Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The letters that passed between Mark Pattison--revered scholar and renowned educational reformer--and Meta Bradley--Pattison's cherished friend and confidante--are among the most remarkable and intimate records of middle-class life in Victorian England. Often moving, sometimes sad, they tell the story of an extraordinary friendship between the Rector of an Oxford college, a married man in his seventies, and a woman some forty years his junior. In character Pattison was an original, the possible prototype for George Eliot's Dr. Casaubon in Middlemarch. After his marriage to the beautiful and artistic Francis Strong went sour, he became friendly with Meta Bradley. But when the sharp disapproval of their friends, relatives, and Oxford society prevented more than occasional meetings, an almost daily correspondence by letter became their primary recourse. These 450 or so letters, most never before published, paint detailed portraits of the enigmatic Pattison and other leading personalities, and provide unique first-hand insights into the lives and values of Victorian academic and middle-class society. The editor offers a valuable commentary on the personalities and issues involved in the correspondence, and in a conclusion follows the lives of the central characters in the years after Pattison's death.

Comprising seven essays by learned contributors and controversially advocating a rationalist Christianity, this work became a sensation upon publication in 1860. Frederick Temple (1821 1902), later Archbishop of Canterbury, wrote on the cultural contributions of non-Christians; Roland Williams (1817 70), Professor of Hebrew at Lampeter, questioned Old Testament prophesies; Baden Powell (1796 1850), Oxford Professor of Geometry, challenged belief in miracles and embraced Darwinism; Henry Bristow Wilson (1803 88) questioned literal biblical history; the only lay contributor, Egyptologist Charles Wycliffe Goodwin (1817 78), embraced geology; Mark Pattison (1813 84), tutor at Lincoln College, wrote on the history of rationalist theology; and Benjamin Jowett (1817 93), Oxford Professor of Greek, advocated a historical reading of the Bible. Wilson and Williams were later found guilty of heresy by a Church court, though this was overturned on appeal. For readers interested in the theological controversies of the Victorian era, these essays remain invaluable.

Mark Pattison's Memoirs, compiled during his last illness and published posthumously in 1885, recount the academic's fascinating, if difficult, life. Highly regarded for his learning, Pattison (1813 84) spent most of his adult life in Oxford, first as a student, then a tutor, and eventually, from 1861, as Rector of Lincoln College. He was a close associate of Newman and the Tractarians during the 1840s, though he later tended towards agnosticism. During the 1850s he made several visits to German universities, and developed an interest in early modern Protestant thought. He later edited works by Pope and Milton. Pattison's Memoirs paint a vivid though often bitter portrait of life in Victorian Oxford. They describe his incompetent tutors, his disillusionment with the Oxford Movement, and vicious academic rivalries. Pattison would not permit changes to 'soften' the impact, but his editor omitted certain passages that might 'wound the feelings of the living'.

The Victorian intellectual Mark Pattison (1813 84) published Isaac Casaubon in 1875, while rector of Lincoln College, Oxford. Casaubon (1559 1614), a French Protestant and distinguished Renaissance scholar, was the author of critical texts and commentaries on a vast corpus of classical authors, including Diogenes Laertius, Theocritus, Aristotle and Strabo. His magnum opus was his text and commentary on Athenaeus' Deipnosophistae. Pattison's account is based on letters, diaries, unpublished lecture notes and students' notes, published works, city archives, and university documents. The work covers Casaubon's youth, education, scholarly career, and final years spent in England (1610 14), where he influenced the rising 'Anglican school'. In his image of Casaubon, Pattison paints the picture of the ideal scholar, and through his portrayal reveals his deeply Victorian convictions and sensibilities. The work is an invaluable source for the life of the Renaissance scholar and the ideas and perspectives of the Victorian man.