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Two essays and a set of original diagrams consider the parameters
of the something beyond in James Carpenter s projects.
Architectural historian Mark Linder offers a long view of Carpenter
s work, placing his early career as an installation artist and
experimental filmmaker in the context of contemporary art
practices. Linder draws out the continuities between this early
work and Carpenter s current practice as a glass designer,
demonstrating a consistent focus on literalism materiality, spatial
perception, and inhabitation as opposed to phenomenological effect,
expression, and representation. Architectural critic Sarah Whiting
examines the sensibilities and constituencies that emerge from
Carpenter s practice. Rather than succumbing to the technique of
Brechtian estrangement (which has become a default strategy for
avant-garde practices in all domains), Carpenter gently eases his
viewers into new constituencies. Perceptions and publics are
altered, although these alterations are never dictated. Carpenter s
new worlds are not avant-garde but are more like dreams that embed
themselves in the back of one s mind, opening new possibilities
without choreographing what those might be. Finally, Lucia Allais s
diagrams offer a visual means of reading Carpenter s combination of
technique and effect his means of making light material and making
material present. Photographs and extended captions from Carpenter
complete this book s documentation of key projects.
My father was only a child when, in the winter of 1879, he said
goodbye to his home in Poland and, with his mother, father and two
sisters, began an overland journey that brought them, three months
later, to the gates of Jerusalem. Thus, the Linder family saga
begins, and continues, four generations and 100 years later, on the
shores of America. In a unique blend of the historical and the
personal, ANGELS ALWAYS COME ON TIME tells the story of a young,
Hasidic boy coming of age in the ultra-orthodox community in
Jerusalem in the early 20th century. With wit and insight, he
writes of lives rich in pathos, humor, and hope. Though intensely
personal, ANGELS ALWAYS COME ON TIME possesses a grand and
universal sweep, for its stories show men and women who, enduring
poverty and war and uncertainty, remain ever optimistic as they
search for their place in the world.
KIRKUS REVIEWS: An American immigrant explores the sprawling
history of the Jewish people...through the struggles of generations
of his family... The illuminating book...is rich in history...The
author tells his family's story with passion, charm, and exquisite
detail...As a memoir, it's beautifully rendered, and as history,
it's masterfully told...an engrossing and important look at the
Jewish experience of the last century and a half. CLARION REVIEW
****: Chaim Linder's remarkable memoir reaches into widely
interesting territory...This memoir stands with the best of its
kind, rendered in delicious detail by a brilliant yet ordinary
man...with an unflagging sense of aliveness... BLUEINK REVIEW:
...Linder transports readers from his childhood in Palestine to his
pursuit of the American Dream...skillfully combines personal detail
with historical facts...an engaging memoir about an uncommon
individual...particularly compelling.
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