..". a remarkable collection of observations and reflections on past experiences by many excellent artists and teachers that will doubtless help... those interested in creating opera magic. " Tito Capobianco

Singing, Acting, and Movement in Opera is designed for use in opera and musical theater workshops and by beginning professional singers. Drawing on years of research, teaching, and performing, Mark Ross Clark provides an overview of dramatic methodology for the singing actor, encouraging the student s active participation through practical exercises and application to well-known works. The Singer-getics method emphasizes integration of the various dimensions of opera performance, creating synergies among vocal performance, character development, facial expression, and movement on the stage. The book presents important information about stagecraft, characterization, posture, historical styles, performance anxiety, aria, and scene analysis. Excerpts from interviews with performers, directors, conductors, coaches, composers, and teachers offer insights and advice, allowing the reader to "meet the artists." An appendix by postural alignment specialist Emily Bogard describes techniques of relaxation and self-awareness for the performer. This lively book will appeal to students, teachers, professionals, and general readers alike."

A long-awaited resource for the young operatic singer, this annotated guide brings together many sources to start the journey toward powerful, informed performance. An extensive discussion of fach and audition repertoire is followed by more than 400 arias organized by voice type, including canonical, contemporary, and obscure works from different languages. Each entry includes level of difficulty, voice/character type, special techniques, tessitura, and accompaniment. Full of detailed and insightful commentary from internationally renowned singers, directors, coaches, and other professionals Regina Resnik, Sherrill Milnes, Carol Vaness, and Warren Jones, to name a few this volume will be invaluable to the performer, student, and teacher of operatic repertoire throughout their developing careers."