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Newly translated for the first time in ten years, Federico Garcia Lorca's Poet in New York is an astonishing depiction of a tumultuous metropolis that changed the course of poetic expression in both Spain and the Americas. Written during Federico Garcia Lorca's nine months as a student at Columbia University at the beginning of the Great Depression, Poet in New York is widely considered one of the most important books Lorca ever produced. This enduring and influential collection offers us a New York City populated with poverty, racism, social turbulence, and solitude--a New York intoxicating in its vitality and devastating beauty. After the tragedy of September 11, 2001, poets Pablo Medina and Mark Statman returned to this seventy-year-old work and were struck by how closely it spoke to the atmosphere of New York after the World Trade Center crumbled. They were compelled to create a new English version of Poet in New York--translating the poems with reverence and irreverence, caution and wildness, humility and nerve. They translate Lorca's words with a contemporary poet's eye, which allows their work to uphold his surrealistic technique, mesmerizing complexity, and fierce emotion, unlike any other translation to date. An excellent introduction to one of the most significant figures in twentieth-century poetry, Poet in New York is a defining work of modern literature and this new bilingual edition is an exciting exposition of one American city that continues to have the ability to change our perspective on the world around us.
The Alphabet of the Trees is a superb collection of essays about teaching all aspects and forms of nature writing, including poems, field journals, fiction, and nonfiction. It is a practical handbook; an introduction to nature writing, nature poetry, and fieldwork; and a guide to some basic strategies for teachers at all levels. The distinguished contributors to this volume include nature writers, poets, fiction writers, and educators: Eleanor J. Bader, Barbara Bash, Joseph Bruchac, Jordan Clary, Jack Collom, Carolyn Duckworth, Margot Fortunato Galt, Barry Gilmore, Cynde Gregory, Penny Harter, Terry Hermsen, William J. Higginson, Susan Karwoska, Clare Walker Leslie, Christian McEwen, Suzanne Rogier Marshall, Holly Masturzo, Michael Morse, Mary Oliver, Carol F. Peck, Sarah Juniper Rabkin, Charles E. Roth, Matthew Sharpe, Gary Snyder, Kim Stafford, Sam Swope, John Tallmadge, Mary Edwards Wertsch, Janine Pommy Vega, and Ann Zwinger. Their essays present inspiring models from Tu Fu, Wallace Stevens, William Carlos Williams, Denise Levertov, Matsuo Basho, Muriel Rukeyser, Henry David Thoreau, Rainer Maria Rilke, Pablo Neruda, and many others. The Alphabet of the Trees also includes an extensive bibliography and resource section.
Mark Statman, a long time Writer-in-Residence for Teachers & Writers Collaborative, presents in this collection a series of essays and exercises on his own pedagogical approach to the elementary and college writing classroom. There is an emphasis on working with what the students already know, modeling after poets with whom the students are familiar, introducing new poets relevant to curricula and his own aesthetic preferences, and revision. For teachers and students who are eager to read about how a talented and seasoned professional feels about his career, plans lessons, and works in the field with students, Listener in the Snow will be indispensable.
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