This detailed and fascinating text explores the twentieth century ceramic arts of R. Guy Cowan. Amply illustrated with over 1120 images in color and black and white, the book includes glaze and shape guides which assist the reader in identifying Cowan's pottery. Invaluable details are provided about Cowan's pottery and ceramic sculptural art, his professional history as a potter and a teacher, the various artists who worked closely with him and their pottery, the history of Cowan's potting firm, and his influence on the ceramic arts and upon Cleveland's artistic heritage. Additional information includes a study of Cowan's pottery marks and their dating, a 1929 price list of Cowan's pottery, museum holdings of interest to Cowan collectors, and a general price guide to Cowan pottery. An extensive bibliography and an index of proper names make the book invaluable for collectors and historians alike.

With over 800 stunning color photographs, this book displays ceramics once proclaimed to be the "fastest-selling decorative art pottery," Roseville's Artcraft, Cherub Cameo, Donatello, Pine Cone Modern, and Wincraft lines. The thorough text explores the history of the famous Roseville Pottery Company, from its beginnings in Roseville, Ohio, in 1890 through its closure in Zanesville, Ohio, in 1954. The roles played by key staff members, Frederic Grant, Frederick Hurten Rhead, Ben Seibel, and George Young are detailed, and previously unpublished manufacturer's marks are shown. Rare Della Robbia and Olympic items are featured along with experimental and trial glaze wares from Roseville's glaze chemist George Krause. This book has important new findings for all who are interested in twentieth century art pottery.

This is the ultimate guide to ceramic wall pockets, presenting the work of more than 60 American pottery firms. Beautiful pieces, designed in every color and shape imaginable to hold, primarily, flowers, are displayed in more than 570 stunning color photographs. Nearly all the wall pockets made by Roseville and Weller are included as well as many from Brush-McCoy, Camark, Frankoma, Hull, Nelson McCoy, Peters & Reed, Rookwood, Fulper, Grueby, Marblehead, Owens, and Teco. Arts and Crafts era wall pockets from California Faience, Jervis, Newcomb Pottery, George E. Ohr, Overbeck, Strobl, Walley, and Wheatley are also presented. Typical manufacturers' marks are displayed, a selected bibliography is provided, and values are presented in the captions.

Over 130 Roseville Pottery Company ceramic lines are listed and valued in this very inclusive guide. Arranged in easy-to-use alphabetical order, each line and its most common variations are listed and priced by line number. Values are also provided by glaze color when appropriate. Among the categories featured in this informative price guide are Early Velmoss, Experimental Pieces, Keynote, Lamps, Raymor Modern Artware, Rozane Royal, Trial Glaze Pieces, and additional products not typically found in guides to Roseville. This informative quick reference works well as a companion piece to Mark Bassett's Introducing Roseville Pottery (1997). Listings for shapes illustrated in the 1997 ppublication appear in boldface, with page references. The shape numbers have been authenticated by firsthand study of Rosevilld pottery pieces. Rounding out the presentation is an invaluable index to Roseville Shape Numbers, c. 1916--1946, produced with the assistance of veteran researcher Lou Haggis. The Index explains the factory's original shape numbering system, which will help collectors identify and date little-known Roseville shapes. Everyone interested in art pottery, American artware, or Eastern Ohio pottery will find this a valuable reference work.

Over 130 Roseville Pottery Company ceramic lines are listed and valued in this very inclusive guide. Arranged in easy-to-use alphabetical order, each line and its most common variations are listed and priced by line number. Values are also provided by glaze color when appropriate. Among the categories featured in this informative price guide are Early Velmoss, Experimental Pieces, Keynote, Lamps, Raymor Modern Artware, Rozane Royal, Trial Glaze Pieces, and additional products not typically found in guides to Roseville. This informative quick reference works well as a companion piece to Mark Bassett's Introducing Roseville Pottery (1997). Listings for shapes illustrated in the 1997 ppublication appear in boldface, with page references. The shape numbers have been authenticated by firsthand study of Rosevilld pottery pieces. Rounding out the presentation is an invaluable index to Roseville Shape Numbers, c. 1916--1946, produced with the assistance of veteran researcher Lou Haggis. The Index explains the factory's original shape numbering system, which will help collectors identify and date little-known Roseville shapes. Everyone interested in art pottery, American artware, or Eastern Ohio pottery will find this a valuable reference work.

Roseville pottery is introduced, explained, examined, and surveyed in this beautiful, sweeping guide. This revised and expanded edition includes new research on Roseville shape numbers and terminology, as published in Bassett's Roseville Prices. Over 860 color photographs illustrate the many artistic products created by the Roseville Pottery Company during its long life from 1890 to 1954. Arranged alphabetically, each line and its most typical variations are presented, and each has been meticulously researched and dated. The various ware types produced for each line are enumerated. Previously unknown Roseville products are documented--most notably Early Velmoss. Also included in the text are discussions of experimental and trial glaze pieces, a glaze and shape identification guide, a timeline of Roseville products, and an examination of the company's factory marks and artist signatures. Guidelines for building a collection and tips on collector's etiquette round out the presentation. Values are provided for all of the items displayed. Finally, a selected bibliography and an index are included.