The 6th edition provides an overview of the broadly defined area of international accounting. It focuses on the accounting issues related to international business activities and foreign operations and provides substantial coverage of the IASB and IFRS. Its unique benefits include up-to-date coverage of relevant material; extensive numerical examples; two chapters devoted to the application of IFRS; and coverage of nontraditional but important topics such as management accounting issues in multinational companies, international corporate governance, and corporate social reporting. Distinguishing features include excerpts from recent annual reports to demonstrate differences in financial reporting practices across countries and financial reporting issues especially relevant for multinational corporations. Available with Connect with SmartBook and End-of-chapter assignments help students develop their analytical, communication, and research skills.

MagicCon is an ordinary fantasy/science fiction convention. Three days of comic books, anime, and X-Files jokes, which is exactly what Larry Croft and his friends D.J. McGuiness, Fred "The Turk" Terkington, and Burt Vaughn, are looking for. Unfortunately for Larry, a long-forgotten Roman god named Stercutus is primed to make a comeback, and this particular god's sphere of influence really stinks. What follows is a picaresque mash-up of Urban Fantasy and Fandom as worlds collide, friendships are forged, and confusion abounds in a city of secret magic and a sub-culture that Wants To Believe.
"The Secret Life of Lawrence Croft, or Three Days of the Con-Dorks, which Kevin Smith (Clerks, Chasing Amy, etc.) fans will enjoy and could well become as much a classic of the convention experience as has Sharyn McCrumb's Bimbos of the Death Sun...a preposterous, hilarious, and at times, very true take of such conventions."
-Charles de Lint

The mysterious stranger on the side of the road doesn't know much, but he's pretty sure he's not Elvis. The baby with wings driving the car has his own set of problems, but that won't keep him from helping a fellow traveler out. Now they are on a journey of discovery in the only thing that makes sense to either of them: a 1963 Pink Cadillac... One of the cornerstones of the San Cibola shared universe is finally available again Originally printed in "Gods New and Used," this is the updated and revised story of Aaron King and what happens when he accepts a ride with the God of Love.

The Dark Man: The Journal of Robert E. Howard Studies, Vol. 7, No. 2. Articles by Lee Breakiron (The Cromlechers, on the fanzine the Cromlech), and Jeffrey Shanks on theosophy in the works of Robert E. Howard. The journal ends with a book review by Mark Finn.

A young woman alone in the big city, a mobster looking to make a fresh start, an old monster hunter with one last job to do, a magical grocery store where love grows like tomatoes on a vine... These are just some of the people and places you'll meet in "Empty Hearts," a new collection of stories by Mark Finn. Set in and around the magic-steeped city of San Cibola, the characters come to life in Finn's deft prose with humor, warmth, and compassion. Even the unlikeable people have strange and fascinating stories that make them compelling. The stories in Empty Hearts all turn on the theme of love, passion, and desire. Whether it's a misguided crook's tributes to an underworld organization, a passionate academic's pet theory, or a child's love of Christmas, the characters and stories in Empty Hearts ultimately reflect ourselves with humor, horror, and a dash of magic.

He was one of the greatest heavyweight boxers to enter the legendary squared circle during the Golden Age of Boxing. Standing a mere 5' 8," Sailor Tom Sharkey was one of boxing's most feared sluggers; Gentleman Jim Corbett, Bob Fitzsimmons, Kid McCoy, and Jim Jeffries all agreed he was their fiercest opponent and gave them their toughest fights. A colorful boxer both in the ring and out, he retired in 1904 after several legendary and controversial failed attempts to win the championship belt. That's the story you know. But it's not the end of Sharkey's story. Not by a long shot In the tradition of Robert E. Howard's humorous sailor Steve Costigan boxing tales, this action-packed collection of rowdy, bawdy burlesque feature Sailor Tom Sharkey after he hung up his professional gloves. Thrill to Sharkey's brush with Hollywood's "It" Girl, Clara Bow Get Chills as Sharkey and Kid McCoy face down a maniacal bandit Feel the heat as Sharkey rides the rails with Jim Jeffries and in the Vaudeville carnival into clashes with mad scientists and mummified menaces Watch Sharkey play Santa Claus to a bunch of Tammany Hall orphans and end up with a tiger by the tail-literally And much more

Updated and expanded version of the 2006 MonkeyBrain Press release, this expanded edition is the author's "director's cut" of the popular biography of Texas writer and creator of Conan the Cimmerian, Robert E. Howard.

It is impossible to ignore the sheer number of boxing stories that Robert E. Howard wrote. Serious or funny, spooky or adventurous, these stories represent a fierce creative outburst that would pave the way later for his western hero, Breckenridge Elkins. In these stories we see Howard's craft pushed from mere construction to passionate involvement. He took all of his interests and peppered them through the various boxing stories. He wrote them faster than the magazine could print them. Clearly, he loved what he was doing. When Howard could write no more, he went on to draft Conan and the aforementioned Elkins, who owes much in style and content to the Costigan stories. The fight stories are a joy to read and reread. They are funny, bawdy, picaresque, and violent. Presented here, as they were originally printed, they perfectly showcase why Robert E. Howard was one of the greatest adventure writers of the 20th century.

It is impossible to ignore the sheer number of boxing stories that Robert E. Howard wrote. Serious or funny, spooky or adventurous, these stories represent a fierce creative outburst that would pave the way later for his western hero, Breckenridge Elkins. In these stories we see Howard's craft pushed from mere construction to passionate involvement. He took all of his interests and peppered them through the various boxing stories. He wrote them faster than the magazine could print them. Clearly, he loved what he was doing. When Howard could write no more, he went on to draft Conan and the aforementioned Elkins, who owes much in style and content to the Costigan stories. The fight stories are a joy to read and reread. They are funny, bawdy, picaresque, and violent. Presented here, as they were originally printed, they perfectly showcase why Robert E. Howard was one of the greatest adventure writers of the 20th century.

Into the Mountain Stream represents a natural development in the conversation between Buddhism and psychoanalysis. This fluid, evolving, multi-textured conversation encompasses theory, philosophy, technique and the personal experiences of those involved as patients, as clinicians and as Buddhist practitioners. This edition, which formalizes and furthers this living conversation between Buddhism and psychoanalysis, in the form and style proposed, is not presently available. Clinical material expands and enriches the present rapidly growing theoretical and technical literature. In this sense, this collection bridges the gap between discourse that has impact and language that is informational. Some of the many questions that we examine include: -How does psychotherapy deepen the practitioner's Buddhist involvements? -How do both practices interact to enrich an individual's life? -What is the efficacy of a Buddhist informed psychotherapy? -What are the global and societal ramifications of the expanded vision that might derive

Into the Mountain Stream represents a natural development in the conversation between Buddhism and psychoanalysis. This fluid, evolving, multi-textured conversation encompasses theory, philosophy, technique and the personal experiences of those involved as patients, as clinicians and as Buddhist practitioners. This edition, which formalizes and furthers this living conversation between Buddhism and psychoanalysis, in the form and style proposed, is not presently available. Clinical material expands and enriches the present rapidly growing theoretical and technical literature. In this sense, this collection bridges the gap between discourse that has impact and language that is informational. Some of the many questions that we examine include: -How does psychotherapy deepen the practitioner's Buddhist involvements? -How do both practices interact to enrich an individual's life? -What is the efficacy of a Buddhist informed psychotherapy? -What are the global and societal ramifications of the expanded vision that might derive from the mutual efficacy of both Buddhism and psychoanalysis? The contributors address the issues under discussion cogently, compellingly and succinctly through first-hand accounts both in psychotherapy and in Buddhist practice. We address the question of how Buddhist beliefs and practices become integrated into one's therapeutic stance. For example, what are the fundamental Buddhist principles of emptiness and dependent-arising and how does an understanding of these foundational cornerstones of Buddhist philosophy and experience influence clinical work? How do the basic psychoanalytic notions of transference and countertransference, when applied clinically, facilitate deepened involvement with Buddhist practice?