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In recent years, puppetry has enjoyed a huge revival on the stages of our theatres, dance venues and opera houses. Large-scale productions such as War Horse and The Lion King have revitalized age-old techniques to attract new audiences and develop the power of storytelling. Puppetry is now seen not only as a specialist art form that exists on its own, but also as a vital tool in the armoury of theatrical storytellers. A Practical Guide to Puppetry offers a comprehensive overview to this versatile art form, exploring established techniques and offering expert instruction on styles from shadow puppetry to group puppetry. Each method is illustrated with practical and accessible exercises, achievable either individually or in a group workshop or rehearsal. With over eighty exercises for improvising, training, designing and directing puppetry, accompanied by 400 illustrations, this new book gives a complete approach to puppeteering with objects, simple puppets and puppets with mechanisms.
This title was first published in 2002. As Iran enters into the third decade since the 1979 revolution, the prospect of socio-political unrest remains ever present. Iran's political structure, its version of Islamic governance and the role of pluralism across all aspects of Iranian society are being questioned openly and defiantly. What this will mean for the future of Iran's theological system of governance and its current social structure remains to be seen. This work examines the roots of Iran's current unrest in the context of the post-revolutionary social and political structure, and the goals and aspirations of the 1979 revolutionaries. It provides in-depth commentary on contemporary Iranian society and the Islamic movement emerging from Khomeini's interpretation of Islamic governance and gauges the response of Iran to the pragmatic realities of the international system. A Readers in Islamic studies, international studies and Middle Eastern politics both at undergraduate and postgraduate levels will find this book an invaluable tool.
This title was first published in 2002. As Iran enters into the third decade since the 1979 revolution, the prospect of socio-political unrest remains ever present. Iran's political structure, its version of Islamic governance and the role of pluralism across all aspects of Iranian society are being questioned openly and defiantly. What this will mean for the future of Iran's theological system of governance and its current social structure remains to be seen. This work examines the roots of Iran's current unrest in the context of the post-revolutionary social and political structure, and the goals and aspirations of the 1979 revolutionaries. It provides in-depth commentary on contemporary Iranian society and the Islamic movement emerging from Khomeini's interpretation of Islamic governance and gauges the response of Iran to the pragmatic realities of the international system. A Readers in Islamic studies, international studies and Middle Eastern politics both at undergraduate and postgraduate levels will find this book an invaluable tool.
ilitary monuments in Lincolnshire (eastern England) have hitherto received little attention, with only four being the subject of published studies. No attempt has previously been made to produce a corpus of surviving examples. There are 62 military effigies in Lincolnshire, including some of national importance as well as many others of great interest. In the former category are the effigies at Careby, Halton-Holegate, Holbeach, Kirkstead Abbey, Stoke Rochford and Surfleet. The main object of the critical catalogue in this volume is to provide an accurate analytical description of these figures as they appear today; a project that has been long overdue, for what is some of England's finest extant medieval monumental sculpture. The catalogue is arranged chronologically, with the monuments being divided into four main groups. Every effigy is illustrated and the accompanying catalogue entry gives a description of the effigy and the armour shown and an account as to the person thought to be commemorated by the figure.
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