SHORTLISTED FOR THE SPORTS ENTERTAINMENT BOOK OF THE YEAR 'Crammed full of funny stories, below-the-belt banter and amusing observations, it's gold' Rugby World Once described as rugby's answer to Ant & Dec, David Flatman and Mark Durden-Smith are the oddest of odd couples. Now this hugely popular rugby broadcasting double act have turned to dissecting and celebrating rugby union in book form. And, as you'd expect, it's a brilliant combination of in-depth knowledge and hilarious stories. Flats and Durders Offload covers every facet of the game, from surviving the front row, what it takes to be a leader, referees both good and bad, mind games, tournaments and, of course, what really happens on a rugby tour. They talk about the highs, including Flats not missing a tackle in his 90-second Six Nations appearance, and the lows, including Flats not making a tackle in his 90-second Six Nations appearance. Familiar to millions of fans through their television work, they provide fascinating and entertaining insight into the sport they love. They reveal the hardest players, the greatest characters and the intimate secrets of the front row. They address key issues facing the sport, such as injury, retirement and the future of the game. Nothing is off limits and no quarter is given - to anyone. With insightful analysis, unforgettable stories and the occasional food reference, Flats and Durders Offload is an unmissable read for all rugby fans.

SHORTLISTED FOR THE SPORTS ENTERTAINMENT BOOK OF THE YEAR 'Crammed full of funny stories, below-the-belt banter and amusing observations, it's gold' Rugby World Once described as rugby's answer to Ant & Dec, David Flatman and Mark Durden-Smith are the oddest of odd couples. Now this hugely popular rugby broadcasting double act have turned to dissecting and celebrating rugby union in book form. And, as you'd expect, it's a brilliant combination of in-depth knowledge and hilarious stories. Flats and Durders Offload covers every facet of the game, from surviving the front row, what it takes to be a leader, referees both good and bad, mind games, tournaments and, of course, what really happens on a rugby tour. They talk about the highs, including Flats not missing a tackle in his 90-second Six Nations appearance, and the lows, including Flats not making a tackle in his 90-second Six Nations appearance. Familiar to millions of fans through their television work, they provide fascinating and entertaining insight into the sport they love. They reveal the hardest players, the greatest characters and the intimate secrets of the front row. They address key issues facing the sport, such as injury, retirement and the future of the game. Nothing is off limits and no quarter is given - to anyone. With insightful analysis, unforgettable stories and the occasional food reference, Flats and Durders Offload is an unmissable read for all rugby fans.

Fifty Key Writers on Photography is a clear and concise survey of some of the most significant writers on photography who have played a major part in defining and influencing our understanding of the medium. It provides a succinct overview of writing on photography from a diverse range of disciplines and perspectives and examines the shifting perception of the medium over the course of its 170 year history. Key writers discussed include:

• Roland Barthes
• Susan Sontag
• Jacques Derrida
• Henri Cartier-Bresson
• Geoffrey Batchen

Fully cross-referenced and in an A-Z format, this is an accessible and engaging introductory guide.

With newly commissioned essays by some of the leading writers on photography today, this companion tackles some of the most pressing questions about photography theory's direction, relevance, and purpose. This book shows how digital technologies and global dissemination have radically advanced the pluralism of photographic meaning and fundamentally transformed photography theory. Having assimilated the histories of semiotic analysis and post-structural theory, critiques of representation continue to move away from the notion of original and copy and towards materiality, process, and the interdisciplinary. The implications of what it means to 'see' an image is now understood to encompass, not only the optical, but the conceptual, ethical, and haptic experience of encountering an image. The 'fractal' is now used to theorize the new condition of photography as an algorithmic medium and leads us to reposition our relationship to photographs and lend nuances to what essentially underlies any photography theory - that is, the relationship of the image to the real world and how we conceive what that means. Diverse in its scope and themes, The Routledge Companion to Photography Theory is an indispensable collection of essays and interviews for students, researchers, and teachers. The volume also features extensive images, including beautiful colour plates of key photographs.

A clear and concise survey of some of the most significant writers on photography who have played a major part in defining and influencing our understanding of the medium. It provides a succinct overview of writing on photography from a diverse range of disciplines and perspectives and examines the shifting perception of the medium over the course of its 170 year history. Key writers discussed include:

• Roland Barthes
• Susan Sontag
• Jacques Derrida
• Henri Cartier-Bresson
• Geoffrey Batchen

Fully cross-referenced and in an A-Z format, this is an accessible and engaging introductory guide.

A fully illustrated major new survey of contemporary photography A lively and accessible survey of photography as art since the 1960s, exploring how, in the hands of some of the world's greatest photographic artists, it has developed into a respected and versatile artistic medium. This major new survey of contemporary photography considers the work of 80-100 photographers through eleven thematic chapters on subjects such as street photography, portraiture, landscape photography and documentary. It traces the development of photography as an art form in each of these genres individually and also looks at the ties and links between them. What is revealed is a complex story with numerous tangents. Mark Durden's narrative, combined with rich illustrative content and an easily accessible design, guides a clear path through this story, showcasing the work of great individual photographers while also being able to place this into the larger narrative of the medium's development.

With newly commissioned essays by some of the leading writers on photography today, this companion tackles some of the most pressing questions about photography theory's direction, relevance, and purpose. This book shows how digital technologies and global dissemination have radically advanced the pluralism of photographic meaning and fundamentally transformed photography theory. Having assimilated the histories of semiotic analysis and post-structural theory, critiques of representation continue to move away from the notion of original and copy and towards materiality, process, and the interdisciplinary. The implications of what it means to 'see' an image is now understood to encompass, not only the optical, but the conceptual, ethical, and haptic experience of encountering an image. The 'fractal' is now used to theorize the new condition of photography as an algorithmic medium and leads us to reposition our relationship to photographs and lend nuances to what essentially underlies any photography theory - that is, the relationship of the image to the real world and how we conceive what that means. Diverse in its scope and themes, The Routledge Companion to Photography Theory is an indispensable collection of essays and interviews for students, researchers, and teachers. The volume also features extensive images, including beautiful colour plates of key photographs.