way in which music and sound articulate humour, create comedic situations and direct comedic identifications for viewer/listeners.

Democracy is in crisis. Is there still time to save it? Democracies face external threat from aggressive authoritarian states. Internally, citizens have grown increasingly distrustful of politicians and more cynical about national and global governance institutions. The time is ripe for democracy to renew itself. This text offers a state-of-the art overview of democratic innovations today, moving beyond cries of the 'death' or 'end' of democracy to instead offer a range of practical solutions for how to save it and restore faith in democratic practice. 'Old' democratic power, represented by existing structures, is being challenged. 'New' power involves collaboration and rapid feedback loops, as well as increased citizen participation. The future of democracy, the authors demonstrate, will be about findings ways of melding 'old' and 'new' power practices. Offering a broad and accessible survey of what different forms of democracy and democratic innovations look like today, and how they can develop in future, Saving Democracy shows us the potential for transformation across the entire democratic process. Avoiding a reductive focus on simply getting citizens more involved in decision-making, this book uniquely argues for the importance of refining and monitoring how democratic decisions are made and followed through.