The fourth edition of The Christian Theological Tradition provides students with essential theological knowledge of key persons and events of the Bible and the Christian faith, and of Christianity's multifaceted encounter with Western culture. Historically arranged, the textbook addresses major theological themes such as revelation, God, Jesus Christ, Creation, salvation, and the church. The textbook deals with the entire Christian tradition from an orientation that is both Catholic and ecumenical, with the fourth edition including expanded coverage of modern Protestant Christianity. The Christian Theological Tradition has been thoroughly revised and updated with nine new or rewritten chapters, including: A new section on the reception of the Second Vatican Council, including the pontificate of Pope Francis. A new treatment of contemporary developments in liberation and environmental theology. A new examination of the relationship between science and Christianity. An entirely rewritten treatment of Islam that focuses on the ways in which the Christian tradition has historically understood and responded to Islam. A new discussion of the "New Atheism," with theological responses to this influential movement. New textboxes on aspects of religious life, such as liturgy, prayer, art, moral teaching, and social institutions, appropriate to given chapters. With the assistance of images and maps, key words, and recommended reading, this textbook outlines the methods for Christian theology and demonstrates the relevance of the Christian theological tradition for our contemporary world. This is an ideal resource for students of theology, biblical studies, or religious studies, and anyone wanting an accessible and comprehensive introduction to the Christian theological tradition.

The fourth edition of The Christian Theological Tradition provides students with essential theological knowledge of key persons and events of the Bible and the Christian faith, and of Christianity's multifaceted encounter with Western culture. Historically arranged, the textbook addresses major theological themes such as revelation, God, Jesus Christ, Creation, salvation, and the church. The textbook deals with the entire Christian tradition from an orientation that is both Catholic and ecumenical, with the fourth edition including expanded coverage of modern Protestant Christianity. The Christian Theological Tradition has been thoroughly revised and updated with nine new or rewritten chapters, including: A new section on the reception of the Second Vatican Council, including the pontificate of Pope Francis. A new treatment of contemporary developments in liberation and environmental theology. A new examination of the relationship between science and Christianity. An entirely rewritten treatment of Islam that focuses on the ways in which the Christian tradition has historically understood and responded to Islam. A new discussion of the "New Atheism," with theological responses to this influential movement. New textboxes on aspects of religious life, such as liturgy, prayer, art, moral teaching, and social institutions, appropriate to given chapters. With the assistance of images and maps, key words, and recommended reading, this textbook outlines the methods for Christian theology and demonstrates the relevance of the Christian theological tradition for our contemporary world. This is an ideal resource for students of theology, biblical studies, or religious studies, and anyone wanting an accessible and comprehensive introduction to the Christian theological tradition.

In this study, Mark McInroy argues that the 'spiritual senses' play a crucial yet previously unappreciated role in the theological aesthetics of Hans Urs von Balthasar. The doctrine of the spiritual senses typically claims that human beings can be made capable of perceiving non-corporeal, 'spiritual' realities. After a lengthy period of disuse, Balthasar recovers the doctrine in the mid-twentieth century and articulates it afresh in his theological aesthetics. At the heart of this project stands the task of perceiving the absolute beauty of the divine form through which God is revealed to human beings. Although extensive scholarly attention has focused on Balthasar's understanding of revelation, beauty, and form, what remains curiously under-studied is his model of the perceptual faculties through which one beholds the form that God reveals. McInroy claims that Balthasar draws upon the tradition of the spiritual senses in order to develop the means through which one perceives the 'splendour' of divine revelation. McInroy further argues that, in playing this role, the spiritual senses function as an indispensable component of Balthasar's unique, aesthetic resolution to the high-profile debates in modern Catholic theology between Neo-Scholastic theologians and their opponents. As a third option between Neo-Scholastic 'extrinsicism', which arguably insists on the authority of revelation to the point of disaffecting the human being, and 'immanentism', which reduces God's revelation to human categories in the name of relevance, McInroy proposes that Balthasar's model of spiritual perception allows one to be both delighted and astounded by the glory of God's revelation.