John Milton is a ghost. He was Number One. The most dangerous assassin in Group Fifteen, the black-ops organisation that solves problems when diplomacy has failed. Now Milton is Her Majesty’s most wanted fugitive – an anonymous loner with a deadly set of skills.

So when he is arrested following a brawl in a Texas bar, the last person he expected to bail him out was a glamorous operative from the Russian Secret Service.

Milton is blackmailed into finding his predecessor as Number One. But she's a ghost, too, and just as dangerous as him. He finds himself in deep trouble, playing the Russians against the British in a desperate attempt to save the life of his oldest friend.

Some ghosts are better left alone. But these two have been disturbed and now there's going to be hell to pay.

John Milton has started to hope that he might have a future.

He has a job driving a taxi around the streets of San Francisco. He has his anonymity and his solitude. Being invisible has become a comfortable habit. He doesn't want to be found. But when a girl he drives to a party goes missing, Milton is worried. Especially when two dead bodies are discovered and the police start treating him as their prime suspect. Milton is a fugitive from the British Secret Service and a man in his position needs extra attention like he needs a hole in the head.

As unpleasant secrets leak out and the body count rises, one thing is for sure. Milton might just be the right guy in the wrong place at the wrong time.

The Driver is a taut, nail-biting adventure which once again stars Mark Dawson's irresistible hero, the maverick ex-MI6 assassin John Milton.

The first in a series of gripping adventure stories for readers 8+, perfect for fans of Enid Blyton. Lucy, Max, Charlie and Joe aren't looking for new friends - they have too many of their own problems to worry about. But when the four of them, and Charlie's faithful dog, Sherlock, spot a phantom figure on Southwold beach one winter's night, they are thrown together to unravel a mystery that none of them expected. The deeper they dig, the bigger the adventure becomes - motorboats and tracking devices, bedroom breakouts and daring sea rescues are all in a day's work for the After-School Detective Club. But when their investigations lead them into trouble with the police, there is only one thing left to do - they must go undercover for a final showdown with a ruthless gang of smugglers who will stop at nothing to get what they want.

John Milton is the man the government calls when they want a problem to go away... but what happens when he’s the one who needs to disappear?

After a botched job leaves a bloody trail, government assassin John Milton does the one thing he’s never done before: he hides.

Disappearing into London’s bustling East End and holing up in a vacant flat, Milton becomes involved with his neighbour Sharon and her troubled son Elijah, who are caught in an increasingly bloody turf war between two rival gangs.

Unable to ignore the threat, Milton sets about protecting mother and son, meeting violence with violence. But his involvement puts him in the sights of the government’s next best killer, and before long Milton is not just fighting to save a family and a home - he’s fighting to stay alive...

If you like Lee Child's Jack Reacher, Vince Flynn's Mitch Rapp, and Robert Ludlum's Jason Bourne, you won't be able to put down the compulsively addictive John Milton series.

The fourth in a series of gripping adventure stories, perfect for fans of Enid Blyton. Things in Southwold get off to a bad start! Max has to do extra lessons while Charlie has been roped into helping with the decorating. Meanwhile Lucy loses an important race to a new girl in her school, Miranda Fitchwitherington, who seems to enjoy being as mean as possible to Lucy and the rest of the gang. And there is more bad news – when the gang meet Captain Tom, walking his own dog, Pugly, he tells them about an outbreak of pet thefts in the area. When they meet a lady looking for her lost dog, their worst fears are realised – there are dognappers on the loose in Southwold!

FROM THE MULTI-MILLION SELLING AUTHOR MARK DAWSON FOUR MURDERS. TWO DETECTIVES. ONE MYSTIFYING CRIME. On Christmas Eve, DCI Mackenzie Jones is called to a shooting at a remote farmhouse. Ralph Mallender believes his father lies dead inside. When three more bodies are discovered, it's clear a festive family gathering has turned into a gruesome tragedy. At first it seems like an open and shut case: a murder-suicide committed by Ralph's volatile brother Cameron. Then new evidence makes Mack suspect the man who reported the crime is in fact the perpetrator. But Mack isn't the only one with a stake in the case. Private investigator Atticus Priest has been hired to get Ralph acquitted. That means unearthing any weaknesses in Mack's evidence. Irascible, impatient, and unpredictable, Atticus has weaknesses of his own. Mack knows all about them because they share a past – both professionally and personally. This time round, however, they aren't on the same side. And as Atticus picks at the loose ends of the case, everything starts to unravel in a way neither of them could ever have predicted... The House in the Woods is the first book in the gripping Atticus Priest murder mystery series from the multi-million selling author of the John Milton and Isabella Rose thrillers. ___________ PRAISE FOR MARK DAWSON: 'Absolutely brilliant' – Mail on Sunday 'A literary sensation' – Daily Telegraph 'A great thriller writer on the top of his game' – Steve Cavanagh, Sunday Times bestselling author 'Nerve-shreddingly tense. Utterly addictive' – M.J. Arlidge ___________ The Location Morse had Oxford. Roy Grace has Brighton. Atticus and Mack have beautiful Salisbury, a quintessential English city drenched in history and blessed with a position amidst some of the most beautiful countryside in England. With its ancient streets, the cathedral and nearby Stonehenge, it's not the sort of place you'd expect to find crime. But it has a dark underbelly and a history of murder – Atticus and Mack find themselves investigating new deaths and uncovering old secrets. The Detectives Atticus Priest: a disgraced police detective sacked after one too many indiscretions, now working as a private investigator. Cursed with an obsessive personality, he works compulsively on all his cases and his deductive powers are astonishing. Smart, restless, observant, and egotistical – he's impossible to work with and yet too brilliant to ignore. Mackenzie Jones: a senior detective in Wiltshire CID, she's intelligent but modest. She used to be Atticus's boss and has the patience to deal with his eccentricities. But, to her dismay, she found herself blurring the personal with the professional as the two detectives entered into a relationship together and she's still dealing with the fall-out.

The second in a series of gripping adventure stories for readers 8+, perfect for fans of Enid Blyton. The friends can't believe their luck when they get the chance to stay in a castle for their Easter holidays. The castle is everything they had hoped for, with a moat and an ancient burial mound that gives it an air of mystery. But things are not what they seem and a treacherous discovery in the grounds reveals a 300-year-old treasure map. The race is on. The After-School Detective Club is in pursuit of Ragnar's gold - a hoard of treasure said to have been buried by a Viking warrior and guarded by his demon hound... that is, unless someone else gets there first.

The third in a series of gripping adventure stories, perfect for fans of Enid Blyton. Max is distraught when he receives a letter from the school telling him he has to go on a weekend of cycling and camping for the Duke of Wellington awards scheme. But things vastly improve when his friends agree to come with him. It isn't long before they find adventure - or adventure finds them... They make a friend called Byron and set up camp in a forest near to his home. But that night they wake to see strange lights and a fierce wind blowing through the trees. Moments later Byron arrives, running and screaming that 'they' are after him. When the gang follow him, they find his rucksack but no sign of the boy. It looks like Byron has been abducted by a UFO! But surely that's not possible... is it?

DCI Mackenzie and Atticus Priest are back, but can they work together to solve a conspiracy? A dog walker finds a human bone on lonely Salisbury Plain. DCI Mackenzie Jones investigates the grisly discovery but cannot explain how it ended up there. She contacts disgraced ex-detective Atticus Priest and the two of them trace the bone to a graveyard in the nearby village of Imber. But the village was abandoned after it was purchased by the Ministry of Defence to train the army, so why have bodies been buried in the graveyard since the church was closed? At the same time, Atticus is approached by a single dad who needs his help to track down his missing daughter. Atticus takes on the case and finds himself battling a London gang who are selling their drugs in Salisbury and a host of witnesses who don't seem to be telling him the truth. Atticus and Mack deal with the fiendishly complex case and unpick a conspiracy that cuts to the heart of the English establishment – while dealing with their own feelings for one another. PRAISE FOR MARK DAWSON: 'Absolutely brilliant' – Mail on Sunday 'A literary sensation' – Daily Telegraph 'A great thriller writer on the top of his game' – Steve Cavanagh, Sunday Times bestselling author 'Nerve-shreddingly tense. Utterly addictive' – M.J. Arlidge

First published in 2007. Routledge is an imprint of Taylor & Francis, an informa company.

This well-constructed, and well-written, collection fills a gap in the scholarship. It offers a rounded and plausible picture of the Court's role in Europe, engaging with the complexity of the law without losing sight of the bigger political picture. Well-contextualised, critical, but nuanced, discussions of the role of rights, economics, science, and institutions, and of the important particularities of EU adjudication, will make this volume unmissable for those interested in the political role of the Court of Justice of the EU.' - Gareth Davies, VU University of Amsterdam, The NetherlandsThis book delves into the rationale, components of, and responses to accusations of judicial activism at the European Court of Justice. Detailed chapters from academics, practitioners and stakeholders bring diverse perspectives on a range of factors - from access rules to institutional design and to substantive functions - influencing the European Court's political role. Each of the contributing authors invites the reader to approach the debate on the role of the Court in terms of a constantly evolving set of interactions between the EU judiciary, the European and national political spheres, as well as a multitude of other actors vested in competing legitimacy claims. The book questions the political role of the Court as much as it stresses the opportunities - and corresponding responsibilities - that the Court's case law offers to independent observers, political institutions and civil society organisations. Judicial Activism at the European Court of Justice will appeal to researchers and graduate students as well as to EU and national officials. Contributors: A. Arnull, L. Azoulai, M. Bulterman, S. Carrera, M. Dawson, M. de Visser, B. de Witte, V. Hatzopoulos, M. Hoereth, C. Kaupa, E. Muir, B. Petkova, E. Vos, C. Wissels

Using examples of real students' successful group projects, this succinct and supportive guide will help students tackle group assignments with confidence. Bite-sized chapters take students from forming a group and establishing roles through to dealing with conflict and delivering a group assessment. The book contains practical advice on making decisions and active listening, alongside opportunities to reflect on progress and identify opportunities for improvement. This is an essential resource for all students who are expected to produce a group project as part of their course, regardless of their level or discipline.

John Milton had started to hope that he might have a future... On the run from the agency that wants him dead, former MI6 assassin Milton has found anonymity driving a taxi around the streets of San Francisco. But when a girl he takes to a party goes missing and two dead bodies are found, the police treat him as their prime suspect. Milton needs extra attention like he needs a hole in the head. But as unpleasant secrets leak out and the body count rises, one thing is for sure. He might just be the right guy in the wrong place at the wrong time... What readers are saying about the John Milton series: 'Move over Reacher and Bond!' 'The characters are well written. The pacing is excellent' 'Strong, relevant and very cinematic' 'Dawson is a great writer, painting vivid pictures with his descriptions' 'Incredibly entertaining and fun' 'Remarkable book!' 'I am thoroughly hooked on Mark Dawson's writing. No dull pages, just smooth flowing lines from start to finish'

John Milton's in Mexico with a few days to kill...Milton has been off the grid for six months. He surfaces in Ciudad Juarez, Mexico, and immediately finds himself drawn into a vicious battle with the narco-gangs that control the borderlands. Milton saves the life of an idealistic young journalist who has been targeted for execution but the only way to keep her safe is to smuggle her into Texas. Working with the only untouchable cops in the city, and a bounty hunter whose motives are unclear, Milton must keep her safe until the crossing can be made. But when the man looking for her is the legendary assassin Santa Muerte – Saint Death – that's a lot easier said than done... If you like Lee Child's Jack Reacher, Vince Flynn's Mitch Rapp, and Robert Ludlum's Jason Bourne, you won't be able to put down the compulsively addictive John Milton series. ___________ What reviewers are saying: 'It's impossible not to think of Lee Child's super-selling Jack Reacher' - The Times 'A literary sensation' - Daily Telegraph 'Dawson writes the kind of thrillers I love. Non-stop, grab-you-by-the-throat tales of doing the right thing no matter the odds. Simply excellent' - USA Today-bestselling author Brett Battles What Amazon readers are saying about Saint Death: ★★★★★ 'Action-packed, a real rollercoaster ride with characters that are compelling and real, Mark Dawson's John Milton is as real as bad-ass heroes get' ★★★★★ 'The whole series is well worth reading. The books are hard to put down' ★★★★★ 'Excellent, fast moving read. Excellent character development' ★★★★★ 'Mark Dawson hits it out of the park with the 3rd John Milton book. Saint Death was amazing!' ★★★★★ 'Every single book is a masterpiece of suspense, intrigue and flat out action' Book 2 in the USA Today-bestselling series. More than 1m copies of the series downloaded and 1000s of five-star reviews. Available in digital, print and audiobook.

'Atticus Priest will be the star of many future novels' - Richard Madeley Private investigator Atticus Priest is asked to investigate after a man falls to his death from the tower of Salisbury Cathedral. But when a video is sent to the local newspaper showing the deceased man engaging in a compromising act with a minor, Atticus realises that there's much more to this case than he initially thought. Is it blackmail? Suicide? Or murder? PRAISE FOR MARK DAWSON: 'Absolutely brilliant' – Mail on Sunday 'A literary sensation' – Daily Telegraph 'A great thriller writer on the top of his game' – Steve Cavanagh, Sunday Times bestselling author 'Nerve-shreddingly tense. Utterly addictive' – M.J. Arlidge

This is an important study of the household affairs - especially as they relate to the provisioning and consumption of food and drink - of the Willoughby family of Wollaton Hall in Nottingham and Middleton Hall in Warwickshire. Made wealthy by inheritance, coal mining and iron smelting, they built a Tudor wonder-house at Wollaton, designed by the architect Robert Smythson. The survival of their archive allows close analysis of their domestic arrangements. For too long, food history has consisted of rummages among old cookbooks and juicy extracts from published diaries, with little serious work done on private archives and financial records. In consequence we have much anecdote and little hard evidence. This book should redress the balance.Drawing upon the household accounts, Mark Dawson describes the patterns of food purchasing and supply, whether from markets and merchants or from the family's own estates. He models the dietary intake both of the family and its servants; reconstructs the kitchen administration and organisation; and links the Willoughbys' experience to that of England as a whole, especially in relation to dietary and culinary change. There was a great deal going on in the Tudor kitchen: styles of cookery were altering, new foodstuffs were being added to the national shopping basket, both from our European neighbours and from new territories and discoveries overseas.A series of chapters treats the main categories of foods: grains, meats, fish, fruit and vegetables. There is discussion of drinks, whether wine or beer (particularly the shift from ale to beer as the standard beverage). There is an account of the strategies of purchase, preservation and storage of foods, of the kitchen equipment, and of the kitchen staffing and operation. And there is an account of the family of Willoughby itself, whose great house at Wollaton survives as the museum of the City of Nottingham. "Plenti and Grase" will appeal to historians and general readers interested in Tudor England; to culinary historians interested in the development of the modern kitchen; to local students wishing to discover more about Midland history; and anyone curious about how these great houses were run, and the life that went on inside their walls.

John Milton is the man the government call when they want a problem to vanish . . . but what happens when he's the one that needs to disappear?

After a botched job leaves a bloody trail, government assassin John Milton does the one thing he's never done before: he hides.

Disappearing into London's bustling East End and holing up in a vacant flat, Milton becomes involved with single mother Sharon and her troubled son Elijah, who are caught in an increasingly bloody turf war between two rival gangs.

Unable to ignore the threat, Milton sets about protecting mother and son, meeting violence with violence. But his involvement puts him in the sights of the government's next best killer, and before long Milton is not just fighting to save a family and a home - he's fighting to stay alive . . .

If you like Lee Child's Jack Reacher, Vince Flynn's Mitch Rapp, and Robert Ludlum's Jason Bourne, you won't be able to put down the compulsively addictive John Milton series.

Bodily contrasts - from the colour of hair, eyes and skin to the shape of faces and skeletons - allowed the English of the seventeenth and early eighteenth centuries to discriminate systematically among themselves and against non-Anglophone groups. Making use of an array of sources, this book examines how early modern English people understood bodily difference. It demonstrates that individuals' distinctive features were considered innate, even as discrete populations were believed to have characteristics in common, and challenges the idea that the humoral theory of bodily composition was incompatible with visceral inequality or racism. While 'race' had not assumed its modern valence, and 'racial' ideologies were still to come, such typecasting nonetheless had mundane, lasting consequences. Grounded in humoral physiology, and Christian universalism notwithstanding, bodily prejudices inflected social stratification, domestic politics, sectarian division and international relations. -- .

John Milton is a ghost. He was Number One. The most dangerous assassin in Group Fifteen, the black-ops organisation that solves problems when diplomacy has failed. Now Milton is Her Majesty's most wanted fugitive - an anonymous loner with a deadly set of skills. So when he is arrested following a brawl in a Texas bar, the last person he expected to bail him out was a glamorous operative from the Russian Secret Service. Milton is blackmailed into finding his predecessor as Number One. But she's a ghost, too, and just as dangerous as him. He finds himself in deep trouble, playing the Russians against the British in a desperate attempt to save the life of his oldest friend. Some ghosts are better left alone. But these two have been disturbed and now there's going to be hell to pay. What readers are saying about the John Milton series: 'Move over Reacher and Bond!' 'The characters are well written. The pacing is excellent' 'Strong, relevant and very cinematic' 'Dawson is a great writer, painting vivid pictures with his descriptions' 'Incredibly entertaining and fun' 'Remarkable book!' 'I am thoroughly hooked on Mark Dawson's writing. No dull pages, just smooth flowing lines from start to finish'

Bodily contrasts - from the colour of hair, eyes and skin to the shape of faces and skeletons - allowed the English of the seventeenth and early eighteenth centuries to discriminate systematically among themselves and against non-Anglophone groups. Making use of an array of sources, this book examines how early modern English people understood bodily difference. It demonstrates that individuals' distinctive features were considered innate, even as discrete populations were believed to have characteristics in common, and challenges the idea that the humoral theory of bodily composition was incompatible with visceral inequality or racism. While 'race' had not assumed its modern valence, and 'racial' ideologies were still to come, such typecasting nonetheless had mundane, lasting consequences. Grounded in humoral physiology, and Christian universalism notwithstanding, bodily prejudices inflected social stratification, domestic politics, sectarian division and international relations. -- .

White light. Heat. A drawn-out moment of complete silence. And then the screaming starts. An Underground carriage in London is destroyed by a suicide bomber. The injured and the dead litter the platform. But as a crowd forms at street level, Michael Pope knows that this is only the beginning. Pope, head of top-secret Group Fifteen, is tasked with finding the perpetrators of this atrocity and bringing them to justice, any way he can. He knows that the answers to many of his questions will lie at the end of the money trail, but he also knows that whoever funded and organised the attack will kill again for their freedom. This is an operation that requires a very special kind of agent. Pope needs someone who exists outside of normality. Someone who floats above it, treading softly through a fractured life. He needs the Angel. The Angel is the first part in a continuing story involving Isabella Rose. The story will be continued in Act II, The Asset.

What is the EU for? In light of the current state of European integration, EU law cannot meaningfully be appreciated without understanding the political, social and cultural context within which it operates. This textbook proposes a fresh, accessible and interdisciplinary take on the subject that is suitable for one-semester and introductory courses wishing to engage the reader with the wider context of the EU project. It situates the institutions, legal order and central policy domains of the EU in their context and offer students the tools to critically analyse and reflect on European integration and its consequences. With pedagogical features such as further reading, class questions and essay/exams questions to support learning, this textbook enables students to form their own informed opinion on whether the EU offers an appropriate answer to the many questions that it is asked.

'It's impossible not to think of Lee Child's super-selling Jack Reacher' The Times John Milton is the man the government call when they want a problem to vanish . . . but what happens when he's the one that needs to disappear? After a botched job leaves a bloody trail, government assassin John Milton does the one thing he's never done before: he hides. Disappearing into London's bustling East End and holing up in a vacant flat, Milton becomes involved with single mother Sharon and her troubled son Elijah, who are caught in an increasingly bloody turf war between two rival gangs. Unable to ignore the threat, Milton sets about protecting mother and son, meeting violence with violence. But his involvement puts him in the sights of the government's next best killer, and before long Milton is not just fighting to save a family and a home - he's fighting to stay alive . . . If you like Lee Child's Jack Reacher, Vince Flynn's Mitch Rapp, and Robert Ludlum's Jason Bourne, you won't be able to put down the compulsively addictive John Milton series. What critics are saying about The Cleaner: 'Mark Dawson has all the skills. A great thriller writer on the top of his game' Steve Cavanagh, Sunday Times bestselling author 'The Cleaner was the ultimate page-turner!' Inky Tavern 'A literary sensation' Daily Telegraph 'Nerve-shreddingly tense. Utterly addictive' M.J. Arlidge, Sunday Times bestselling author 'I loved it . . . I found myself invested in the characters' Thriller Novel Nerd 'A terrific, fast-paced read. Mark Dawson knows how to tell a great story' Scott Mariani, Sunday Times bestselling author 'Once I picked up the series, I couldn't stop. I bought each book' Mystery Sequel

John Milton had started to hope that he might have a future... On the run from the agency that wants him dead, former MI6 assassin Milton has found anonymity driving a taxi around the streets of San Francisco. But when a girl he takes to a party goes missing and two dead bodies are found, the police treat him as their prime suspect. Milton needs extra attention like he needs a hole in the head. But as unpleasant secrets leak out and the body count rises, one thing is for sure. He might just be the right guy in the wrong place at the wrong time... What readers are saying about the John Milton series: 'Move over Reacher and Bond!' 'The characters are well written. The pacing is excellent' 'Strong, relevant and very cinematic' 'Dawson is a great writer, painting vivid pictures with his descriptions' 'Incredibly entertaining and fun' 'Remarkable book!' 'I am thoroughly hooked on Mark Dawson's writing. No dull pages, just smooth flowing lines from start to finish'