The Battle of Maldon is an Old English poem depicting a bloody skirmish along the banks of the tidal river Blackwater in 991 and poignantly conjures the lore and language of a nation with its collective back to the wall when faced by the depredations of a ruthless and relentless enemy. But, as Mark Atherton reveals, this poem is more than a heroic tale designed to inspire courage and valour: rather, it was a pioneering event which determined wider culture and polity in England. Using his own vivid translations from Old English, The Battle of Maldon: War and Peace in Tenth Century England evokes the chaotic ebb and flow of the battle while also placing Maldon in the context of its age. Seeking to reconstruct the culture and worldview of the original audience, Atherton examines how and why the poem encouraged readers to relive and experience the battle - from its brutal hand-to-hand fighting to the slaying of Byrthnoth - for themselves in order to impact the destiny of England. With this study, Mark Atherton provides the authoritative treatment of this iconic text, its history and its legacy. As such, this book will be a vital resource for all scholars of Old English literature, the Anglo-Saxons and early medieval history more generally.

Designed for complete beginners, and tested for years with real learners, Complete Old English offers a bridge from the textbook to the real world, enabling you to learn the grammar, understand the vocabulary and even how to translate such canonical texts as Beowulf and the earliest version of the Lord's Prayer from a critical point in our history.Structured around authentic material, using online audio to aid pronunciation, and introducing both a grammar perspective and a full introduction to essential vocabulary, this course also features: -22 learning units plus maps and verb guide-New edition features key set texts in an Appendix, in a title suitable for classroom or self-study use-Authentic materials - language taught through key texts-Teaches the key skills - reading and understanding Old English grammar and vocabulary-Culture insights - learn about the culture and religion of the Anglo-Saxons-Self tests and learning activities - see and track your own progressRely on Teach Yourself, trusted by language learners for over 75 years.

Hildegard, 'the Sybil of the Rhine', was a Cistercian nun, a prophet, and one of the most prolific and original women writers of the 12th century. Arranged thematically, this new selection brings together extracts from her trilogy of visionary writings, her treatise on medicine and the natural world (Causes and Cures), and her choral music (Symphonia), and documents relating to her life and work.

She recorded her visions with startling imagery and brings her theology to the reader with relevant and colourful illustrations.

'Even the smallest person can change the course of the future.' The prophetic words of Galadriel, addressed to Frodo as he prepared to travel from Lothlorien to Mordor to destroy the One Ring, are just as pertinent to J R R Tolkien's own fiction. For decades, hobbits and the other fantastical creatures of Middle-earth have captured the imaginations of a fiercely loyal tribe of readers, all enhanced by the immense success of Peter Jackson's films: first "The Lord of the Rings", and now his new "The Hobbit". But for all Tolkien's global fame and the familiarity of modern culture with Gandalf, Bilbo, Frodo and Sam, the sources of the great mythmaker's own myth-making have been neglected. Mark Atherton here explores the chief influences on Tolkien's work: his boyhood in the West Midlands; the landscapes and seascapes which shaped his mythologies; his experiences in World War I; his interest in Scandinavian myth; his friendships, especially with the other Oxford-based Inklings; and the relevance of his themes, especially ecological themes, to the present-day. "There and Back Again" offers a unique guide to the varied inspirations behind Tolkien's life and work, and sheds new light on how a legend is born.

'Even the smallest person can change the course of the future.' The prophetic words of Galadriel, addressed to Frodo as he prepared to travel from Lothlorien to Mordor to destroy the One Ring, are just as pertinent to J R R Tolkien's own fiction. For decades, hobbits and the other fantastical creatures of Middle-earth have captured the imaginations of a fiercely loyal tribe of readers, all enhanced by the immense success of Peter Jackson's films: first 'The Lord of the Rings', and now his new 'The Hobbit'. But for all Tolkien's global fame and the familiarity of modern culture with Gandalf, Bilbo, Frodo and Sam, the sources of the great mythmaker's own myth-making have been neglected. Mark Atherton here explores the chief influences on Tolkien's work: his boyhood in the West Midlands; the landscapes and seascapes which shaped his mythologies; his experiences in World War I; his interest in Scandinavian myth; his friendships, especially with the other Oxford-based Inklings; and the relevance of his themes, especially ecological themes, to the present-day. There and Back Again offers a unique guide to the varied inspirations behind Tolkien's life and work, and sheds new light on how a legend is born.

During the tenth century England began to emerge as a distinct country with an identity that was both part of yet separate from 'Christendom'. The reigns of Athelstan, Edgar and Ethelred witnessed the emergence of many key institutions: the formation of towns on modern street plans; an efficient administration; and a serviceable system of tax. Mark Atherton here shows how the stories, legends, biographies and chronicles of Anglo-Saxon England reflected both this exciting time of innovation as well as the myriad lives, loves and hates of the people who wrote them. He demonstrates, too, that this was a nation coming of age, ahead of its time in its use not of the Book-Latin used elsewhere in Europe, but of a narrative Old English prose devised for law and practical governance of the nation-state, for prayer and preaching, and above all for exploring a rich and daring new literature. This prose was unique, but until now it has been neglected for the poetry. Bringing a volatile age to vivid and muscular life, Atherton argues that it was the vernacular of Alfred the Great, as much as Viking war, that truly forged the nation.

Depicting one of the defining conflicts of tenth-century England, The Battle of Maldon immortalises the bloody fight that took place along the banks of the tidal river Blackwater in 991, poignantly expressing the lore and language of a determined nation faced with the advance of a ruthless and relentless enemy. But, as Mark Atherton reveals, The Battle of Maldon is more than a heroic tale designed to inspire courage and unity in a time of crisis: rather, it celebrates ideals of loyalty and friendship and commemorates an event which changed the face of English culture. Using Atherton's own vivid and illuminating translations from Old English, The Battle of Maldon: War and Peace in Tenth-Century England evokes the chaotic ebb and flow of the battle while also placing 'Maldon' in the context of its age. Seeking to reconstruct the way of life, the spirituality and the worldview of the original audience, Atherton examines how and why the poem encouraged its readers to relive the visceral experience of battle for themselves. With this exciting study, Atherton provides an authoritative treatment of this iconic text, its history and its legacy. As such, this important book will be a vital resource for all readers of Old English literature and early medieval history.

During the tenth century England began to emerge as a distinct country with an identity that was both part of yet separate from 'Christendom'. The reigns of Athelstan, Edgar and Ethelred witnessed the emergence of many key institutions: the formation of towns on modern street plans; an efficient administration; and a serviceable system of tax. Mark Atherton here shows how the stories, legends, biographies and chronicles of Anglo-Saxon England reflected both this exciting time of innovation as well as the myriad lives, loves and hates of the people who wrote them. He demonstrates, too, that this was a nation coming of age, ahead of its time in its use not of the Book-Latin used elsewhere in Europe, but of a narrative Old English prose devised for law and practical governance of the nation-state, for prayer and preaching, and above all for exploring a rich and daring new literature. This prose was unique, but until now it has been neglected for the poetry. Bringing a volatile age to vivid and muscular life, Atherton argues that it was the vernacular of Alfred the Great, as much as Viking war, that truly forged the nation.