Reissue of J. A. Baker's extraordinary classic of British nature writing, with an exclusive new afterword by Robert Macfarlane. J. A. Baker's extraordinary classic of British nature writing was first published in 1967. Greeted with acclaim, it went on to win the Duff Cooper Prize, the pre-eminent literary prize of the time. Luminaries such as Ted Hughes, Barry Lopez and Andrew Motion have cited it as one of the most important books in twentieth-century nature writing. Despite the association of peregrines with the wild, outer reaches of the British Isles, The Peregrine is set on the flat marshes of the Essex coast, where J. A. Baker spent long winters looking and writing about the visitors from the uplands - peregrines that spend the winter hunting the huge flocks of pigeons and waders that share the desolate landscape with them. This new edition of the timeless classic, published to celebrate the 50th anniversary of its first publication, features an afterword by one of the book's greatest admirers, Robert Macfarlane.

Rose Wylie RA (b.1934) trained as an artist in the 1950s, but it was her re-engagement with painting in the early 1980s, after a period spent raising a family, that marked the beginning of a remarkable career that continues to evolve and impress. This monograph, the first of its kind, follows Wylie's fascinating artistic journey celebrating her achievements while also examining her current practice. Rose Wylie's large-scale paintings are inspired by a wide range of visual culture. Her subject matter ranges from contemporary Egyptian Hajj wall paintings and Persian miniatures to films, news stories, celebrity gossip and her observation of daily life. Often working from memory, she distills her subjects into succinct observations, using text to give additional emphasis to her recollections. In weaving together imagery from different sources with personal elements, Wylie's paintings offer a direct and wry commentary on contemporary culture. Her pictures refuse judgment but reveal a concern with the everyday that makes visible its enigmatic core. Drawing on a series of extended interviews with the artist, Clarrie Wallis unpicks the complexities of Wylie's visual language so providing an important contribution to our understanding, and appreciation of, a significant, and increasingly celebrated, figure in contemporary British art.

Reissue of J. A. Baker’s extraordinary classic of British nature writing Despite the association of peregrines with the wild, outer reaches of the British Isles, The Peregrine is set on the flat marshes of the Essex coast, where J A Baker spent a long winter looking and writing about the visitors from the uplands – peregrines that spend the winter hunting the huge flocks of pigeons and waders that share the desolate landscape with them. Including original diaries from which The Peregrine was written and its companion volume The Hill of Summer, this is a beautiful compendium of lyrical nature writing at its absolute best. Such luminaries as Richard Mabey, Robert Macfarlane, Ted Hughes and Andrew Motion have cited this as one of the most important books in 20th Century nature writing, and the bestselling author Mark Cocker has provided an introduction on the importance of Baker, his writings and the diaries – creating the essential volume of Baker's writings. Papers, maps, and letters have recently come to light which in turn provide a little more background into J A Baker’s history. Contemporaries – particularly from his time at school in Chelmsford – have provided insights, remembering a school friend who clearly made an impact on his generation. Among fragments of letters to Baker was one from a reader who praised a piece that Baker had written in RSPB Birds magazine in 1971. Apart from a paper on peregrines which Baker wrote for the Essex Bird Report, this article – entitled On the Essex Coast – appears to be his only other published piece of writing, and, with the agreement of the RSPB, it has been included in this updated new paperback edition of Baker’s astounding work.

There are 10,500 species of bird worldwide and wherever they occur people marvel at their glorious colours and their beautiful songs. We also trap and consume birds of every kind. Yet birds have not just been good to eat. Their feathers, which keep us warm or adorn our costumes, give birds unique mastery over the heavens. Throughout history their flight has inspired the human imagination so that birds are embedded in our religions, folklore, music and arts. Vast in both scope and scale, Birds and People explores and celebrates this relationship and draws upon Mark Cocker's 40 years of observing and thinking about birds. Part natural history and part cultural study, it describes and maps the entire spectrum of our engagements with birds, drawing in themes of history, literature, art, cuisine, language, lore, politics and the environment. In the end, this is a book as much about us as it is about birds. Birds and People has been stunningly illustrated by one of Europe's best wildlife photographers, David Tipling, who has travelled in 39 countries on seven continents to produce a breathtaking and unique collection of photographs. The book is as important for its visual riches as it is for its groundbreaking content. Birds and People is also exceptional in that the author has solicited contributions from people worldwide. Personal anecdotes and stories have come from more than 650 individuals in 81 different countries. They range from university academics to Mongolian eagle hunters, and from Amerindian shamans to some of the most celebrated writers of our age. The sheer multitude of voices in this global chorus means that Birds and People is both a source book on why we cherish birds and a powerful testament to their importance for all humanity.

The past five centuries a shocking series of confrontations have witnessed between European nations and millions of indigenous peoples, and these cultural encounters still resonate strongly to this day. Rivers of Blood, Rivers of Gold is an essential book for understanding the true impact of imperialism. Beautifully and passionately written, it provides a judicious and exhaustively researched indictment of European exploitation. Focusing on four collisions between Europeans and indigenous cultures -- the conquest of Mexico, the British onslaught on the Tasmanian Aborigines, the uprooting of the Apaches, and the German campaign against the tribes of Southwest Africa -- Mark Cocker illuminates the fundamental experiences that underlay the colonial experience around the globe.

Beyond making a persuasive -- and balanced -- case against colonialism, Cocker also sustains a riveting, often harrowing story. Rivers of Blood, Rivers of Gold is narrative history in its most impressive form -- engaging, accessible, and thought provoking.

'After Mark Cocker's glorious book, you will never look at a blackberry bush the same way again.' Philip Hoare, New Statesman In 2001 Mark Cocker moved to Claxton, a small village in Norfolk. In a series of daily writings spanning the course of a year he explores his relationship to the landscape he lives in, to nature and to all the living things around him - the birds, plants, trees, mammals, hoverflies, moths, butterflies, bush crickets, grasshoppers, ants and bumblebees. Passionate, astonishing and inspiring, this book is a celebration of the wonder that lies in our everyday experience. Shortlisted for the Royal Society of Biology Book Award, the Jarrold East Anglian Book Awards, the New Angle Prize and theThwaites Wainwright Prize

One night Mark Cocker followed the roiling, deafening flock of rooks and jackdaws which regularly passed over his Norfolk home on their way to roost in the Yare valley. From the moment he watched the multitudes blossom as a mysterious dark flower above the night woods, these gloriously commonplace birds were unsheathed entirely from their ordinariness. They became for Cocker a fixation and a way of life. Cocker goes in search of them, journeying from the cavernous, deadened heartland of South England to the hills of Dumfriesshire, experiencing spectacular failures alongside magical successes and epiphanies. Step by step he uncovers the complexities of the birds' inner lives, the unforeseen richness hidden in the raucous crow song he calls 'our landscape made audible'. Crow Country is a prose poem in a long tradition of English pastoral writing. It is also a reminder that 'Crow Country' is not 'ours': it is a landscape which we cohabit with thousands of other species, and these richly complex fellowships cannot be valued too highly.

The British love their birds, which are inextricably entwined with every aspect of their island life. British customs, more than 1,000 years of English literature, the very fabric of society, even the landscape itself, have all been enhanced by the presence of birds. Highly acclaimed on first publication, this superb book pays tribute to the remarkable relationship forged between a nation and its most treasured national heritage. Birds Britannica is a unique publication of immense importance. Neither an identification guide nor a behavioural study (although both these subjects enter its field), it concentrates on our social history and on the cultural links between humans and birds. What makes Birds Britannica of special significance is the inclusion of observations and experiences from more than 1,000 naturalists and bird lovers. These contributions from the public touch on avian ecology; the lore and language of birds; their myths, the art and literature they have inspired; birds as food; and the crucial role they play in our sense of place and the changing seasons. Birds Britannica took eight years to research and was assembled by a team that included some of the finest writers and image-makers of British wildlife. On one level, it is a remarkable collection of humorous stories, field observations and tales of joy, wonder and occasional woe; on another, it is a nationwide chronicle. Scholarly and wide-ranging, a mix of the traditional and the contemporary, Birds Britannica is a comprehensive record of birdlife in the early years of the twenty-first century. No other book has dealt so completely with the rich connections between birds and humans; Birds Britannica captures the very essence of that relationship, and explores why birds matter and why we care.

Another beautiful, revelatory country diary from one of the best nature writers in Britain. 'If you've never read Mark Cocker, then you must. His style is sharp, selfless, and wonderfully evocative, his knowledge deep and wide-ranging but lightly borne, his curiosity joyful and infectious.' Mail On Sunday, Books of the Year For seventeen years, as part of his daily writerly routine, the author and naturalist Mark Cocker has taken a two-mile walk down to the river from his cottage on the edge of the Norfolk Broads National Park. Over the course of those 10,000 daily paces he has learnt the art of patience to observe a butterfly, a bird, flower, bee, deer, otter or fly and to take pleasure in all the other inhabitants of his parish, no matter how seemingly insignificant. In turn these encounters have then been converted into literary epiphanies that are now a widely celebrated part of his work. In A Claxton Diary he has gathered some of the finest short essays that he has ever written on wildlife. They range over almost everything he can see, touch or smell, from the minute to the cosmic, from a strange micromoth called yellow-barred longhorn to that fiercest of winter storms the so-called 'Beast from the East'. From the marvellous to the macabre, Cocker tries to capture nature without flinching and in its entirety. In so doing he provides us with a vision of an English country parish that for intimacy and precise detail is comparable with Gilbert White's diary on Selbourne. Above all he reminds us that we are all just members of one miraculous family, fashioned from sunlight and the dust from old stars.

Since 1972 Mark Cocker has been a member of a community of obsessional people, almost all male, who sacrifice most of their spare time, a good deal of money, sometimes their chances of a partner or family, even occasionally their lives, for birds. Birders is the story of this community, of its characters, its rules, its equipment (only a certain type of notebook will do), and its adventures - often hilariously funny, Birders is also a work of love - the story of what birds can do to the human heart.