Beautiful Polynesian women will tempt you to linger on each page of this stunning new book. Be transported to Hawaii, Tahiti, Samoa, Tonga, Naratonga, Fiji, and the Maori regions of New Zealand to view their beguiling native inhabitants through 380 historic and rare color postcard images that date from 1898 to 1920. Concise text for each locale presents interesting pertinent facts about the geography, people, and local history that make them distinct. These include first sightings by European explorers, local crafts, and traditional customs. The women in Polynesian societies, as reflected in these images, portray exotic ideals that many European artists and writers have fallen in love with and immortalized. \nThis compelling book will be cherished for years to come.

Hula and surfing represent the quintessential Hawaiian experience. Over 270 original photographs and postcard images are presented chronologically from 1870 to 1940 to powerfully portray the evolving styles and popularity of these icons of Hawai`i. The Hula and surfing traditions both are deeply rooted in legend and myth and Hula dancing was actually outlawed for over 60 years. Surfboards were highly prized by the ancients and the sport became reserved for Hawai`i's kings. These enchanting images include famous personalities like Duke Kahanamoku, as well as unknown practitioners of their arts.

Groundbreaking collection of articles - drawing upon recent advances in both discovery techniques and classification systems - centred upon the study of early Anglo-Saxon coinage and its iconography. Recent years have seen increasing interest being taken by both scholars and enthusiasts in the remarkable iconography of early Anglo-Saxon coinage. During this period there was a remarkable diversity of intentionally ambiguous imagery conflating the various traditions then extant in England, and indeed the sheer quantity of types produced in post-Roman Britain prior to the establishment of a clear political hierarchy has often been regarded as a daunting hurdle for scholarly research. Although this wealth of material has long been available, recent advances in both discovery techniques and classification systems have seen a renewal of interest in these largely neglected artefacts.This volume draws upon these advances to establish a new benchmark for the study of coin typologies. Going beyond the traditional studies of moneyers, mint marks and monarchs, these essays draw upon the imagery present upon the coins themselves to offer new insights into Anglo-Saxon art and society.

Traditional tattooing designs are depicted from the exotic Pacific Polynesian cultures of Easter Island, Hawaii, the Marquesas, New Zealand, Samoa, Tahiti and Tonga. The actual process and ceremonies involved in tattooing are described and illustrated with over 250 drawings and color illustrations of native people. Included are actual 19th century photographs as well as early exploration art, paintings, drawings, engravings, and artifacts all relating to tattooing.

Brian is a teddy bear who lives with Mia and her family in a fictional Somerset village. One day they all go to a party at a neighbour's and after a game of hide and seek, Mia leaves Brian hidden in a tree. Afterwards Mia can't find the tree she's hidden him in, and he has to stay there all night...

Brian the Bear belongs to a little girl called Mia. One day she takes him to a garden party, but sadly he gets left behind and becomes lost in the woods. he is found first by a family of badgers, who look after him. Then he is picked up by a dog, and taken to a new home. One day he is going over the hill to the next village with his new family. Hettie the dog is carrying him, but then she drops him when she goes off to chase a rabbit. Poor Brian is left overnight out in the snow. Next morning, Mia his original owner is walking over the hill with her family. Miraculously she hears Brian cry out as she walks past, sees him in the snow, and they are reunited. Mia and Brian then spend a very happy white Christmas with each other!

This, the first volume of Medieval European Coinage, surveys the coinage of Western Europe from the fall of the Roman Empire in the West in the fifth century to the emergence of recognizable 'national' political units in the tenth. It starts with the Vandals, Visigoths, Burgundians and other Germanic invaders of the Empire, whose coins were modelled on contemporary issues of the Western or Eastern emperors. The coinage of the Franks is followed from early Merovingian times through to the establishment and subsequent fragmentation of the Carolingian empire. Italy is represented by the coinages of the Ostrogoths, Lombards, Carolingians and popes down to the Ottoman conquest in the mid-tenth century. The coinage of the Anglo-Saxons is traced from the introduction of minting in the early seventh century to the emergence of a united kingdom during the first half of the tenth century, including the aberrant coinages of Northumbria and the Anglo-Viking coinages of the Danelaw.