Using oral history and the printed word, Sterling A. Brown set out during the Second World War to capture the response of African Americans, primarily living in the South, to America's involvement in the war and how it affected them. These responses, brought together in extended, non-fiction essays of many different types, illustrate the diversity of opinions in the Black South about the war and the war period in America. For nearly sixty years, the excerpts that were never published languished in Brown's manuscript collection at Howard University. Now, for the first time, all of the completed pieces of unpublished writings are combined with the few published sections into the book that Brown envisioned. The legacy Brown left us is not only a superb portrait of the way in which African Americans of the mid-century talked and lived; he also provided a methodology that oral and written historians will find extremely useful. This is clearly a document from another time, as its now outdated title reminds us, but it reveals a world that still informs our sense of ourselves as a nation. In fact, it is an unforgettable history, which Brown has cast in a bright, elucidating new light.

A poet of both the body and spirit, the work of Romulo Bustos Aguirre often explores the nature of existence at the turn of the twenty-first century--humankind's relationship to itself and the universe, the meaning or purpose, if any, of human existence, and the daunting task of discerning that meaning. Critics have described his poetry as highly refined lyricism, metaphysical, existential, and at times erotic. Semantics of the World introduces the English-speaking world to the exciting work of Romulo Bustos Aguirre, one of Colombia's most celebrated living writers. This selection of extraordinary poems, edited and translated by Nohora Arrieta Fernandez and Mark A. Sanders, presents Bustos Aguirre's works in Spanish alongside their English translations and features the critical apparatus necessary for making Bustos Aguirre's poetry more accessible to students, scholars, and the general reading public. The volume offers the perfect introduction to Romulo Bustos Aguirre and his poetry for critical and popular audiences throughout the Anglosphere.

In 1896, an illiterate, fifteen-year-old Afro-Cuban field hand joined the rebel army fighting for Cuba's independence. Though poor and uneducated, Ricardo Batrell believed in the promise of Cuba Libre, the vision of a democratic and egalitarian nation that inspired the Cuban War of Independence. After the war ended in 1898, Batrell taught himself to read and write and published a memoir of his wartime experiences, Para la Historia. Originally published in 1912-the same year in which the Cuban government massacred more than 5,000 Afro-Cubans-this work of both protest and patriotism is the only autobiographical account of the war written by an Afro-Cuban soldier. After the war, Batrell became dismayed by the Cuban Republic's rapid retreat from the revolution's democratic ideals. Government corruption, racial discrimination, and the systematic exclusion of black veterans from public service had helped to reassert the racial hierarchy of colonial Cuba. With his memoir, Batrell hoped to remind Cubans about the participation of Afro-Cubans in the war (as much as 80 percent of the Cuban Liberation Army may have been Afro-Cuban) and to protest their subjugation in its aftermath. Now available for the first time in English, Batrell's powerful memoir provides profound insights into the role of race in the nation's history. Deftly rendering Batrell's forceful and energetic prose into English, Mark A. Sanders also puts forth a critical introduction that contextualizes Batrell's perspective within Cuba's colonial history and its racial politics.