Stuart Ashens, a YouTube celebrity who reviews cheap electronic products, co-writes and stars in this independent British adventure comedy. Accompanied by his friend Chef Excellence (Dan Tomlinson), Ashens sets out in search of the elusive and not particularly magical Gamechild, a rip-off of the original Nintendo Gameboy. However, with all manner of unexpected friends and foes including The Professor (Robert Llewellyn) and Nemesis (Chris Kendall) standing between them and their goal, Ashens and Excellence will have to have their wits about them if they are to complete their quest. Warwick Davis also stars.

This volume focuses on the singing voice in contemporary cinema from 1945 to the present day, and rather than being restricted to one particular genre, considers how the singing voice has helped define and/or confuse genre classification. Typically heard in song, the singing voice is arguably the most expressive of all musical instruments. This volume celebrates the ways in which singing features in film. This includes the singing voice as protagonist, as narrator, as communicator, as entertainer, and as comedic interlude. Whether the singing voice in film is personally expressive, reflexive and distant, or synchronized for entertainment, there is typically interplay between the voice and visual elements. Extending beyond the body of literature on 'the musical', the volume is not about musicals per se. Rather, The Singing Voice in Contemporary Cinema discusses the singing voice as a distinct genre that focuses on the conceptualization and synchronization of the singing voice in the post-War era. It explores the relationship between screen, singing, singer and song; it celebrates the intersection of the singing voice and popular culture. In doing so, the volume will cross multiple disciplines including vocal studies, film studies, film sound studies, and music production (vocal processing).

Comedy has been a feature of cinema since its inception. From mickey-moused accompaniments to slapstick scenes, ironic musical statements, clever musical allusions and jokes, well-worn sound effects, and even laugh tracks, sound has been integral to the development of the comedy on screen. This volume covers all aspects of sound (including dialogue) and music as they have been utilised in comedy film. The volume looks at various subsets of the 'comedy film' from the post-War period, including black comedy, romantic comedy, slapstick, dialogue comedy, parody and spoofs. This volume aims to explore the way in which music and sound articulate humour, create comedic situations and direct comedic identifications for viewer/listeners.

Democracy is in crisis. Is there still time to save it? Democracies face external threat from aggressive authoritarian states. Internally, citizens have grown increasingly distrustful of politicians and more cynical about national and global governance institutions. The time is ripe for democracy to renew itself. This text offers a state-of-the art overview of democratic innovations today, moving beyond cries of the 'death' or 'end' of democracy to instead offer a range of practical solutions for how to save it and restore faith in democratic practice. 'Old' democratic power, represented by existing structures, is being challenged. 'New' power involves collaboration and rapid feedback loops, as well as increased citizen participation. The future of democracy, the authors demonstrate, will be about findings ways of melding 'old' and 'new' power practices. Offering a broad and accessible survey of what different forms of democracy and democratic innovations look like today, and how they can develop in future, Saving Democracy shows us the potential for transformation across the entire democratic process. Avoiding a reductive focus on simply getting citizens more involved in decision-making, this book uniquely argues for the importance of refining and monitoring how democratic decisions are made and followed through.

This research-based book outlines career models for artists, methods of creative engagement, artistic options including individuality and branding, production practices, the realities of being a musician in the new industries, and implications for popular music education. Due to the profound effects of the digitisation of music, the music industries have undergone rapid transformation. The former record label dominated industry has been supplanted by new industries, including digital aggregators, strategists and online platforms. These new music industries now facilitate 'direct' access to both artists and their music. While such accessibility and the potential for artist exposure have never been greater, the challenge to stand out or to even navigate a musical career pathway is formidable. A useful resource for musicians and educators, this text highlights the ways in which the new music industries facilitate increased opportunities for 21st Century popular musicians to collaborate, communicate and interact with others interested in their music.

In a heart-warming, hilarious, intriguing, and gut-wrenching true story, Mark Evan, an everyday man in California, seeks a means to beat the odds in Las Vegas, and in doing so explores the past, present, and future of his own life, as well as the ins and outs of modern life in general. Written in the form of a 118 day journal, this no-holds-barred journey begins with an attempt to devise a successful sports betting system, and winds up with a deeply personal view into the life of a fascinating and unique individual. Evan writes, "We are all voyeurs. We are Peeping Toms. We like to watch as others struggle through their lives, comparing their circumstances and decisions with our own, contrasting outcomes and consequences, vicariously reveling in achievements and crying over failures - it is human nature." Nowhere else will the reader find a more rigorously honest and thoughtful account of a modern day life in America.

Policy transfer analysis seeks to make sense of the cross-cultural transfer of knowledge about institutions, policies or delivery systems in an era of globalization. The purpose of this volume is to evaluate how useful policy transfer analysis is as a descriptive, explanatory and prescriptive theory of policy change. It provides both a response to its critics and it presents a variety of new directions for studying processes of policy transfer. The chapters proceed from an underlying assumption about the field of enquiry; that policy transfer analysis alone cannot provide a general explanatory theory of policy change but when combined with other approaches an empirically grounded account of policy change can be developed. Hence each of the chapters adopt a methodological pluralism in which complementary theories of policy development are combined in order to develop a theory of policy change that accounts for the role of particular agents of policy transfer in forging policy change. This is an important contribution to our understanding of the impact of globalization on domestic policy formulation. This book was previously published as a special issue of Policy Studies.

The only comprehensive and in-depth history of mime and physical theatre in the UK, from its roots, influences and early pioneers, to the leading lights and international successes of today. Includes original interviews with pioneers in the field, including: Joseph Seelig, Helen Lannaghan, Steven Berkoff, Julian Chagrin, Annabel Arden, Nola Rae, Denise Wong, David Glass, Justin Case and Toby Sedgwick. A one-stop shop for anyone studying contemporary UK theatre and its physical innovators, including Forced Entertainment, DV8, and Improbable.

Over the last 40 years, while the musical film has faded from its historical high-point to a more isolated and quirky phenomenon, the dance film has displayed refulgent growth and surprising resilience. It has spawned profitable global enterprises (Billy Elliot), has fashioned youthful angst as sociological voice (Saturday Night Fever, Footloose and Dirty Dancing) and acted as a marker of post-modern ironic camp (Strictly Ballroom). This modern genre has influenced cinema as a whole in the ways bodies are made dimensional, in the way rhythm and energy are communicated, and in the filmic capacity to create narrative worlds without words. Meanwhile, Bollywood has become a juggernaut, creating transportable memory for diasporic Indian communities across the world. This is an entire industry based on the 'dance number', where films are pitched around the choreography, where the actors are not expected to sing, but they must dance.This volume investigates the relationship between movement and sound as it is revealed, manipulated and crafted in the dance film genre. It considers the role of all aspects of sound in the dance film, including the dancer generated sounds inherent in Tap, Flamenco, Irish Dance and Krumping. Drawing on significant post-War dance films from around world, Movies, Moves and Music comprehensively surveys this mainstream genre, where image and sound meet in a crucial symbiosis.

Beethoven cast a looming shadow over the nineteenth century. For composers he was a model both to emulate and to overcome. "You have no idea how it feels," Brahms confided, "when one always hears such a giant marching behind one." Exploring the response of five composers--Berlioz, Mendelssohn, Schumann, Brahms, and Mahler--to what each clearly saw as the challenge of Beethoven's symphonies, Evan Bonds richly enhances our understanding of the evolution of the symphony and Beethoven's legacy.

Overt borrowings from Beethoven--for example, the lyrical theme in the Finale of Brahms' First Symphony, so like the "Ode to Joy" theme in Beethoven's Ninth--have often been the subject of criticism. Bonds now shows us how composers imitate or allude to a Beethoven theme or compositional strategy precisely in order to turn away from it, creating a new musical solution. Berlioz's "Harold en Italie," Mendelssohn's "Lobgesang," Schumann's Fourth Symphony, Brahms' First, and Mahler's Fourth serve as illuminating examples. Discussion focuses on such core issues as Beethoven's innovations in formal design, the role of text and voice, fusion of diverse genres, cyclical coherence of movements, and the function of the symphonic finale.

Bonds lucidly argues that the great symphonists of the nineteenth century cleared creative space for themselves by both confronting and deviating from the practices of their potentially overpowering precursor. His analysis places familiar masterpieces in a new light.

Here, the Hierophant becomes the High Priest, Wheel of Fortune becomes Wheel of the Year, and Judgement becomes Karma.

Based on the traditional Rider-Waite-Smith deck and filled with images that speak to today's magickal practitioner, witchcraft takes center stage in this stunning deck designed by highly respected Witch and Tarot reader Ellen Dugan. Featuring the vibrant artwork of award-winning artist Mark Evans, Witches Tarot is the perfect combination of Tarot and the Craft.

In addition to card descriptions and meanings, Dugan's companion guide features spell-enhancing spreads―such as the Triple Goddess Spread, the Four Elements Spread, and the Wheel of the Year Spread―that you can use in both Tarot readings and magickal practice.

(Includes a 78-card deck and 312-page book.)

Frantic Assembly have had a powerful and continuing influence on the popularisation of devising practices in contemporary theatre-making. Their work blends brave and bold physical theatre with exciting new writing, and they have collaborated with some of the leading theatre-makers in the UK. The company's impact reaches throughout the world, particularly through their extensive workshop and education programmes, as well as their individual and collective impact as movement directors on landmark, internationally successful productions such as Black Watch and The Curious Incident of the Dog in the Night-Time. This volume reveals the background to, and work of, a major influence on twentieth and twenty-first century performance. Frantic Assembly is the first book to combine: an overview of the history of the company since its foundation in 1994 an analysis of the key ideas underpinning the company's work a critical commentary on two key productions - Hymns by Chris O'Connell (1999) and Stockholm by Bryony Lavery (2007) a detailed description of a Frantic Assembly workshop, offering an introduction to how the company works. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today's student.

The only comprehensive and in-depth history of mime and physical theatre in the UK, from its roots, influences and early pioneers, to the leading lights and international successes of today. Includes original interviews with pioneers in the field, including: Joseph Seelig, Helen Lannaghan, Steven Berkoff, Julian Chagrin, Annabel Arden, Nola Rae, Denise Wong, David Glass, Justin Case and Toby Sedgwick. A one-stop shop for anyone studying contemporary UK theatre and its physical innovators, including Forced Entertainment, DV8, and Improbable.

Upper level undergraduate and postgraduate students of sociology.

Offering a detailed and critical account of the many ways in which policy can be evaluated and the innovative methods that can be applied to studying policy, contributions from experts on public policy analysis create a valuable guide for upper level undergraduate and postgraduate students, that can also be used as the basis of an intensive learning experience by policy makers.

This fun mini-edition of the bestselling Witches Tarot is perfect for on-the-go readings. Small enough to fit in a pocket or a purse, you can carry your deck everywhere. It also makes a great gift or stocking stuffer for tarotists. Whether you are an expert reader or just starting your tarot journey, a tarot mini will be an exciting and practical addition to your collection. Based on the traditional Rider-Waite-Smith deck and filled with images that speak to today's magickal practitioner, witchcraft takes center stage in this stunning deck designed by highly respected Witch and Tarot reader Ellen Dugan. Here, the Hierophant becomes the High Priest, Wheel of Fortune becomes Wheel of the Year, and Judgement becomes Karma. Featuring the vibrant artwork of award-winning artist Mark Evans, Witches Tarot is the perfect combination of Tarot and the Craft. This is a mini edition of the Witches Tarot (9780738728001). Cards measure approximately 1.7 x 3 inches. Please note that this deck does not come with an instructional booklet.

Time and Performer Training addresses the importance and centrality of time and temporality to the practices, processes and conceptual thinking of performer training. Notions of time are embedded in almost every aspect of performer training, and so contributors to this book look at: age/aging and children in the training context how training impacts over a lifetime the duration of training and the impact of training regimes over time concepts of timing and the 'right' time how time is viewed from a range of international training perspectives collectives, ensembles and fashions in training, their decay or endurance. Through focusing on time and the temporal in performer training, this book offers innovative ways of integrating research into studio practices. It also steps out beyond the more traditional places of training to open up time in relation to contested training practices that take place online, in festival spaces and in folk or amateur practices. Ideal for both instructors and students, each section of this well-illustrated book follows a thematic structure and includes full-length chapters alongside shorter provocations. Featuring contributions from an international range of authors who draw on their backgrounds as artists, scholars and teachers, Time and Performer Training is a major step in our understanding of how time affects the preparation for performance.