In Mirrors, Galeano smashes aside the narrative of conventional history and arranges the shards into a new pattern, to reveal the past in radically altered form. From the Garden of Eden to twenty-first-century cityscapes, we glimpse fragments in the lives of those who have been overlooked by traditional histories: the artists, the servants, the gods and the visionaries, the black slaves who built the White House, and the women who were bartered for dynastic ends

Once upon a time, there was a woman the press called the Hyena-Woman. Infant Annihilator. Witch. Child-Chopper. Butcher of Little Angels. Monster. The Ogress of Colonia Roma. Julián and I called her Mother. When the writer Ignacio Suárez is sent photos of two murdered women, mirroring a passage of his detective novel, he rushes to uncover who is responsible. What no one suspects is that the key to solving these crimes lies in the forgotten story of Felícitas Sánchez, the midwife turned child-killer who became known in the 1940s as 'The Ogress of Colonia Roma'. Diary entries and newspaper articles come together in this gripping tale to reveal how Felícitas, who grew up in a small community in Mexico, became the infamous child trafficker and murderer in the country's capital, and how her crimes are linked to this new wave of murders. Interweaving two timelines, Verónica Llaca evokes a tale of cursed bloodlines, forcing us to question the origin and inheritance of evil and how far we can truly escape our past.

In a series of mock lesson plans and a "program of study" Galeano provides an eloquent, passionate, funny and shocking exposé of First World privileges and assumptions. From a master class in "The Impunity of Power" to a seminar on "The Sacred Car"—with tips along the way on "How to Resist Useless Vices" and a declaration of the "The Right to Rave"—he surveys a world unevenly divided between abundance and deprivation, carnival and torture, power and helplessness.

We have accepted a "reality" we should reject, he writes, one where poverty kills, people are hungry, machines are more precious than humans, and children work from dark to dark. In the North, we are fed on a diet of artificial need and all made the same by things we own; the South is the galley slave enabling our greed.

Throughout his career, Eduardo Galeano has turned our understanding of history and reality on its head. Isabelle Allende said his works "invade the reader's mind, to persuade him or her to surrender to the charm of his writing and power of his idealism."

"Mirrors," Galeano's most ambitious project since "Memory of Fire," is an unofficial history of the world seen through history's unseen, unheard, and forgotten. As Galeano notes: "Official history has it that Vasco Nunez de Balboa was the first man to see, from a summit in Panama, the two oceans at once. Were the people who lived there blind "

Recalling the lives of artists, writers, gods, and visionaries, from the Garden of Eden to twenty-first-century New York, of the black slaves who built the White House and the women erased by men's fears, and told in hundreds of kaleidoscopic vignettes, "Mirrors" is a magic mosaic of our humanity.

Perfect for fans of Mick Herron and John Le Carre "The most important thing that's happened in Mexican literature in the last thirty years" Gaby Wood, Sunday Telegraph. It's Christmas in Culiacan and Detective Edgar "Lefty" Mendieta can't believe his luck. An old flame has returned with a teenage son he knew nothing about. Happiness seems to finally beckon for our careworn hero. The only snag is that Jason Mendieta wants to follow in his father's footsteps-even as Mexico's drug war descends a slippery slope toward chaos. While Lefty pursues a lunatic who has taken to bumping off dentists with a heavy-calibre pistol, a secret agent infiltrates a meeting of the drug lords and hears Pacific Cartel boss Samantha Valdes implore her underlings to stay out of the war. But an audacious murder provokes Samantha to change her mind and launch a wave of grisly killings across the country. Samantha then persuades Lefty to help her find the killer that pushed her over the edge. The truth he discovers will underline an old adage: revenge is a dish best served cold. No quiet family Christmas for our detective.

Egdar "Lefty" Mendieta investigates the death of a notorious stripper in this second sweltering "Narco-lit" noir from the Godfather of Mexican crime fiction An intelligent, atmospheric police procedural series for fans of John Le Carre and Mick Heron When the mutilated body of Mayra Cabral de Melo is found in a dusty field, Detective Edgar "Lefty" Mendieta has personal reasons for bringing the culprit to justice. Mayra, a well-known stripper, had no shortage of ardent, deluded and downright dangerous admirers, and Lefty himself is haunted by the night he spent in her company. As Mexico's drug war ramps up, Lefty's pursuit of a gallery of jealous and powerful suspects, all with a murderous glint in their eye, leads him to Samantha Valdes, the godfather's daughter, who is battling to retain her father's empire. And as the mystery deepens, the bodycount rises.

For Detective Edgar "Lefty" Mendieta, tormented by past heartbreak and dismayed by all-pervasive corruption, the murder of lawyer Bruno Canizales represents just another day at the office in Culiacan, Mexico's capital of narco-crime. There is no shortage of suspects in a city where it's hard to tell the gangsters from the politicians. Canizales was the son of a former government minister and the lover of a drug lord's daughter, and he nurtured a penchant for cross-dressing and edgy sex. But why did the assassin use a silver bullet? And why, six days later, did he apparently strike again? Mendieta's hunt for the killer takes him from mansions to low-life bars, from gumshoe reporters to glamourous transsexuals. Unearthing the truth can be as dangerous as any drug.

In this kaleidoscope of reflections, renowned South American author Eduardo Galeano ranges widely, from childhood to love, music, plants, fear, indignity, and indignation. In the signal style of his bestselling Memory of Fire trilogy--brief fragments that build steadily into an organic whole--Galeano offers a rich, wry history that is both calmly philosophical and fiercely political.

With woodcuts by José Francisco Borges

Translated by Mark Fried

From the author of Memory of Fire, a brilliant feat of storytelling in the tradition of Italo Calvino's Italian Folktales.

In Walking Words world-renowned author Eduardo Galeano draws on the folklore of rural and urban Latin America to discover and retell "the stories of ghouls and fools that Id like to write." These tales are beautifully illustrated by his collaborator, the Brazilian woodcut artist José Francisco Borges, and become testaments to the power of stories to make and remake and enchant the world.

"Anyone with a liking for fables, aphorisms, myths, fairy tales, philosophical parables, childrens stories, lurid tabloid headlines or clever graffiti will find plenty to enjoy. . . . At his best Galeano rivals such masters of the fable as Kafka and that other Borges, and it is to their work that his haunting pages should rightly be compared."--Michael Dirda, Washington Post Book World

Eduardo Galeano is also the author of Open Veins of Latin America, Days and Nights of Love and War, The Book of Embraces, We Say No, and other works. He is a regular contributor to the Nation. He lives in Montevideo, Uruguay.

When the mutilated body of Mayra Cabral de Melo is found in a dusty field, Detective Edgar "Lefty" Mendieta has personal reasons for bringing the culprit to justice. Mayra, a well-known stripper, had no shortage of ardent, deluded and downright dangerous admirers, and Lefty himself is haunted by the night he spent in her company. As Mexico's drug war ramps up, Lefty's pursuit of a gallery of jealous and powerful suspects, all with a murderous glint in their eye, leads him to Samantha Valdes, the godfather's daughter, who is battling to retain her father's empire. And as the mystery deepens, the bodycount rises.

An intelligent, atmospheric police procedural series for fans of John Le Carre and Mick Heron "The most important thing that's happened in Mexican literature in the last thirty years" Gaby Wood, Sunday Telegraph. Detective Lefty Mendieta makes a deal with the devil in a gripping new novel from the Godfather of Narco Lit Short of leads on the execution-style murder of a fortune-teller, Detective Lefty Mendieta turns to his contacts in the drug underworld. They oblige, but there is a quid pro quo: Help Samantha Valdes, head of the Pacific Cartel, slip through the net of Mexican army and federal police encircling the hospital where she is recovering after an attempt on her life. Grudgingly he agrees, but then gets caught on camera during the escape and becomes headline news. Fired from the force and on the run from the Feds, Lefty again seeks Samantha's help when he learns that his son Jason has been kidnapped in Los Angeles. There, he must come to terms with the woman who broke his heart, while contending with a thicket of conspiracies, feints and double-crosses that further blur the distinction between crime and the law. Betrayal is certain. To save his son, who will Lefty sell out? Translated from the Spanish by Mark Fried