Film scholar Mark Browning offers the first detailed analysis of the work of David Fincher, director of the critically acclaimed films Se7en, Fight Club, and The Curious Case of Benjamin Button. David Fincher is one of the most exciting filmmakers working in Hollywood today. He has produced a string of groundbreaking films that have achieved both critical and commercial success, while constantly challenging audiences to rethink their expectations of generic boundaries. David Fincher: Films That Scar is the first truly analytical work on the films of this mysterious and complex filmmaker. This insightful book analyzes all of Fincher's feature films, as well as examples of his commercials and pop videos, tracing key influences that include his background in special effects. It considers how he creates roles for strong women, how he has extended the detective genre, and how he adapts cult texts. The book also questions whether Fincher's films, famous for their downbeat endings and "dark" visual style, are really bleak or just part of an unconventional approach to filmmaking. In the end, readers will understand the development of Fincher's individual films and appreciate how the films relate closely to each other.

This book focuses on nearly 200 years of the Muss and Ceise family descendants over four generations with a mention of some fifth generation descendants. The book opens with the family immigration from Prussia and Germany to the United States where they eventually settled in Bullitt County, Kentucky. The family later spread out to most of the lower 48 states and Alaska. A complete reference section and full name index is included at the end of the book. Some allied families covered are: Applegate, Armes, Arnold, Barrett, Bergman, Briley, Bryant, Carby, Casey, Cook, Corbley, Corzine, Crabtree, Daley, Daugherty, Dillon, Doriot, Duesing, Duvall, Elliott, Espin, Flake, Flanigan, Foster, Frump, Funk, Haberman, Hannephin, Harpool, Harris, Hart, Hicks, Hines, Holsclaw, Hopewell, Johnson, Lendel, Lynch, Martin, McCoy, Merker, Montgomery, Moore, Mulkins, Oberhausen, Roberts, Samuels, Seas, Shepherd, Sherlock, Skinner, Snellen, Stilwell, Stoll, Turner, Utterback, Vanhecke, Vaughn, Wilbur, Witham, Wright, and Zenor.

This is the first full-length study devoted to the films of Wes Anderson, one of the most distinctive filmmakers working today. This first full-length consideration of this noted director's work, Wes Anderson: Why His Movies Matter is organized chronologically to encompass all of Anderson's films, from 1996's Bottle Rocket to Rushmore, The Royal Tenenbaums, and the 2009 release, The Fantastic Mr. Fox. The study includes analysis of Anderson's work in commercials, his representation of race and class, his main stylistic influences, and his innovations in the use of frame. Beyond that, author Mark Browning considers whether Anderson's allusions create resonance or simply play a game with an audience keen to spot references. He argues that, in Anderson's films, the style is the substance, and the apparent comedic superficiality is what actually provides depth. Chapters covering the individual films are followed by an examination of Anderson as set designer, author, and stylist. The conclusion explains how his films can be viewed as relevant, exploring links to events and figures in the real world. A bibliography

This book traces the evolution of George Clooney's successful career, from his humble start as a television heartthrob to his current position as one of the most powerful figures in film making today. It can be said that George Clooney has crafted his artistic brand through a mixture of smart career choices of roles, carefully nuanced performances, and key relationships with directors. He is not just an accomplished actor but a major Hollywood player, serving as director, producer, and writer on many projects. His work garners critical acclaim, and his influence and creative input have been the main reason why some of his films exist at all. This fascinating book analyzes the impressive career trajectory of one of the industry's most powerful figures today. George Clooney: An Actor Looking for a Role is the first book to examine the full range of Clooney's career. Arranged by genre, sections include early television work, romantic comedies, action films, heist movies, political thrillers, and films that blend a number of different genres. Clooney's contributions have not only resulted in three Oscar acting nominations and one win, but his work continues to challenge the conventions of the traditional form and expands the definition of key genres. A comprehensive review of the career of George Clooney Critically rigorous but accessible writing style A compilation of Clooney's work, including obscure work in television, films, and commercials Expert analysis of genres, roles, and creative collaborations

Throughout much of the western world more and more people are being sent to prison, one of a number of changes inspired by a 'new punitiveness' in penal and political affairs. This book seeks to understand these developments, bringing together leading authorities in the field to provide a wide-ranging analysis of new penal trends, compare the development of differing patterns of punishment across different types of societies, and to provide a range of theoretical analyses and commentaries to help understand their significance. As well as increases in imprisonment this book is also concerned to address a number of other aspects of 'the new punitiveness': firstly, the return of a number of forms of punishment previously thought extinct or inappropriate, such as the return of shaming punishments and chain gangs (in parts of the USA); and secondly, the increasing public involvement in penal affairs and penal development, for example in relation to length of sentences and the California Three Strikes Law, and a growing accreditation of the rights of victims. The book will be essential reading for students seeking to understand trends and theories of punishment on law, criminology, penology and other courses.

This book argues that Scottish theatre has, since the late 1960s, undergone an artistic renaissance, driven by European Modernist aesthetics. Combining detailed research and analysis with exclusive interviews with ten leading figures in modern Scottish drama, the book sets out the case for the last half-century as the strongest period in the history of the Scottish stage. Mark Brown traces the development of Scottish theatre's Modernist revolution from the arrival of influential theatre director Giles Havergal at the Citizens Theatre, Glasgow in 1969 through to the advent of the National Theatre of Scotland in 2006. Finally, the book contemplates the future of Scotland's theatrical renaissance. It is essential reading for anyone interested in contemporary theatre and/or the modern history of live drama in Scotland.

Paul Auster provides the first extended analysis of Auster's essays, poetry, fiction, films and collaborative projects. It explores his key themes of identity; language and writing; metropolitan living and community; and storytelling and illusion. By tracing how Auster's representations of New York and city life have matured from a position of urban nihilism to qualified optimism, the book shows how the variety of forms he works in influences the treatment of his central concerns. The chapters are organised around gradually extending spaces to reflect the way in which Auster's work broadens its focus, beginning with the poet's room and finishing with the global metropolis of New York: his home city and often his muse. The book uses Auster's published and unpublished literary essays to explain the shifts from the dense and introspective poems of the 70s, through the metropolitan fictions of the 80s and early 90s, to the relatively optimistic and critically acclaimed films, and his return to fiction in recent years. Objectivist poets, and that of European modernists such as Kafka and Hamsun is explored in depth. Because of Auster's consistent concern with living in New York, urban commentators provide important insights into the metropolitan experiences of Auster's central characters. Benjamin's description of the flaneur, for example, along with de Certeau's discussion of walking in New York, provide the cultural context for the exploration of Auster's urban stories. This book will be invaluable for general readers, students and specialists.

What are the various forces influencing the role of the prison in late modern societies? What changes have there been in penality and use of the prison over the past 40 years that have led to the re-valorization of the prison? Using penal culture as a conceptual and theoretical vehicle, and Australia as a case study, this book analyses international developments in penality and imprisonment. Authored by some of Australia's leading penal theorists, the book examines the historical and contemporary influences on the use of the prison, with analyses of colonialism, post colonialism, race, and what they term the 'penal/colonial complex,' in the construction of imprisonment rates and on the development of the phenomenon of hyperincarceration. The authors develop penal culture as an explanatory framework for continuity, change and difference in prisons and the nature of contested penal expansionism. The influence of transformative concepts such as 'risk management', 'the therapeutic prison', and 'preventative detention' are explored as aspects of penal culture. Processes of normalization, transmission and reproduction of penal culture are seen throughout the social realm. Comparative, contemporary and historical in its approach, the book provides a new analysis of penality in the 21st century.

This book provides an account of the distinctive way in which penal power developed outside the metropolitan centre. Proposing a radical revision of the Foucauldian thesis that criminological knowledge emerged in the service of a new form of power - discipline - that had inserted itself into the very centre of punishment, it argues that Foucault's alignment of sovereign, disciplinary and governmental power will need to be reread and rebalanced to account for its operation in the colonial sphere. In particular it proposes that colonial penal power in India is best understood as a central element of a liberal colonial governmentality. To give an account of the emergence of this colonial form of penal power that was distinct from its metropolitan counterpart, this book analyses the British experience in India from the 1820s to the early 1920s. It provides a genealogy of both civil and military spheres of government, illustrating how knowledge of marginal and criminal social orders was tied in crucial ways to the demands of a colonial rule that was neither monolithic nor necessarily coherent. The analysis charts the emergence of a liberal colonial governmentality where power was almost exclusively framed in terms of sovereignty and security and where disciplinary strategies were given only limited and equivocal attention. Drawing on post-colonial theory, Penal Power and Colonial Rule opens up a new and unduly neglected area of research. An insightful and original exploration of theory and history, this book will appeal to students and scholars of Law, Criminology, History and Post-colonial Studies.

Penal Power and Colonial Rule provides an account of the distinctive way in which criminology developed outside the metropolitan centre. Proposing a radical revision of the Foucauldian thesis that criminological knowledge emerged in the service of a new form of power -- discipline -- that had inserted itself into the very centre of punishment, it argues that Foucault's alignment of sovereign, disciplinary and governmental power will, necessarily, need to be re-read and re-balanced to account for its operation in the colonial sphere. For, although the emergence of disciplinary power and its attendant forms of knowledge provided for key social transformations in the modernising metropolitan state, in colonial states power was almost exclusively sovereign and governmental (bio-political), with disciplinary strategies given only limited and equivocal attention. In order to develop this argument, and give an account of the emergence of colonial criminology as a form of knowledge distinct from its metropolitan counterpart, this book provides an analysis of the key British colonial experience in India from the 1820s to the early 1920s. This analysis documents a colonial criminology, that was tied in crucial ways to the demands of colonial governance, whose birth can be placed fifty years or more before Lombroso or Ferri stepped upon the European stage: a criminology that developed its own unique modes of analysis, representation and measurement independent of metropolitan theory and practice. Drawing on postcolonial theory to ask whether we can speak of colonial modernity' or the colonial state' in the singular, it is, moreover, through the critical engagement of this analysis with Foucault's theoretical and historical account of the development of criminology that Penal Power and Colonial Rule opens up a new, and unduly negleted area of research.

What are the various forces influencing the role of the prison in late modern societies? What changes have there been in penality and use of the prison over the past 40 years that have led to the re-valorization of the prison? Using penal culture as a conceptual and theoretical vehicle, and Australia as a case study, this book analyses international developments in penality and imprisonment. Authored by some of Australia's leading penal theorists, the book examines the historical and contemporary influences on the use of the prison, with analyses of colonialism, post colonialism, race, and what they term the 'penal/colonial complex,' in the construction of imprisonment rates and on the development of the phenomenon of hyperincarceration. The authors develop penal culture as an explanatory framework for continuity, change and difference in prisons and the nature of contested penal expansionism. The influence of transformative concepts such as 'risk management', 'the therapeutic prison', and 'preventative detention' are explored as aspects of penal culture. Processes of normalization, transmission and reproduction of penal culture are seen throughout the social realm. Comparative, contemporary and historical in its approach, the book provides a new analysis of penality in the 21st century.

This highly controversial new book considers how the dangerous offender has become such a figure of collective anxiety for the citizens of rationalised Western societies. The authors consider:
* ideas of danger and social threat in historical perspective
* legal responses to violent criminals
* attempts to predict dangerous behaviour
* why particular groups, such as women, remain at risk from violent crime.
This inspired collection invites us to rethink the received wisdom on dangerous offenders, and will be of interest to students and scholars in the fields of criminology and the sociology of Risk.

eBook available with sample pages: 0203135741

3m / Musical Comedy A hilarious new musical, China - The Whole Enchilada is three men singing, dancing, and irreverently marching their way through four thousand years of Chinese history- in less than two hours with an intermission. The show dares to tackle racism, human rights, genocide, and the birth of the fortune cookie. Selected participant of the 2008 New York International Fringe Festival. "China walks a fine line between sheer, ridiculous inanity and some serious truths about that big country over there, the one just past Japan. It's a tricky balancing act -- and a fascinating one."- Orlando Sentinal "In this musical version of the history of China, Brown has collaborated with song writer and composer Paul Mirkovich to create two of the funniest hours I have spent in a theatre in a couple of years." - EntertainingU.com

With only 10 days to go before England's crucial World Cup Qualifier against Germany, national manager Glenn Gould resigns, blaming Brendon Fendon, the FA's Machiavellian chief executive, of taking an unhealthy interest in team affairs. A shortlist of temporary replacement managers is drawn up -- the instant favourite is Ron Atkinson. Brendan Fendon leaves for Brazil to attend a career-enhancing FIFA conference on the elasticity of corner flags. Meanwhile, Nottingham plumber and Sunday League manager Reg Atkinson is concerned that his tender for the undersoil heating contract at the new Wembley stadium will be lost in the latest crisis to hit the England team. But he is soon reassured by a call from the FA asking him to an interview. Reg quickly hones his knowledge of the Swedish undersoil heating system and heads for London. After a swift selection process, Brendan Fendon's stand-in Sir Richard Scratcher appoints Atkinson and calls a press conference to announce the new England boss. But, as the mass media soon discover, the man taking the stage isn't Ron but Reg who has signed a multi-million pound contract to take charge of the national team. The press have a field day, but Brendan Fendon is none the wiser as his delayed flight from Rio lands at Heathrow. When the truth dawns he realises the only way out is to force Reg to resign by preventing all England's stars from playing against Germany. What does Reg do now? If he resigns he'll lose his money, but if he continues, England will be forced to forfeit the match and Germany will surely qualify. The press are camped outside Reg's humble semi in Nottingham, he's suffered a mysterious break-in and his plumbing business and the future of English football look like going down the pan...

"The Shining. Carrie. Misery. "These are just a few of the film adaptations that have been made from the terrifying and eerie work of novelist and short story writer Stephen King. It is nearly impossible to think of another author who has inspired so many, and such diverse filmmakers--yet there has never before been a work by a film specialist that focused solely on Stephen King. Mark Browning, in "Stephen King on the Big Screen," takes a film-by-film approach to exploring why some adaptations of King's work are more successful than others. Browning discusses every single film adaptation given a global cinematic release--including films by such well-known directors as Stanley Kubrick, George A. Romero, and David Cronenberg. His is the first book to consider in detail "Sleepwalkers," " Dreamcatcher, "and "1408" as well as the much-neglected portmanteau films and touchstones like "The Shawshank Redemption "and "The Green Mile. "In a highly readable and engaging style, Browning examines how different film directors have interpreted and translated the original literary texts into a new medium. Throughout, he reveals the elements of style and approach that have helped make King one of the world's best-selling authors. This entertaining and accessible guide to the complete corpus of Stephen King films is a must-have for fans of his fiction and of the many directors who have sought to capture his macabre stories and bizarre characters in cinematic form.

Throughout much of the western world more and more people are being sent to prison, one of a number of changes inspired by a 'new punitiveness' in penal and political affairs. This book seeks to understand these developments, bringing together leading authorities in the field to provide a wide-ranging analysis of new penal trends, compare the development of differing patterns of punishment across different types of societies, and to provide a range of theoretical analyses and commentaries to help understand their significance. As well as increases in imprisonment this book is also concerned to address a number of other aspects of 'the new punitiveness': firstly, the return of a number of forms of punishment previously thought extinct or inappropriate, such as the return of shaming punishments and chain gangs (in parts of the USA); and secondly, the increasing public involvement in penal affairs and penal development, for example in relation to length of sentences and the California Three Strikes Law, and a growing accreditation of the rights of victims. The book will be essential reading for students seeking to understand trends and theories of punishment on law, criminology, penology and other courses.

In this follow up to" Stephen King on the Big Screen," Mark Browning turns his critical eye to the much-neglected subject of the best-selling author's work in television, examining what it is about King's fiction that makes it particularly suitable for the small screen.

By focusing on this body of work, from the highly successful "The Stand" and "The Night Flier" to the lesser-known TV films "Storm of the Century," "Rose Red," "Kingdom"" Hospital," and the 2004 remake of "Salem's Lot," Browning is able to articulate how these adaptations work and, in turn, suggest new ways of viewing them. This book is the first written by a film specialist to consider King's television work in its own right, and it rejects previous attempts to make the films and books fit rigid thematic categories. Browning examines what makes a written or visual text successful at evoking fear on a case-by-case basis, in a highly readable and engaging way. He also considers the relationship between the big and small screen. Why, for instance, are some TV versions more effective than movie adaptations and vice versa? In the process, "Stephen King on the Small Screen "is able to shed new light on what it is that makes King's novels so successful and reveal the elements of style and approach that have helped make King one of the world's best-selling authors.

In this era of unparalleled affluence, the dangerous offender has become a figure of collective anxiety for the citizens of rationalised Western societies. Questions of why sexual and violent offences seem so ubiquitous, and of how we should protect ourselves, has produced a glut of political and media rhetoric in recent years.
Dangerous Offenders takes a different view of the problem. The image of the dangerous offender, and the idea that such individuals pose quantifiable `risks' to the public are interrogated by scholars from the fields of criminology, sociology and law. The authors consider:
* ideas of danger and social threat in historical perspective
* legal responses to violent criminals
* attempts to predict dangerous behaviour
* why particular groups, such as women, remain at risk from violent crime.
This collection invites us to rethink the received wisdom on dangerous offenders. it concludes that the control of these people has become such a potent issue in `risk' societies as their apparently random offences represent the antithesis of the calculable risk. Dangerous Offenders will be of interest to students and scholars in the fields of criminology and the sociology of Risk.

For more than thirty years, David Cronenberg has made independent films such as "Scanners" and "A History of Violence" which aim to disturb, surprise, and challenge audiences. He has also repeatedly drawn on literary fiction for inspiration, adapting themes from authors like William Burroughs, J. G. Ballard, and Patrick McGrath for the big screen; "David Cronenberg: Author or Filmmaker?" is the first book to explore how underground and mainstream fiction have influenced--and can help illuminate--his labyrinthine films.
Film scholar Mark Browning examines Cronenberg's literary aesthetic not only in relation to his films' obvious source material, but by comparing his movies to the writings of Vladimir Nabokov, Angela Carter, and Bret Easton Ellis. This groundbreaking volume addresses Cronenberg's narrative structures and his unique conception of auteurism, as well as his films' shocking psychological frameworks, all in the broader context of film adaptation studies. "David Cronenberg" is an essential read for anyone interested in the symbiotic relationship between literature and filmmaking. ""David Cronenberg" is a work that attempts to illuminate and unravel the connection between the great Canadian auteur and his literary influences."--"Film Snob Weekly""" ""David Cronenberg" is an essential read for anyone interested in the symbiotic relationship between literature and filmmaking."--"Video Canada"""
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Editors Laurie Brown, Max Dresden and Lillian Hoddeson have assembled a prestigious group of physicists and historians of science to present a broadly balanced picture of this exciting scientific era that witnessed the coming of age of particle physics and its development into 'big science'. The historical studies and analyses provided in the volume are unique in their scope and level of detail. Major topics and developments addressed include the important experiments and their theoretical explanations, the design and construction of scientific instruments and the establishment of major research centres - especially the national laboratories that played a key role in the transformation of particle physics into 'big science'. These essays also range from sociological analyses of the particle physics subculture and the political aspects of research funding to discussions of symmetry and axiomatic field theory.