The organization of Thomas Aquinas' Summa Theologiae is a remarkable feat of clarity in comparison with its predecessors.  Although Aquinas incorporates materials from very different theological traditions he reduces all of these topics to a concise and clear plan. Mark D. Jordan's translation, On Faith, captures this clarity, Aquinas' most characteristic achievement. v. 1. On faith, Summa theologiae, part 2-2, questions 1-16 of St. Thomas Aquinas.

By using religion to get at the core concepts of Michel Foucault's thinking, this book offers a strong alternative to the way that the philosopher's work is read across the humanities. Foucault was famously interested in Christianity as both the rival to ancient ethics and the parent of modern discipline and was always alert to the hypocrisy and the violence in churches. Yet many readers have ignored how central religion is to his thought, particularly with regard to human bodies and how they are shaped. The point is not to turn Foucault into some sort of believer or to extract from him a fixed thesis about religion as such. Rather, it is to see how Foucault engages religious "rhetoric" page after page--even when religion is not his main topic. When readers follow his allusions, they can see why he finds in religion not only an object of critique, but a perennial provocation to think about how speech works on bodies--and how bodies resist.
Arguing that Foucault conducts experiments in writing to frustrate academic expectations about history and theory, Mark Jordan gives equal weight to the performative and theatrical aspects of Foucault's writing or lecturing. How does Foucault stage possibilities of self-transformation? How are his books or lectures akin to the rituals and liturgies that he dissects in them? "Convulsing Bodies" follows its own game of hide-and-seek with the agents of totalizing systems (not least in the academy) and gives us a Foucault who plays with his audiences as he plays for them--or teaches them.

By using religion to get at the core concepts of Michel Foucault's thinking, this book offers a strong alternative to the way that the philosopher's work is read across the humanities. Foucault was famously interested in Christianity as both the rival to ancient ethics and the parent of modern discipline and was always alert to the hypocrisy and the violence in churches. Yet many readers have ignored how central religion is to his thought, particularly with regard to human bodies and how they are shaped. The point is not to turn Foucault into some sort of believer or to extract from him a fixed thesis about religion as such. Rather, it is to see how Foucault engages religious "rhetoric" page after page--even when religion is not his main topic. When readers follow his allusions, they can see why he finds in religion not only an object of critique, but a perennial provocation to think about how speech works on bodies--and how bodies resist.
Arguing that Foucault conducts experiments in writing to frustrate academic expectations about history and theory, Mark Jordan gives equal weight to the performative and theatrical aspects of Foucault's writing or lecturing. How does Foucault stage possibilities of self-transformation? How are his books or lectures akin to the rituals and liturgies that he dissects in them? "Convulsing Bodies" follows its own game of hide-and-seek with the agents of totalizing systems (not least in the academy) and gives us a Foucault who plays with his audiences as he plays for them--or teaches them.

Augustine's Confessions is a text that seduces. But how often do its readers respond in kind? Here three scholars who share a longstanding fascination with sexuality and Christian discourse attempt to do just that. Where prior interpreters have been inclined either to defend or to criticize Augustine's views, Virginia Burrus, Mark Jordan, and Karmen MacKendrick set out both to seduce and to be seduced by his text. Often ambivalent but always passionately engaged, their readings of the Confessions center on four sets of intertwined themes-secrecy and confession, asceticism and eroticism, constraint and freedom, and time and eternity. Rather than expose Augustine's sexual history, they explore how the Confessions conjoins the erotic with the hidden, the imaginary, and the fictional. Rather than bemoan the repressiveness of his text, they uncover the complex relationship between seductive flesh and persuasive words that pervades all of its books. Rather than struggle to escape the control of the author, they embrace the painful pleasure of willed submission that lies at the erotic heart not only of the Confessions but also of Augustine's broader understanding of sin and salvation. Rather than mourn the fateful otherworldliness of his theological vision, they plumb the bottomless depths of beauty that Augustine discovers within creation, thereby extending desire precisely by refusing satisfaction. In unfolding their readings, the authors draw upon other works in Augustine's corpus while building on prior Augustinian scholarship in their own overlapping fields of history, theology, and philosophy. They also press well beyond the conventional boundaries of scholarly disciplines, conversing with such wide-ranging theorists of eroticism as Barthes, Baudrillard, Klossowski, Foucault, and Harpham. In the end, they offer not only a fresh interpretation of Augustine's famous work but also a multivocal literary-philosophical meditation on the seductive elusiveness of desire, bodies, language, and God.

A passionate exhortation to expand the ways we talk about human sex, sexuality, and gender. Twenty-five years ago, Mark D. Jordan published his landmark book on the invention and early history of the category “sodomy,� one that helped to decriminalize certain sexual acts in the United States and to remove the word sodomy from the updated version of a standard English translation of the Christian Bible. In Queer Callings, Jordan extends the same kind of illuminating critical analysis to present uses of “identity� with regard to sexual difference. While the stakes might not seem as high, he acknowledges, his newest history of sexuality is just as vital to a better present and future. Shaking up current conversations that focus on “identity language,� this essential new book seeks to restore queer languages of desire by inviting readers to consider how understandings of “sexual identity� have shifted—and continue to shift—over time. Queer Callings re-reads texts in various genres—literary and political, religious and autobiographical—that have been preoccupied with naming sex/gender diversity beyond a scheme of LGBTQ+ identities. Engaging a wide range of literary and critical works concerned with sex/gender self-understanding in relation to “spirituality,� Jordan takes up the writings of Oscar Wilde, Marcel Proust, Djuna Barnes, Samuel R. Delany, Audre Lorde, Geoff Mains, Eve Kosofsky Sedgwick, Gloria Anzaldúa, Maggie Nelson, and others. Before it’s possible to perceive sexual identities differently, Jordan argues, current habits for classifying them have to be disrupted. In this way, Queer Callings asks us to reach beyond identity language and invites us to re-perform a selection of alternate languages—some from before the invention of phrases like “sexual identity,� others more recent. Tracing a partial genealogy for “sexual identity� and allied phrases, Jordan reveals that the terms are newer than we might imagine. Many queer folk now counted as literary or political ancestors didn’t claim a sexual or gender identity: They didn’t know they were supposed to have one. Finally, Queer Callings joins the writers it has evoked to resist any remaining confidence that it’s possible to give neatly contained accounts of human desire. Reaching into the past to open our eyes to extraordinary opportunities in our present and future, Queer Callings is a generatively destabilizing and essential read.

This text explores the invention of sodomy in medieval Christendom, examining its conceptual foundations in theology and gauging its impact on Christian sexual ethics both then and now. It traces the historical genealogy of this enduring cultural construct through many of the idiosyncratic worldviews of the Middle Ages - worldviews at war with themselves in their attitudes toward sex, love and eroticism. Moving from poetic conceit through medieval treatise to confessor's manual and scholastic summa, the text demonstrates that the medieval notion of sodomy was fashioned out of conceptual instabilities and tensions.

The topic of sexual ethics and interest in sexuality in theology generally, has grown considerably in recent years. Mark Jordan has written a provocative and stimulating introduction to the issues involved, filling a much-needed void in this field. Jordan summarizes key topics and themes in the teaching and discussion of religious ethics as well as pushing forward the debate in interesting and original directions. "

The Ethics of Sex" is divided into three parts, covering problems in principles of ethics, difficulties in the history of ethics, such as marriage, divorce, and crimes against nature; and finally, new possibilities in Christianity, such as redeeming pleasure. The discussion throughout the volume shows the distinctive power of Christian rhetoric to create, develop, and impose moral identities for which sex is central. Some of these identities are positive, such as the Virgin Martyr, which others are sexual sin-identities, such as the Adulterer or the Sodomite. However, we can only move beyond these established "characters" by recognizing that they were written to be theological roles - and that some theology may be needed to rewrite them.

Sexual scandals in the Roman Catholic Church have been highly public in recent years, and increasingly shrill directives from the Vatican about homosexuality have become commonplace. The visibility of these issues begs the question of how the Catholic Church can be at once so homophobic and so homoerotic. Mark D. Jordan, the authors of the award-winning "The Invention of Sodomy in Christian Theology", takes up this fundamental question in a deeply learned yet readable study of the relationship between male homosexuality and Catholicism. "The Silence of Sodom" is devoted, first, to teasing out the Church's complex bureaucratic language about sexual morality. Rather than trying to point out that official Catholic documents are simply wrong in their discussions and directives regarding homosexuality, Jordan examines the rhetorical devices used by the Church throughout its history to actively produce silence around the topic of male homosexuality. Arguing that we cannot find the Church's knowledge of homosexuality in its documents, Jordan looks to the unspoken but widely known features of clerical culture to illuminate the striking analogies between clerical institutions and contemporary gay culture, particularly in the mechanisms of discipline, the training of seminarians and the ambiguities of liturgical celebration. The Catholic Church's long experiment with masculine desire cannot be discovered through sensationalist trials of priest-paedophiles or surveys of gay clergy. "The Silence of Sodom" looks deeply into the intertwining, in words and deeds, of Catholicism with homoeroticism; it is a profound reflection on both "being gay" and "being Catholic".

Augustine's Confessions is a text that seduces. But how often do its readers respond in kind? Here three scholars who share a longstanding fascination with sexuality and Christian discourse attempt to do just that. Where prior interpreters have been inclined either to defend or to criticize Augustine's views, Virginia Burrus, Mark Jordan, and Karmen MacKendrick set out both to seduce and to be seduced by his text. Often ambivalent but always passionately engaged, their readings of the Confessions center on four sets of intertwined themes-secrecy and confession, asceticism and eroticism, constraint and freedom, and time and eternity. Rather than expose Augustine's sexual history, they explore how the Confessions conjoins the erotic with the hidden, the imaginary, and the fictional. Rather than bemoan the repressiveness of his text, they uncover the complex relationship between seductive flesh and persuasive words that pervades all of its books. Rather than struggle to escape the control of the author, they embrace the painful pleasure of willed submission that lies at the erotic heart not only of the Confessions but also of Augustine's broader understanding of sin and salvation. Rather than mourn the fateful otherworldliness of his theological vision, they plumb the bottomless depths of beauty that Augustine discovers within creation, thereby extending desire precisely by refusing satisfaction. In unfolding their readings, the authors draw upon other works in Augustine's corpus while building on prior Augustinian scholarship in their own overlapping fields of history, theology, and philosophy. They also press well beyond the conventional boundaries of scholarly disciplines, conversing with such wide-ranging theorists of eroticism as Barthes, Baudrillard, Klossowski, Foucault, and Harpham. In the end, they offer not only a fresh interpretation of Augustine's famous work but also a multivocal literary-philosophical meditation on the seductive elusiveness of desire, bodies, language, and God.

Why are so many churches vehemently opposed to blessing same-sex unions? In this incisive work, Mark D. Jordan shows how carefully selected ideals of Christian marriage have come to dominate recent debates over same-sex unions. Opponents of gay marriage, he reveals, too often confuse simplified ideals of matrimony with historical facts, purporting that there has been a stable Christian tradition of marriage across millennia, when the reality has been anything but. Raising trenchant questions about social obligations, impulses, intentions, and determination, Blessing Same-Sex Unions is a must-read for both sides of the ongoing American debate over gay marriage.

In Teaching Bodies, leading scholar of Christian thought Mark D. Jordan offers an original reading of the Summa of Theology of Thomas Aquinas. Reading backward, Jordan interprets the main parts of the Summa, starting from the conclusion, to reveal how Thomas teaches morals by directing attention to the way God teaches morals, namely through embodied scenes: the incarnation, the gospels, and the sacraments. It is Thomas’s confidence in bodily scenes of instruction that explains the often overlooked structure of the middle part of the Summa, which begins and ends with Christian revisions of classical exhortations of the human body as a pathway to the best human life. Among other things, Jordan argues, this explains Thomas’s interest in the stages of law and the limits of virtue as the engine of human life. Rather than offer a synthesis of Thomistic ethics, Jordan insists that we read Thomas as theology to discover the unification of Christian wisdom in a pattern of ongoing moral formation. Jordan supplements his close readings of the Summa with reflections on Thomas’s place in the history of Christian moral teaching—and thus his relevance for teaching and writing in the present. What remains a puzzle is why Thomas chose to stage this incarnational moral teaching within the then-new genres of university disputation—the genres we think of as “Scholastic.� Yet here again the structure of the Summa provides an answer. In Jordan’s deft analysis, Thomas’s minimalist refusal to tell a new story except by juxtaposing selections from inherited philosophical and theological traditions is his way of opening room for God’s continuing narration in the development of the human soul. The task of writing theology, as Thomas understands it, is to open a path through the inherited languages of classical thought so that divine pedagogy can have its effect on the reader. As such, the task of the Summa, in Mark Jordan’s hands, is a crucial and powerful way to articulate Christian morals today.

The opponents of legal recognition for same-sex marriage frequently appeal to a "Judeo-Christian" tradition. But does it make any sense to speak of that tradition as a single teaching on marriage? Are there elements in Jewish and Christian traditions that actually authorize religious and civil recognition of same-sex couples? And are contemporary heterosexual marriages well supported by those traditions?

As evidenced by the ten provocative essays assembled and edited by Mark D. Jordan, the answers are not as simple as many would believe. The scholars of Judaism and Christianity gathered here explore the issue through a wide range of biblical, historical, liturgical, and theological evidence. From David's love for Jonathan through the singleness of Jesus and Paul to the all-male heaven of John's Apocalypse, the collection addresses pertinent passages in the Hebrew Bible and the New Testament with scholarly precision. It reconsiders whether there are biblical precedents for blessing same-sex unions in Jewish and Christian liturgies.

The book concludes by analyzing typical religious arguments against such unions and provides a comprehensive response to claims that the Judeo-Christian tradition prohibits same-sex unions from receiving religious recognition. The essays, most of which are in print here for the first time, are by Saul M. Olyan, Mary Ann Tolbert, Daniel Boyarin, Laurence Paul Hemming, Steven Greenberg, Kathryn Tanner, Susan Frank Parsons, Eugene F. Rogers, Jr., and Mark D. Jordan.

Dancing Theology in Fetish Boots is both a tribute and an engaged response to the work of Marcella Althaus-Reid. A wide range of internationally renowned theologians show the breadth and depth of the impact she made in her all too short academic life. The scholars gathered in these pages wish to honour her contribution and to continue her legacy. The authors come to the work of Marcella Althaus-Reid from a wide range of interests, disciplines and locations. Their essays show how many applications and extensions her work elicits in academic, political and pastoral contexts. Lisa Isherwood is Professor of Feminist Liberation Theologies and Director of the Institute for Theological Partnerships at the University of Winchester. Mark D. Jordan is R. R. Niebuhr Professor of Theology at Harvard Divinity School. Contributors: Robert Shore-Goss, Mary E. Hunt, Kwok Pui-lan, Kathleen M. Sands, Emily M. Townes, Mayra Rivera Rivera, Susannah Cornwall, Elizabeth Stuart, Alistair Kee, Lea D. Brown, Jay Emerson Johnson, Graham Ward, Natalie K. Watson, Ivan Petrella, Hugo Cordova Quero, Mario I. Aguilar, Andre S. Musskopf, Nancy Cardoso Perreira and Claudio Carvalhaes, Rosemary Radford Ruether. 'Following the full-bodied creativity and unsparing critique that mark the genius of Marcella Althaus Reid, this collection constitutes no vanilla homage. It reads like a true Argentinian tango: equal parts love-making, lament, rage, humour and challenge. An impressive array of scholars take up and talk back to her sacramental, liberationist, fleshy theology. The result is a testament to Althaus-Reid's own passions for justice, for outcasts and for celebration even in the face of death.' Laurel C. Schneider, Professor of Theology, Ethics and Culture, Chicago Theological Seminary 'Lisa Isherwood and Mark Jordan have gathered a moving and inspiring collection of essays in honour of the courageous theologian, Marcella Althaus-Reid. The essays refract many ways in which Marcella has broken open theological spaces in a way that is utterly unique. Like Marcella's work, they invite us to enlarge our minds and our hearts to the outrageous openness of embodied, incarnate love. It is to be hoped that this collection introduces a larger readership to the consolations of queer theology and its significance for all theological thinkers.' Wendy Farley, Professor of Religion and Ethics, Emory University

Is the reform we have seen in the wake of the pedophilia scandals in the Catholic Church meaningful? Have our conversations about the causes of these scandals delved as deeply as they need to? For those questioning the relations between hierarchical power, secrecy, and sexuality in institutional religion, Mark D. Jordan"s eloquent meditations on what truths about sexuality need to be told in church--and the difficulty of telling any truths--will be a balm and a revelation.
"Sure to be controversial . . . [Telling Truths in Church] is about how church people speak about sex in the church; it is about what it means to tell the truth, and how to go about the vulnerable act of truth-telling when your topic is something as intimate as sex." --Lauren F. Winner, Washington Post Book World
"This is a major contribution to the telling of truth and truths. Jordan"s analysis lays bare the fear and anxiety behind the silence and spins of church authorities; it is a profound and provocative book." --Donald Cozzens, author of Sacred Silence: Denial and the Crisis in the Church and The Changing Face of the Priesthood.

The organization of Thomas Aquinas' Summa Theologiae is a remarkable feat of clarity in comparison with its predecessors. Although Aquinas incorporates materials from very different theological traditions he reduces all of these topics to a concise and clear plan. Mark D. Jordan's translation, On Faith, captures this clarity, Aquinas' most characteristic achievement. v. 1. On faith, Summa theologiae, part 2-2, questions 1-16 of St. Thomas Aquinas.

At most church weddings, the person presiding over the ritual is not a priest or a pastor, but the wedding planner, followed by the photographer, the florist, and the caterer. And in this day and age, more wedding theology is supplied by Modern Bride magazine or reality television than by any of the Christian treatises on holy matrimony. Indeed, church weddings have strayed long and far from distinctly Christian aspirations. The costumes and gestures might still be right, but the intentions are hardly religious. Why then, asks noted gay commentator Mark D. Jordan, are so many churches vehemently opposed to blessing same-sex unions? In this incisive work, Jordan shows how carefully selected ideals of Christian marriage have come to dominate recent debates over same-sex unions. Opponents of gay marriage, he reveals, too often confuse simplified ideals of matrimony with historical facts. They suppose, for instance, that there has been a stable Christian tradition of marriage across millennia, when in reality Christians have quarreled among themselves for centuries about even the most basic elements of marital theology, authorizing experiments like polygamy and divorce. Jordan also argues that no matter what the courts do, Christian churches will have to decide for themselves whether to bless same-sex unions. No civil compromise can settle the religious questions surrounding gay marriage. And queer Christians, he contends, will have to discover for themselves what they really want out of marriage. If they are not just after legal recognition as a couple or a place at the social table, do they really seek the blessing of God? Or just the garish melodrama of a white wedding? Posing trenchant questions such as these, Blessing Same-Sex Unions will be a must-read for both sides of the debate over gay marriage in America today.

Sexual scandals in the Roman Catholic Church have been highly public in recent years, and increasingly shrill directives from the Vatican about homosexuality have become commonplace. The visibility of these issues begs the question of how the Catholic Church can be at once so homophobic and so homoerotic. Mark D. Jordan, the authors of the award-winning "The Invention of Sodomy in Christian Theology", takes up this fundamental question in a deeply learned yet readable study of the relationship between male homosexuality and Catholicism. "The Silence of Sodom" is devoted, first, to teasing out the Church's complex bureaucratic language about sexual morality. Rather than trying to point out that official Catholic documents are simply wrong in their discussions and directives regarding homosexuality, Jordan examines the rhetorical devices used by the Church throughout its history to actively produce silence around the topic of male homosexuality. Arguing that we cannot find the Church's knowledge of homosexuality in its documents, Jordan looks to the unspoken but widely known features of clerical culture to illuminate the striking analogies between clerical institutions and contemporary gay culture, particularly in the mechanisms of discipline, the training of seminarians and the ambiguities of liturgical celebration. The Catholic Church's long experiment with masculine desire cannot be discovered through sensationalist trials of priest-paedophiles or surveys of gay clergy. "The Silence of Sodom" looks deeply into the intertwining, in words and deeds, of Catholicism with homoeroticism; it is a profound reflection on both "being gay" and "being Catholic".