The first anthology to present the most exciting and unexpected new movement in American poetry—the revival of rhyme, meter, and narrative among poets—Rebel Angels gathers the best work of twenty-five poets who write memorably and movingly in a dazzling variety of forms—some traditional, some newly minted—out of the diverse experiences of their generation. Contributors include Elizabeth Alexander, Julia Alvarez, Bruce Bawer, Rafael Campo, Tom Disch, Frederick Feirstein, Dana Gioia, Emily Grosholz, R.S. Gwynn, Marilyn Hacker, Rachel Hadas, Andrew Hudgins, Paul Lake, Sydney Lea, Brad Leithauser, Phillis Levin, Charles Martin, Marilyn Nelson, Molly Peacock, Wyatt Prunty, Mary Jo Salter, Timothy Steele, Frederick Turner, Rachel Wetzsteon, and Greg Williamson.

In reviewing the Hudson Review,/em>'s history of publishing poetry in translation since 1948, the editors have compiled a collection that highlights the work of major American and English poets, most of whom are prominent in their own right, who, for the last half-century, have made accessible through their translations the work of their international colleagues.

This first collection of literary essays by a founder and leading poet-critic of the New Narrative/New Formalist revival explores the relationship between poetry and religion, the legacies of Wallace Stevens, Robert Frost, E. A. Robinson, Robinson Jeffers, and Donald Justice.

With characters ranging from the desperate to the obsessive to the wildly comic, Mark Anthony Jarman's 19 Knives employs dazzling linguistic verve and staggering metaphoric powers in every sentence. But Jarman doesn't just write about people, he puts us in their skin so that we feel their frailty and courage. No other contemporary Canadian short-story writer slices up the imaginative excitement, cultural hybridity, and Joycean play of language we see in 19 Knives. With one of the stories shortlisted for the U.S.'s prestigious O. Henry Prize and several others having won prizes or been published in magazines and journals across North America, this collection brings a major fiction writer to the fore.

This first collection of literary essays by a founder and leading poet-critic of the New Narrative/New Formalist revival explores the relationship between poetry and religion, the legacies of Wallace Stevens, Robert Frost, E. A. Robinson, Robinson Jeffers, and Donald Justice.

The extraordinary "Knife Party" is from a new collection of stories by Mark Anthony Jarman titled Knife Party at the Hotel Europa, published in the spring of 2015. Published on the occasion of Goose Lane Editions's 60th anniversary, it is also part of the six@sixty collection.

Mark Jarman, author of the narrative poem "Iris" and the lyric sequence "Unholy Sonnets, " is a poet associated with the revival of narrative and traditional form in contemporary American poetry. In "Body and Soul" he considers poetry from the Renaissance to the present in essays that touch on the importance of religion, place, and personal experience to poetry and reflect Jarman's particular interests. His focus is on the relationship between lyric and narrative, song and story, in poems of all kinds. He considers the poem as a record of both body and soul, and examines his own life, in an extended autobiographical essay, as a source for the stories he has told in his poetry.
The essays "Where Poems Take Place" and "A Shared Humanity" consider the relation between setting or situation and representation. The psychological roots of narrative are considered in "The Primal Storyteller." But the main interest of these essays is how and why narrative is used as a form. The influence of Robinson Jeffers's style of narrative is argued in "Slip, Shift, and Speed Up: The Influence of Robinson Jeffers's Narrative Syntax." In "The Trace of a Story Line" an argument is made that the poets Philip Levine and Charles Wright employ narration or storytelling in their poetry as a mode of meaning. Other essays consider Donald Davie, Philip Larkin, Herbert Lomas, Louis Simpson, Lyn Hejinian, Tess Gallagher, and Ellen Bryant Voigt.
Mark Jarman's poetry has appeared in many publications, including the "American Poetry Review" and the "New Yorker." He has won the Lenore Marshall/Nation Prize of the Academy of American Poets, a Guggenheim fellowship, and multiple grants from the National Endowment for the Arts. He is Professor of English, Vanderbilt University.

Mark Jarman, author of the narrative poem "Iris" and the lyric sequence "Unholy Sonnets, " is a poet associated with the revival of narrative and traditional form in contemporary American poetry. In "Body and Soul" he considers poetry from the Renaissance to the present in essays that touch on the importance of religion, place, and personal experience to poetry and reflect Jarman's particular interests. His focus is on the relationship between lyric and narrative, song and story, in poems of all kinds. He considers the poem as a record of both body and soul, and examines his own life, in an extended autobiographical essay, as a source for the stories he has told in his poetry.
The essays "Where Poems Take Place" and "A Shared Humanity" consider the relation between setting or situation and representation. The psychological roots of narrative are considered in "The Primal Storyteller." But the main interest of these essays is how and why narrative is used as a form. The influence of Robinson Jeffers's style of narrative is argued in "Slip, Shift, and Speed Up: The Influence of Robinson Jeffers's Narrative Syntax." In "The Trace of a Story Line" an argument is made that the poets Philip Levine and Charles Wright employ narration or storytelling in their poetry as a mode of meaning. Other essays consider Donald Davie, Philip Larkin, Herbert Lomas, Louis Simpson, Lyn Hejinian, Tess Gallagher, and Ellen Bryant Voigt.
Mark Jarman's poetry has appeared in many publications, including the "American Poetry Review" and the "New Yorker." He has won the Lenore Marshall/Nation Prize of the Academy of American Poets, a Guggenheim fellowship, and multiple grants from the National Endowment for the Arts. He is Professor of English, Vanderbilt University.