When writer Harriet Perlman and photographer Mark Lewis set about documenting the lives of the families whose loved ones had been so horribly killed in the Life Esidemi tragedy, they were determined to honour the dead, and to recognise the sufferings of those left behind. They embarked on a journey across South Africa, meeting face-to-face with families grappling with the unimaginable loss of loved ones. Their heartbreaking stories, accompanied by powerful photographs, forge a deep connection with the victims. These portraits are not just faces on a page, but a testament to the human cost of this tragedy.

In late 2015 and 2016, South Africa witnessed a horrific human rights tragedy. 144 people entrusted to the public health system died from neglect, starvation, and torture. This book delves into this heartbreaking event, the Life Esidimeni tragedy, offering a powerful narrative built on the stories of those most affected.

The investigation goes beyond the headlines, exposing the systemic failures that led to this national crisis. It explores the vast distances families were forced to travel in search of their loved ones, many living on the periphery with limited resources. This unflinching book sheds light on the social and economic factors that contributed to the Life Esidimeni disaster.

This book is not merely a chronicle of loss; it is a celebration of resilience and courage. It shines a light on the tireless efforts of organisations like SECTION27, SADAG, and the Life Esidimeni Family Committee. These unsung heroes fought relentlessly for truth, justice and accountability, holding those in power responsible for their actions.

These are the memoirs of a magician, psychic consultant, hypnotist and trick card salesman who has operated in different countries and experienced all sorts of mischief and adventures. Mark Lewis is an experienced, professional entertainer, having been a performer for over 40 years. He has worked in the U.K., Holland, Germany Ireland, the USA and Canada. While working in Ireland he virtually became a household name as a psychic, with masses of media publicity. He is recognised as one of the top sleight-of-hand magicians in the world. If you think that biographies and memoirs are dull, boring and stuffy, this book will change your mind. The author is a magician but you ll find no tricks here instead, you ll find a delightful, sometimes touching, and often hilarious account of the life of a professional entertainer. Mark Lewis is a close-up and cabaret magician, a children s performer, a pitchman, a psychic and a hypnotist and now, a writer. In this wonderfully engaging memoir, you will follow him from his early beginnings in posh London nightclubs to selling trick decks of cards in Blackpool, England, from being the most famous psychic in Dublin to becoming a hypnotist in Toronto, from performing for drunks to performing for royalty, and much, much more. Along the way, you will find a cast of colourful and often remarkable people, none more so than the author himself.

Two 1979 high school senior boys prepare and embark for the typical Florida spring break when things do not go as planned. They do reach a destination, however it is not what they had expected.
Hold on, and enjoy an amazing journey through the eyes of Mark and Gary as they struggle to find their way through a strange land.

This is a critical analysis of the reasons underlying the emergence of the Asia Pacific as an economic superpower and the need for judicious evaluation of the likely shape and character of the region's future development. The aim of this collection is to illuminate key areas of debate concerning the People's Republic of China, Hong Kong and Taiwan - here collectively referred to as Greater China - in the belief that the destiny of the Pacific Rim as a whole will be decisively influenced by eonomic and political developments in this particular region.

This book, first published in 1996, focuses on the possible (but problematic) emergence of a so-called 'Greater China' encompassing mainland China, Taiwan and Hong Kong, and the economic reforms, inward investment, spatial disparities, and changes to business culture that would ensue. The similarities, differences, underpinnings, results and prospects for the future of Greater China are analysed in close detail in the chapters collected here.

This book, first published in 1996, focuses on the possible (but problematic) emergence of a so-called 'Greater China' encompassing mainland China, Taiwan and Hong Kong, and the economic reforms, inward investment, spatial disparities, and changes to business culture that would ensue. The similarities, differences, underpinnings, results and prospects for the future of Greater China are analysed in close detail in the chapters collected here.

The Birth of the New Justice is a history of the attempts to instate ad hoc and permanent international criminal courts and new international criminal laws from the end of World War I to the beginning of the Cold War. The purpose of these courts was to repress aggressive war, war crimes, terrorism, and genocide. Rather than arguing that these legal projects were attempts by state governments to project a "liberal legalism" and create an international state system that limited sovereignty, Mark Lewis shows that European jurists in a variety of transnational organizations derived their motives from a range of ideological motives - liberal, conservative, utopian, humanitarian, nationalist, and particularist. European jurists at the Paris Peace Conference in 1919 created a controversial new philosophy of prosecution and punishment, and during the following decades, jurists in different organizations, including the International Law Association, International Association for Criminal Law, the World Jewish Congress, and the International Committee of the Red Cross, transformed the ideas of the legitimacy of post-war trials and the concept of international crime to deal with myriad social and political problems. The concept of an international criminal court was never static, and the idea that national tribunals would form an integral part of an international system to enforce new laws was frequently advanced as a pragmatic-and politically convenient-solution. The Birth of the New Justice shows that legal organizations were not merely interested in ensuring that the guilty were punished or that international peace was assured. They hoped to instil particular moral values, represent the interests of certain social groups, and even pursue national agendas. At the same time, their projects to define new types of crimes and ensure that old ones were truly punished also sprang from hopes that a new international political and moral order would check the power of the sovereign nation-state. When jurists had to scale back their projects, it was not only because state governments opposed them; it was also because they lacked political connections, did not build public support for their ideas, or decided that compromises were better than nothing.

The Bulletin of Mathematical Biology, the official journal of the Society for Mathematical Biology, disseminates original research findings and other information relevant to the interface of biology and the mathematical sciences. Contributions should have relevance to both fields. In order to accommodate the broad scope of new developments, the journal accepts a variety of contributions, including: Original research articles focused on new biological insights gained with the help of tools from the mathematical sciences or new mathematical tools and methods with demonstrated applicability to biological investigations Research in mathematical biology education Reviews Commentaries Perspectives, and contributions that discuss issues important to the profession All contributions are peer-reviewed.

The Colour of Wine isn’t just another book about picturesque Cape vineyards. Instead, it tells the remarkable story of South Africa’s transition from apartheid to democracy through the personal journeys of black winemakers. Woven through their stories are interviews with wine producers and politicians, chefs and sommeliers, connoisseurs and teachers, drinkers and tasters.

The book, twinned with the documentary film The Colour of Wine (included on DVD), explores the turbulent history of winemaking in South Africa, and the varied careers the industry has to offer. Wine doyen John Platter offers insights into where South African wine is now, and where the industry needs to go. You’ll also discover a rich array of local recipes that complement South African wines.

The Colour of Wine gives a taste of the changing world of South African wine.

A single image taken from a high-rise building in inner-city Johannesburg uncovers layers of history-from its premise and promise of gold to its current improvisations. It reveals the city as carcass and as crucible, where informal agents and processes spearhead its rapid reshaping and transformation. In Wake Up, This Is Joburg, writer Tanya Zack and photographer Mark Lewis offer a stunning portrait of Johannesburg and personal stories of some of the city's ordinary, odd, and outrageous residents. Their photos and essays take readers into meat markets where butchers chop cow heads; the eclectic home of an outsider artist that features turrets and full of manikins; long-abandoned gold pits beneath the city, where people continue to mine informally; and lively markets, taxi depots, and residential high-rises. Sharing people's private and work lives and the extraordinary spaces of the metropolis, Zack and Lewis show that Johannesburg's urban transformation occurs not in a series of dramatic, wide-scale changes but in the everyday lives, actions, and dreams of individuals.

An examination of Pierre Huyghe's post-apocalyptic Untitled (Human Mask), which asks whether our human future may be one of remnants and mimicry. Pierre Huyghe's 2014 film Untitled (Human Mask) combines images of a post-apocalyptic world (actual footage of deserted streets close to the Fukushima Daiichi nuclear disaster of March 2011) with a haunting scene of a monkey working in an empty restaurant wearing a human mask and a wig. She's a girl! The flat, emotionless almost automaton state of the mask and the artificial glossy hair topped even with a child's bow, suggests that she, the monkey, might be a character from Japanese Noh theatre. But there's no music. Instead Huyghe's film evinces the terrifying possibility that our own, human, future might just be one of remnants and mimicry; that the deserted streets of Fukushima and the monkey's recognizable, alienating chimeric performance is all that might survive us. Untitled (Human Mask) presents a pluperfect world with extinction the endgame for a civilization that cared little for the present, dreaming only of a future that inevitably and necessarily could not include it.